Edité par Cambridge University Press, 1997
ISBN 10 : 0521034906 ISBN 13 : 9780521034906
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Edité par Cambridge University Press, 2006
ISBN 10 : 0521034906 ISBN 13 : 9780521034906
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Edité par Cambridge University Press 2008-08-21, 2008
ISBN 10 : 0521034906 ISBN 13 : 9780521034906
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Edité par Cambridge University Press, 2006
ISBN 10 : 0521034906 ISBN 13 : 9780521034906
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Edité par Cambridge University Press, Cambridge, 2006
ISBN 10 : 0521034906 ISBN 13 : 9780521034906
Langue: anglais
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Ajouter au panierPaperback. Etat : new. Paperback. The Reformation of the Subject is a study of the cultural contradictions that gave birth to the English Protestant epic. In lucid and theoretically sophisticated language, Linda Gregerson examines the fraught ideological, political and gender conflicts that are woven into the texture of The Faerie Queene and Paradise Lost. She reminds us that Reformation iconoclasts viewed verbal images with the same aversion as visual images, because they too were capable of waylaying the human imagination. Through a series of detailed readings, Gregerson examines the different strategies adopted by Spenser and Milton as they sought to distinguish their poems from idols yet preserve the shaping power that iconoclasts have long attributed to icons. Tracing the transformation of the epic poem into an instrument for the reformation of the political subject, Gregerson thus provides an illuminating contribution to our understanding of the ways in which subjectivities are historically produced. Reformation iconoclasts viewed verbal images with the same distrust and aversion as visual images, because they too were capable of shaping and thus waylaying the human imagination; and yet the Reformation also produced the defining monuments of English epic. In an extended analysis, both lucid and theoretically sophisticated, Linda Gregerson traces the contradictory cultural roots of The Faerie Queene and Paradise Lost, illuminating the ideological, political, and gender conflicts that Spenser and Milton confronted as they transformed the epic poem into an instrument for the reformation of the political subject. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.
Edité par Cambridge University Press, 2006
ISBN 10 : 0521034906 ISBN 13 : 9780521034906
Langue: anglais
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Ajouter au panierTaschenbuch. Etat : Neu. Druck auf Anfrage Neuware - Printed after ordering - The Reformation of the Subject is a study of the cultural contradictions that gave birth to the English Protestant epic. In lucid and theoretically sophisticated language, Linda Gregerson examines the fraught ideological, political and gender conflicts that are woven into the texture of The Faerie Queene and Paradise Lost. She reminds us that Reformation iconoclasts viewed verbal images with the same aversion as visual images, because they too were capable of waylaying the human imagination. Through a series of detailed readings, Gregerson examines the different strategies adopted by Spenser and Milton as they sought to distinguish their poems from idols yet preserve the shaping power that iconoclasts have long attributed to icons. Tracing the transformation of the epic poem into an instrument for the reformation of the political subject, Gregerson thus provides an illuminating contribution to our understanding of the ways in which subjectivities are historically produced.
Edité par Cambridge University Press, Cambridge, 2006
ISBN 10 : 0521034906 ISBN 13 : 9780521034906
Langue: anglais
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Ajouter au panierPaperback. Etat : new. Paperback. The Reformation of the Subject is a study of the cultural contradictions that gave birth to the English Protestant epic. In lucid and theoretically sophisticated language, Linda Gregerson examines the fraught ideological, political and gender conflicts that are woven into the texture of The Faerie Queene and Paradise Lost. She reminds us that Reformation iconoclasts viewed verbal images with the same aversion as visual images, because they too were capable of waylaying the human imagination. Through a series of detailed readings, Gregerson examines the different strategies adopted by Spenser and Milton as they sought to distinguish their poems from idols yet preserve the shaping power that iconoclasts have long attributed to icons. Tracing the transformation of the epic poem into an instrument for the reformation of the political subject, Gregerson thus provides an illuminating contribution to our understanding of the ways in which subjectivities are historically produced. Reformation iconoclasts viewed verbal images with the same distrust and aversion as visual images, because they too were capable of shaping and thus waylaying the human imagination; and yet the Reformation also produced the defining monuments of English epic. In an extended analysis, both lucid and theoretically sophisticated, Linda Gregerson traces the contradictory cultural roots of The Faerie Queene and Paradise Lost, illuminating the ideological, political, and gender conflicts that Spenser and Milton confronted as they transformed the epic poem into an instrument for the reformation of the political subject. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
Edité par Cambridge University Press, 2006
ISBN 10 : 0521034906 ISBN 13 : 9780521034906
Langue: anglais
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Edité par Cambridge University Press, Cambridge, 2006
ISBN 10 : 0521034906 ISBN 13 : 9780521034906
Langue: anglais
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Edition originale
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Ajouter au panierPaperback. Etat : new. Paperback. The Reformation of the Subject is a study of the cultural contradictions that gave birth to the English Protestant epic. In lucid and theoretically sophisticated language, Linda Gregerson examines the fraught ideological, political and gender conflicts that are woven into the texture of The Faerie Queene and Paradise Lost. She reminds us that Reformation iconoclasts viewed verbal images with the same aversion as visual images, because they too were capable of waylaying the human imagination. Through a series of detailed readings, Gregerson examines the different strategies adopted by Spenser and Milton as they sought to distinguish their poems from idols yet preserve the shaping power that iconoclasts have long attributed to icons. Tracing the transformation of the epic poem into an instrument for the reformation of the political subject, Gregerson thus provides an illuminating contribution to our understanding of the ways in which subjectivities are historically produced. Reformation iconoclasts viewed verbal images with the same distrust and aversion as visual images, because they too were capable of shaping and thus waylaying the human imagination; and yet the Reformation also produced the defining monuments of English epic. In an extended analysis, both lucid and theoretically sophisticated, Linda Gregerson traces the contradictory cultural roots of The Faerie Queene and Paradise Lost, illuminating the ideological, political, and gender conflicts that Spenser and Milton confronted as they transformed the epic poem into an instrument for the reformation of the political subject. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Vendeur : Revaluation Books, Exeter, Royaume-Uni
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Ajouter au panierPaperback. Etat : Brand New. 1st edition. 293 pages. 8.98x5.98x0.79 inches. In Stock. This item is printed on demand.
Edité par Cambridge University Press, 2006
ISBN 10 : 0521034906 ISBN 13 : 9780521034906
Langue: anglais
Vendeur : moluna, Greven, Allemagne
EUR 54,70
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Ajouter au panierEtat : New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Reformation iconclasts viewed the verbal images of poetry with distrust - yet the Reformation also produced the defining monuments of English epic. Linda Gregerson traces the ideological, political, and gender conflicts that Spenser and Milton confronted as.