9780674008021 - the arcades project par benjamin, walter (46 résultats)
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Langue : anglais
Edité par Belknap Press: An Imprint of Harvard University Press, 2002
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Langue : anglais
Edité par Belknap Press: An Imprint of Harvard University Press, 2002
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Autres imagesLangue : anglais
Edité par Belknap Press: An Imprint of Harvard University Pr, 2002
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Paperback. Etat : Like New. First Edition. First Edition, First Printing. Published by Belknap Press: An Imprint of Harvard University Pr, 2002. Octavo. Paperback. Book is like new.
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Langue : anglais
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Softcover. Etat : Near Fine. Tight square unmarked book in crisp covers.; 165.1 X 44.45 X 254 millimeters; 1088 pages.
Langue : anglais
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Paperback or Softback. Etat : New. Arcades Project P. Book.
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Trade Paperback. Etat : Good. First Thus. First Harvard University Press paperback edition 2002; fourth printing 2003. Stretching to top front edge and light corner wear to front cover. Clean, white unmarked pages; inked inscription on half title page. All Orders Shipped With Tracking And Delivery Confirmation Numbers.
Langue : anglais
Edité par Belknap Press: An Imprint of Harvard University Press, 2002
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paperback. Etat : New. Condition Notes: New from the publisher.
Langue : anglais
Edité par Harvard University Press, Cambridge, Mass., 2002
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Paperback. Etat : new. Paperback. "To great writers," Walter Benjamin once wrote, "finished works weigh lighter than those fragments on which they labor their entire lives." Conceived in Paris in 1927 and still in progress when Benjamin fled the Occupation in 1940, The Arcades Project (in German, Das Passagen-Werk) is a monument…al ruin, meticulously constructed over the course of thirteen years--"the theater," as Benjamin called it, "of all my struggles and all my ideas." Focusing on the arcades of nineteenth-century Paris-glass-roofed rows of shops that were early centers of consumerism--Benjamin presents a montage of quotations from, and reflections on, hundreds of published sources, arranging them in thirty-six categories with descriptive rubrics such as "Fashion," "Boredom," "Dream City," "Photography," "Catacombs," "Advertising," "Prostitution," "Baudelaire," and "Theory of Progress." His central preoccupation is what he calls the commodification of things--a process in which he locates the decisive shift to the modern age.The Arcades Project is Benjamin's effort to represent and to critique the bourgeois experience of nineteenth-century history, and, in so doing, to liberate the suppressed "true history" that underlay the ideological mask. In the bustling, cluttered arcades, street and interior merge and historical time is broken up into kaleidoscopic distractions and displays of ephemera. Here, at a distance from what is normally meant by "progress," Benjamin finds the lost time(s) embedded in the spaces of things. Conceived in Paris in 1927 and still in progress when Benjamin fled the Occupation in 1940, The Arcades Project is Benjamin's effort to represent and to critique the bourgeois experience of nineteenth-century history, and, in so doing, to liberate the suppressed "true history" that underlay the ideological mask. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Langue : anglais
Edité par Belknap Press: An Imprint of Harvard University Press, 2002
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Paperback. Etat : New. "To great writers," Walter Benjamin once wrote, "finished works weigh lighter than those fragments on which they labor their entire lives." Conceived in Paris in 1927 and still in progress when Benjamin fled the Occupation in 1940, The Arcades Project (in German, Das Passagen-Werk) is a monumental ruin, me…ticulously constructed over the course of thirteen years--"the theater," as Benjamin called it, "of all my struggles and all my ideas." Focusing on the arcades of nineteenth-century Paris-glass-roofed rows of shops that were early centers of consumerism--Benjamin presents a montage of quotations from, and reflections on, hundreds of published sources, arranging them in thirty-six categories with descriptive rubrics such as "Fashion," "Boredom," "Dream City," "Photography," "Catacombs," "Advertising," "Prostitution," "Baudelaire," and "Theory of Progress." His central preoccupation is what he calls the commodification of things--a process in which he locates the decisive shift to the modern age.The Arcades Project is Benjamin's effort to represent and to critique the bourgeois experience of nineteenth-century history, and, in so doing, to liberate the suppressed "true history" that underlay the ideological mask. In the bustling, cluttered arcades, street and interior merge and historical time is broken up into kaleidoscopic distractions and displays of ephemera. Here, at a distance from what is normally meant by "progress," Benjamin finds the lost time(s) embedded in the spaces of things.
Langue : anglais
Edité par Belknap Press: An Imprint of Harvard University Press, 2002
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Etat : New. In English.
Langue : anglais
Edité par Belknap Press: An Imprint of Harvard University Press, 2002
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Langue : anglais
Edité par The Belknap Press of Harvard University Press, 1999
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Paperback. Etat : New. "To great writers," Walter Benjamin once wrote, "finished works weigh lighter than those fragments on which they labor their entire lives." Conceived in Paris in 1927 and still in progress when Benjamin fled the Occupation in 1940, The Arcades Project (in German, Das Passagen-Werk) is a monumental ruin, me…ticulously constructed over the course of thirteen years--"the theater," as Benjamin called it, "of all my struggles and all my ideas." Focusing on the arcades of nineteenth-century Paris-glass-roofed rows of shops that were early centers of consumerism--Benjamin presents a montage of quotations from, and reflections on, hundreds of published sources, arranging them in thirty-six categories with descriptive rubrics such as "Fashion," "Boredom," "Dream City," "Photography," "Catacombs," "Advertising," "Prostitution," "Baudelaire," and "Theory of Progress." His central preoccupation is what he calls the commodification of things--a process in which he locates the decisive shift to the modern age.The Arcades Project is Benjamin's effort to represent and to critique the bourgeois experience of nineteenth-century history, and, in so doing, to liberate the suppressed "true history" that underlay the ideological mask. In the bustling, cluttered arcades, street and interior merge and historical time is broken up into kaleidoscopic distractions and displays of ephemera. Here, at a distance from what is normally meant by "progress," Benjamin finds the lost time(s) embedded in the spaces of things.
Langue : anglais
Edité par Belknap Press: An Imprint of Harvard University Press, 2002
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Etat : New. 2002. Third Printing. Paperback. This work is Benjamin's effort to represent and to critique the bourgeois experience of 19th century history. In it, he looks at 'les passage' of Paris, which he considered the most important architectural forms of the 19th century and which he linked with a number of phenomena charac…teristic of that century's preoccupations. Editor(s): Tiedemann, Rolf. Translator(s): McLaughlin, Kevin; Eiland, Howard. Num Pages: 1088 pages, 42 halftones. BIC Classification: 1D; 2AB; DNF; HBJD; HBLL. Category: (P) Professional & Vocational; (U) Tertiary Education (US: College). Dimension: 254 x 161 x 48. Weight in Grams: 1536. . . . . .
Langue : anglais
Edité par Belknap Press: An Imprint of Harvard University Press, 2002
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Paperback. Etat : Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
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Taschenbuch. Etat : Neu. Neuware -'To great writers,' Walter Benjamin once wrote, 'finished works weigh lighter than those fragments on which they labor their entire lives.' Conceived in Paris in 1927 and still in progress when Benjamin fled the Occupation in 1940, The Arcades Project (in German, Das Passagen-Werk) is a monument…al ruin, meticulously constructed over the course of thirteen years--'the theater,' as Benjamin called it, 'of all my struggles and all my ideas.' Focusing on the arcades of nineteenth-century Paris-glass-roofed rows of shops that were early centers of consumerism--Benjamin presents a montage of quotations from, and reflections on, hundreds of published sources, arranging them in thirty-six categories with descriptive rubrics such as 'Fashion,' 'Boredom,' 'Dream City,' 'Photography,' 'Catacombs,' 'Advertising,' 'Prostitution,' 'Baudelaire,' and 'Theory of Progress.' His central preoccupation is what he calls the commodification of things--a process in which he locates the decisive shift to the modern age.The Arcades Project is Benjamin's effort to represent and to critique the bourgeois experience of nineteenth-century history, and, in so doing, to liberate the suppressed 'true history' that underlay the ideological mask. In the bustling, cluttered arcades, street and interior merge and historical time is broken up into kaleidoscopic distractions and displays of ephemera. Here, at a distance from what is normally meant by 'progress,' Benjamin finds the lost time(s) embedded in the spaces of things. 1088 pp. Englisch.
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Taschenbuch. Etat : Neu. Neuware -'To great writers,' Walter Benjamin once wrote, 'finished works weigh lighter than those fragments on which they labor their entire lives.' Conceived in Paris in 1927 and still in progress when Benjamin fled the Occupation in 1940, The Arcades Project (in German, Das Passagen-Werk) is a monument…al ruin, meticulously constructed over the course of thirteen years--'the theater,' as Benjamin called it, 'of all my struggles and all my ideas.' Focusing on the arcades of nineteenth-century Paris-glass-roofed rows of shops that were early centers of consumerism--Benjamin presents a montage of quotations from, and reflections on, hundreds of published sources, arranging them in thirty-six categories with descriptive rubrics such as 'Fashion,' 'Boredom,' 'Dream City,' 'Photography,' 'Catacombs,' 'Advertising,' 'Prostitution,' 'Baudelaire,' and 'Theory of Progress.' His central preoccupation is what he calls the commodification of things--a process in which he locates the decisive shift to the modern age.The Arcades Project is Benjamin's effort to represent and to critique the bourgeois experience of nineteenth-century history, and, in so doing, to liberate the suppressed 'true history' that underlay the ideological mask. In the bustling, cluttered arcades, street and interior merge and historical time is broken up into kaleidoscopic distractions and displays of ephemera. Here, at a distance from what is normally meant by 'progress,' Benjamin finds the lost time(s) embedded in the spaces of things. 1088 pp. Englisch.
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Paperback. Etat : Brand New. 1088 pages. 10.00x6.00x1.75 inches. In Stock.
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Taschenbuch. Etat : Neu. Neuware -'To great writers,' Walter Benjamin once wrote, 'finished works weigh lighter than those fragments on which they labor their entire lives.' Conceived in Paris in 1927 and still in progress when Benjamin fled the Occupation in 1940, The Arcades Project (in German, Das Passagen-Werk) is a monument…al ruin, meticulously constructed over the course of thirteen years--'the theater,' as Benjamin called it, 'of all my struggles and all my ideas.' Focusing on the arcades of nineteenth-century Paris-glass-roofed rows of shops that were early centers of consumerism--Benjamin presents a montage of quotations from, and reflections on, hundreds of published sources, arranging them in thirty-six categories with descriptive rubrics such as 'Fashion,' 'Boredom,' 'Dream City,' 'Photography,' 'Catacombs,' 'Advertising,' 'Prostitution,' 'Baudelaire,' and 'Theory of Progress.' His central preoccupation is what he calls the commodification of things--a process in which he locates the decisive shift to the modern age.The Arcades Project is Benjamin's effort to represent and to critique the bourgeois experience of nineteenth-century history, and, in so doing, to liberate the suppressed 'true history' that underlay the ideological mask. In the bustling, cluttered arcades, street and interior merge and historical time is broken up into kaleidoscopic distractions and displays of ephemera. Here, at a distance from what is normally meant by 'progress,' Benjamin finds the lost time(s) embedded in the spaces of things.
Langue : anglais
Edité par Harvard University Press, Cambridge, Mass., 2002
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Paperback. Etat : new. Paperback. "To great writers," Walter Benjamin once wrote, "finished works weigh lighter than those fragments on which they labor their entire lives." Conceived in Paris in 1927 and still in progress when Benjamin fled the Occupation in 1940, The Arcades Project (in German, Das Passagen-Werk) is a monument…al ruin, meticulously constructed over the course of thirteen years--"the theater," as Benjamin called it, "of all my struggles and all my ideas." Focusing on the arcades of nineteenth-century Paris-glass-roofed rows of shops that were early centers of consumerism--Benjamin presents a montage of quotations from, and reflections on, hundreds of published sources, arranging them in thirty-six categories with descriptive rubrics such as "Fashion," "Boredom," "Dream City," "Photography," "Catacombs," "Advertising," "Prostitution," "Baudelaire," and "Theory of Progress." His central preoccupation is what he calls the commodification of things--a process in which he locates the decisive shift to the modern age.The Arcades Project is Benjamin's effort to represent and to critique the bourgeois experience of nineteenth-century history, and, in so doing, to liberate the suppressed "true history" that underlay the ideological mask. In the bustling, cluttered arcades, street and interior merge and historical time is broken up into kaleidoscopic distractions and displays of ephemera. Here, at a distance from what is normally meant by "progress," Benjamin finds the lost time(s) embedded in the spaces of things. Conceived in Paris in 1927 and still in progress when Benjamin fled the Occupation in 1940, The Arcades Project is Benjamin's effort to represent and to critique the bourgeois experience of nineteenth-century history, and, in so doing, to liberate the suppressed "true history" that underlay the ideological mask. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
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Etat : New. pp. 1088.
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Etat : New. 2002. Third Printing. Paperback. This work is Benjamin's effort to represent and to critique the bourgeois experience of 19th century history. In it, he looks at 'les passage' of Paris, which he considered the most important architectural forms of the 19th century and which he linked with a number of phenomena charac…teristic of that century's preoccupations. Editor(s): Tiedemann, Rolf. Translator(s): McLaughlin, Kevin; Eiland, Howard. Num Pages: 1088 pages, 42 halftones. BIC Classification: 1D; 2AB; DNF; HBJD; HBLL. Category: (P) Professional & Vocational; (U) Tertiary Education (US: College). Dimension: 254 x 161 x 48. Weight in Grams: 1536. . . . . . Books ship from the US and Ireland.
