9780307266002 - Freud at Work de Bernard, Bruce; Dawson, David (26 résultats)

Etat : acceptable. USED book in ACCEPTABLE condition. Book shows significant wear but is still a good reading copy. Cover and pages are in tact but may show creases, tears, water damage, handwriting, underlining, or highlighting. Supplemental items such as access codes and CDs not guaranteed.

Hardcover. Etat : Very Good. Etat de la jaquette : Very Good. New York: Alfred A. Knopf, 2006. Hardcover. 4to (9.5" x 10.5"). Condition is Very Good in a Very Good dust jacket. There is a fingerprint stain at bottom of one page toward the rear of book. Pages, covers, and jacket are otherwise clean and unmarked. Binding is tight. Color illustrations throughout. 256 pp.

Hardcover. Etat : Near Fine. Etat de la jaquette : Near Fine. First American Edition. Large cloth boards with embossed titles. Dust jacket has minimal edge wear. Interior is clean and unmarked. States First American Edition. May require extra postage due to weight.

Hardcover. Etat : Fine. Etat de la jaquette : Near Fine. First American edition. Square 4to. 253 pp. Fine in Near Fine dust jacket. Black cloth. Slight shelfwear and rubbing to jacket.

hardcover. Etat : near fine. Etat de la jaquette : very good(+). Lucian Freud (illustrateur). First. Profusely illustrated in color. 256 pages. Small square 4to, black cloth, d.w.; bottom 1/2 inch of front cover sunned. New York: Knopf, 2006. First American edition. A near fine copy in a very good(+) dust wrapper.

hardcover. Etat : fine. Etat de la jaquette : fine. Lucian Freud (illustrateur). First. Profusely illustrated in color. 256 pages. Small square 4to, black cloth, d.w. New York: Knopf, 2006. First edition. A fine copy in a fine dust wrapper.

Cloth. Etat : Near Fine. Etat de la jaquette : Fine. Photographs by Bruce Bernard and David Dawson (illustrateur). First American Edition. Square quarto (10 1/2" H x 9 3/8" W x 1 1/4" T); black cloth without lettering; profusely illustrated with color photos by Bruce Bernard and David Dawson with text of conversations between Lucien Freud and Sebastian Smee: all illustrative of Freud's creative processes on roughly 28 painting projects; faux marbled edpapers, 253 pages + [254-256] Photo double-spread, [257] Colophon. Weight: 3 lbs. 5 oz. Lucian Michael Freud, OM CH (1922 - 2011)--the grandson of Sigmund Freud--was a British painter and draughtsman, specialising in figurative art, and is known as one of the foremost 20th-century portraitists. Handsome photos and informative dialogue bring to life Freud's creativity. Tight and bright copy with unfoxed plates. A few traces of smudges on page edges not affecting text or plates.

hardcover. Etat : Very Good. May have light to moderate shelf wear and/or a remainder mark. Complete. Clean pages.

Hard cover. Etat : Near fine. Etat de la jaquette : Near fine. First American edition. Great condition. Binding is tight and inside is clean and unmarked.

Hard cover. Etat : Near fine. Etat de la jaquette : Good. First American edition. Nice copy. One inch tear from bottom edge of jacket spine, but jacket is protected by a mylar cover. Book itself is in excellent condition. Binding is tight and inside is clean and unmarked.

Etat : New.

Hardcover. Etat : new. Hardcover. A rare glimpse into the life of one of the most celebratedand most privateartists working today. Though in his eighties, this great figurative artist continues to paint with undiminished energy and discipline.In 120 revealing black-and-white and color photographs taken in Lucian Freuds London studio, and in a fascinating in-depth interview, we come to understand the stages of the artists work and the intensity of his interaction with his subjectswhether fellow artist David Hockney, the Queen of England, or performance artist Leigh Bowery, among others. Two remarkable photographers have been recording Freud at work over the past twenty years . The artist, uncharacteristically, allowed Bruce Bernard, the acclaimed picture editor, to photograph him in the studio, especially during the years he was working with Bowery as his model. Following Bernards death in 2000, David Dawson, the painters assistant, began photographing the daily life of the studio, showing us the progress of Freuds paintings, his modelssome naked, some famousand the painter himself caught in moments of intense concentration. Though Freud has always been reluctant to give interviews, talk about the painters he admires, or discuss how he works, his conversation here with the Australian writer Sebastian Smee is frank and revealing. Unlike any other book we have seen about Freudcomparable to David Douglas Duncans books of photographs of Picassothis important document invites us for the first time into the secret domain of the artist. "Freud at Work" is a rare glimpse into the life of one of the most celebrated— and most private— artists working today. Though in his eighties, this great figurative artist continues to paint with undiminished energy and discipline. In 120 revealing black-and-white and color photographs taken in Lucian Freud's London studio, and in a fascinating in-depth interview, we come to understand the stages of the artist's work and the intensity of his interaction with his subjects— whether fellow artist David Hockney, the Queen of England, or performance artist Leigh Bowery, among others. Two remarkable photographers have been recording Freud at work over the past twenty years . The artist, uncharacteristically, allowed Bruce Bernard, the acclaimed picture editor, to photograph him in the studio, especially during the years he was working with Bowery as his model. Following Bernard's death in 2000, David Dawson, the painter's assistant, began photographing the daily life of the studio, showing us the progress of Freud's paintings, his models— some naked, some famous— and the painter himself caught in moments of intense concentration. Though Freud has always been reluctant to give interviews, talk about the painters he admires, or discuss how he works, his conversation here with the Australian writer Sebastian Smee is frank and revealing. Unlike any other book we have seen about Freud— comparable to David Douglas Duncan's books of photographs of Picasso— this important document invites us for the first time into the secret domain of the artist. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Etat : As New. Unread book in perfect condition.

Etat : New. pp. 253.

Hardcover. Etat : New. 11/7/2006.

Hardcover. Etat : New.

Etat : New.

Hardback. Etat : New.

Dawson, David and Bruce Bernard (photographers). FREUD at Work. Includes conversation with the artist by Sebastian Smee; 256 pp., 113 color and 7 b&w photographs. 4to, cloth. New York, Alfred A. Knopf, 2006. This fascinating collection of fly-on-the-wall photographs offers unusual insight into Freud's working world, and provides all the guilty pleasure of a high-end People magazine. The images date from the 1980s to 2005, many of them previously unpublished. An interview with personal friend and (non)objective critic Sebastian Smee brings new aspects of Freud's personality and career to light.

Etat : New. pp. 253.

Etat : New.

Hardcover. Etat : new. Excellent Condition.Excels in customer satisfaction, prompt replies, and quality checks.

Etat : New. &Uumlber den AutorBruce Bernard wrote the introductory essay to the definitive monograph on Lucian Freud published by Random House in 1996, and edited Century, a vast compendium of photographs of the twentieth century, published .

Hardcover. Etat : Brand New. 250 pages. 10.50x9.75x1.25 inches. In Stock.

Hardcover. Etat : new. Hardcover. A rare glimpse into the life of one of the most celebratedand most privateartists working today. Though in his eighties, this great figurative artist continues to paint with undiminished energy and discipline.In 120 revealing black-and-white and color photographs taken in Lucian Freuds London studio, and in a fascinating in-depth interview, we come to understand the stages of the artists work and the intensity of his interaction with his subjectswhether fellow artist David Hockney, the Queen of England, or performance artist Leigh Bowery, among others. Two remarkable photographers have been recording Freud at work over the past twenty years . The artist, uncharacteristically, allowed Bruce Bernard, the acclaimed picture editor, to photograph him in the studio, especially during the years he was working with Bowery as his model. Following Bernards death in 2000, David Dawson, the painters assistant, began photographing the daily life of the studio, showing us the progress of Freuds paintings, his modelssome naked, some famousand the painter himself caught in moments of intense concentration. Though Freud has always been reluctant to give interviews, talk about the painters he admires, or discuss how he works, his conversation here with the Australian writer Sebastian Smee is frank and revealing. Unlike any other book we have seen about Freudcomparable to David Douglas Duncans books of photographs of Picassothis important document invites us for the first time into the secret domain of the artist. "Freud at Work" is a rare glimpse into the life of one of the most celebrated— and most private— artists working today. Though in his eighties, this great figurative artist continues to paint with undiminished energy and discipline. In 120 revealing black-and-white and color photographs taken in Lucian Freud's London studio, and in a fascinating in-depth interview, we come to understand the stages of the artist's work and the intensity of his interaction with his subjects— whether fellow artist David Hockney, the Queen of England, or performance artist Leigh Bowery, among others. Two remarkable photographers have been recording Freud at work over the past twenty years . The artist, uncharacteristically, allowed Bruce Bernard, the acclaimed picture editor, to photograph him in the studio, especially during the years he was working with Bowery as his model. Following Bernard's death in 2000, David Dawson, the painter's assistant, began photographing the daily life of the studio, showing us the progress of Freud's paintings, his models— some naked, some famous— and the painter himself caught in moments of intense concentration. Though Freud has always been reluctant to give interviews, talk about the painters he admires, or discuss how he works, his conversation here with the Australian writer Sebastian Smee is frank and revealing. Unlike any other book we have seen about Freud— comparable to David Douglas Duncan's books of photographs of Picasso— this important document invites us for the first time into the secret domain of the artist. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Hardback. Etat : New.