ISBN: 9780520242524 - reclaiming female agency: feminist art history after postmodernism (35 résultats)

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paperback. Etat : Good. First Edition. Ships in a BOX from Central Missouri! May not include working access code. Will not include dust jacket. Has used sticker(s) and some writing or highlighting. UPS shipping for most packages, (Priority Mail for AK/HI/APO/PO Boxes).

paperback. Etat : New. First Edition. Ships in a BOX from Central Missouri! UPS shipping for most packages, (Priority Mail for AK/HI/APO/PO Boxes).

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Etat : New.

PAP. Etat : New. New Book. Shipped from UK. Established seller since 2000.

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Etat : good. May show signs of wear, highlighting, writing, and previous use. This item may be a former library book with typical markings. No guarantee on products that contain supplements Your satisfaction is 100% guaranteed. Twenty-five year bookseller with shipments to over fifty million happy customers.…

Etat : As New. Unread book in perfect condition.

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Etat : good. May show signs of wear, highlighting, writing, and previous use. This item may be a former library book with typical markings. No guarantee on products that contain supplements Your satisfaction is 100% guaranteed. Twenty-five year bookseller with shipments to over fifty million happy customers.…

Etat : New. Challenges art history from a feminist perspective. Following their "Feminism and Art History: Questioning the Litany" (1982) and "The Expanding Discourse: Feminism and Art History" (1992), this volume identifies female agency as a central theme of feminist scholarship. It also features essays on artists and issues from the Renaissance onwards. Editor(s): Broude, Norma; Garrard, Mary D. Num Pages: 486 pages, 157 b/w photographs. BIC Classification: ABA; ACXJ8. Category: (P) Professional & Vocational. Dimension: 234 x 185 x 25. Weight in Grams: 1116. . 2005. 1st Edition. Paperback. . . . .…

Paperback. Etat : New. This volume is the third in an influential series of anthologies by editors Norma Broude and Mary D. Garrard that challenge art history from a feminist perspective. Following their "Feminism and Art History: Questioning the Litany" (1982) and "The Expanding Discourse: Feminism and Art History" (1992), this new volume identifies female agency as a central theme of recent feminist scholarship. Framed by a lucid and stimulating critical introduction, twenty-three essays on artists and issues from the Renaissance to the present, written in the 1990s and after, offer a nuanced critique of the poststructuralist premises of 1980s feminist art history.The contributors include: Allison Arieff, Janis Bergman-Carton, Babette Bohn, Norma Broude, Anna C. Chave, Julie Cole, Bridget Elliott, Mary D. Garrard, Sheila ffolliott, Darcy Grimaldo Grigsby, Ruth E. Iskin, Geraldline A. Johnson, Amelia Jones, Maud Lavin, Julie Nicoletta, Carol Ockman, Erica Rand, John B. Ravenal, Lisa Saltzman, and Mary D. Sheriff.…

Etat : new.

Paperback. Etat : New. Brand new book, sourced directly from publisher. Dispatch time is 3-4 days from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Paperback. Etat : New. This volume is the third in an influential series of anthologies by editors Norma Broude and Mary D. Garrard that challenge art history from a feminist perspective. Following their "Feminism and Art History: Questioning the Litany" (1982) and "The Expanding Discourse: Feminism and Art History" (1992), this new volume identifies female agency as a central theme of recent feminist scholarship. Framed by a lucid and stimulating critical introduction, twenty-three essays on artists and issues from the Renaissance to the present, written in the 1990s and after, offer a nuanced critique of the poststructuralist premises of 1980s feminist art history.The contributors include: Allison Arieff, Janis Bergman-Carton, Babette Bohn, Norma Broude, Anna C. Chave, Julie Cole, Bridget Elliott, Mary D. Garrard, Sheila ffolliott, Darcy Grimaldo Grigsby, Ruth E. Iskin, Geraldline A. Johnson, Amelia Jones, Maud Lavin, Julie Nicoletta, Carol Ockman, Erica Rand, John B. Ravenal, Lisa Saltzman, and Mary D. Sheriff.…

Paperback. Etat : new. Paperback. This volume is the third in an influential series of anthologies by editors Norma Broude and Mary D. Garrard that challenge art history from a feminist perspective. Following their Feminism and Art History: Questioning the Litany (1982) and The Expanding Discourse: Feminism and Art History (1992), this new volume identifies female agency as a central theme of recent feminist scholarship. Framed by a lucid and stimulating critical introduction, twenty-three essays on artists and issues from the Renaissance to the present, written in the 1990s and after, offer a nuanced critique of the poststructuralist premises of 1980s feminist art history. Contributors: Allison Arieff, Janis Bergman-Carton, Babette Bohn, Norma Broude, Anna C. Chave, Julie Cole, Bridget Elliott, Mary D. Garrard, Sheila ffolliott, Darcy Grimaldo Grigsby, Ruth E. Iskin, Geraldline A. Johnson, Amelia Jones, Maud Lavin, Julie Nicoletta, Carol Ockman, Erica Rand, John B. Ravenal, Lisa Saltzman, Mary D. Sheriff Challenges art history from a feminist perspective. Following their "Feminism and Art History: Questioning the Litany" (1982) and "The Expanding Discourse: Feminism and Art History" (1992), this volume identifies female agency as a central theme of feminist scholarship. It also features essays on artists and issues from the Renaissance onwards. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. …

Etat : New. pp. 486.

Etat : New.

Etat : As New. Unread book in perfect condition.

Etat : New. Challenges art history from a feminist perspective. Following their "Feminism and Art History: Questioning the Litany" (1982) and "The Expanding Discourse: Feminism and Art History" (1992), this volume identifies female agency as a central theme of feminist scholarship. It also features essays on artists and issues from the Renaissance onwards. Editor(s): Broude, Norma; Garrard, Mary D. Num Pages: 486 pages, 157 b/w photographs. BIC Classification: ABA; ACXJ8. Category: (P) Professional & Vocational. Dimension: 234 x 185 x 25. Weight in Grams: 1116. . 2005. 1st Edition. Paperback. . . . . Books ship from the US and Ireland.…

Etat : New. In English.

paperback. Etat : New. In shrink wrap. Looks like an interesting title.

Paperback / softback. Etat : New. New copy - Usually dispatched within 4 working days.

Etat : New. pp. 486 1st Edition.

Paperback. Etat : Brand New. 1st edition. 480 pages. 9.00x7.25x1.25 inches. In Stock.

Paperback. Etat : New. This volume is the third in an influential series of anthologies by editors Norma Broude and Mary D. Garrard that challenge art history from a feminist perspective. Following their "Feminism and Art History: Questioning the Litany" (1982) and "The Expanding Discourse: Feminism and Art History" (1992), this new volume identifies female agency as a central theme of recent feminist scholarship. Framed by a lucid and stimulating critical introduction, twenty-three essays on artists and issues from the Renaissance to the present, written in the 1990s and after, offer a nuanced critique of the poststructuralist premises of 1980s feminist art history.The contributors include: Allison Arieff, Janis Bergman-Carton, Babette Bohn, Norma Broude, Anna C. Chave, Julie Cole, Bridget Elliott, Mary D. Garrard, Sheila ffolliott, Darcy Grimaldo Grigsby, Ruth E. Iskin, Geraldline A. Johnson, Amelia Jones, Maud Lavin, Julie Nicoletta, Carol Ockman, Erica Rand, John B. Ravenal, Lisa Saltzman, and Mary D. Sheriff.…