Isbn: 9780521120821 - modernist writing and reactionary politics (11 résultats)

Etat : New.

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Etat : New. Ferrall offers insights into the relation between modernist aesthetics, technology and politics. Num Pages: 212 pages, black & white illustrations. BIC Classification: DSB. Category: (P) Professional & Vocational. Dimension: 229 x 152 x 12. Weight in Grams: 320. . 2009. 1st Edition. paperback. . . . . …

Etat : New. In English.

Etat : New. Ferrall offers insights into the relation between modernist aesthetics, technology and politics. Num Pages: 212 pages, black & white illustrations. BIC Classification: DSB. Category: (P) Professional & Vocational. Dimension: 229 x 152 x 12. Weight in Grams: 320. . 2009. 1st Edition. paperback. . . . . Books ship from the US and Ireland. …

paperback. Etat : Gut. 212 Seiten; 9780521120821.3 Gewicht in Gramm: 500.

Etat : New. Print on Demand pp. 212 2:B&W 6 x 9 in or 229 x 152 mm Perfect Bound on Creme w/Gloss Lam.

Etat : New. Print on Demand pp. 212.

Etat : New. PRINT ON DEMAND pp. 212.

Paperback. Etat : new. Paperback. In Modernist Writing and Reactionary Politics, Charles Ferrall argues that the politics of Yeats, Pound, Eliot, Lawrence, and Wyndham Lewis were a response to the separation of art from an increasingly industrialised society. Fascism became attractive to these writers because it promised to reintegrate art into society while simultaneously guaranteeing its autonomy. Yet with the exception of Pound and Yeats, these writers all finally rejected fascism, preferring instead to see the aesthetic as a sphere in permanent opposition to liberal democracy, rather than the basis for a new social order. Individual chapters focus on Yeats and decolonisation, Pound and 'the Jews', Eliot and the uncanny, and Lawrence and homosexuality, and Lewis and the Cartesian primitive. Ferrall's account of why some of the greatest writers of the early twentieth century became involved in reactionary politics offers insights into the relation between modernist aesthetics, technology and avant-gardism. Ferrall argues that the politics of Yeats, Pound, Eliot, Lawrence, and Wyndham Lewis were a response to the separation of art from an increasingly industrialised society. Fascism became attractive to these writers because it promised to reintegrate art into society while simultaneously guaranteeing its autonomy. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…

Etat : New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Ferrall argues that the politics of Yeats, Pound, Eliot, Lawrence, and Wyndham Lewis were a response to the separation of art from an increasingly industrialised society. Fascism became attractive to these writers because it promised to reintegrate art into.…