ISBN: 9780714836607 - mona hatoum (45 résultats)

Paperback. Etat : Very Good-. Front cover scratch else near fine; Contemporary Artists (Phaidon; 4to - over 9¾ - 12" tall.

Etat : Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

paperback. Etat : Very Good. May have light to moderate shelf wear and/or a remainder mark. Complete. Clean pages.

Etat : Very Good. Great shape! Has a publisher remainder mark. paperback Used - Very Good 1997.

Etat : Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Etat : Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Etat : Very Good. Etat de la jaquette : 8050322. 1792209452. 10/17/2026 3:57:32 AM.

Paperback. Etat : Very Good.

Etat : Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. Book contains pencil markings. In fair condition, suitable as a study copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1000grams, ISBN:9780714836607.…

Etat : Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1100grams, ISBN:9780714836607.

Paperback. Etat : Good. No Jacket. Some light wear. Text is clean and tight in binding, no ownership or other markings. Due to size, this book will require additional shipping outside the U.S. Size: 4to - over 9¾" - 12" tall.

Etat : Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. Clean from markings. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1100grams, ISBN:9780714836607. …

Etat : Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. Clean from markings In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1100grams, ISBN:9780714836607. …

Soft cover. Etat : New. New from our store. Still in original publisher's shrink wrap.

Etat : As New.

Softcover with dustjacket, 160 pages; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Couverture souple. Etat : Bon. Etat de la jaquette : Bon. 1ère Édition. Art contemporain, couverture souple avec jaquette, en anglais.

Paperback. Etat : Used-Very Good. Pap. Minor shelf wear. Else a bright, clean copy.

PAP. Etat : New. New Book. Shipped from UK. Established seller since 2000.

Etat : Very Good. Light scuffs & scratches to softcover, light knock & creasing to top front corner. Black marker on the textblock edge. Content is like new.

Etat : New. An exploration of the artist's powerful evocations of statelessness, otherness and denial. Series: Contemporary Artists Series. Num Pages: 160 pages, 100 colour plates & 30 b&w halftones. BIC Classification: AFKP; AGB; JFFK. Category: (G) General (US: Trade). Dimension: 290 x 252 x 18. Weight in Grams: 1032. . 1997. First. Paperback. . . . . …

Paperback. Etat : New. Brand new book, sourced directly from publisher. Dispatch time is 6-7 days from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

1st edition. A tidy copy, almost as-new. Used - Very Good. VG paperback in VG dust jacket Used - Very Good. VG paperback in VG dust jacket.

Etat : new.

Etat : New. pp. 160.

Paperback. Etat : New. Mona Hatoum creates events, videos, sculptures and installations that relate to the body, to language and to the condition of exile. Her most famous work Corps Etranger, first shown at the Tate Gallery when she was nominated for the Turner Prize in 1995, takes the viewer on a journey through the inner passages of the artist's body.Her audience is thrown into a dimension in which anything is possible, as in The Light at the End, which lures viewers down a long tunnel towards a light that will literally burn them. While her video work is often visceral and emotive, her sculptures and environments are ultra cool and minimal in their aesthetic. They often mimic domestic or institutional furniture, yet their designs and materials have a threatening edge. Exquisitely beautiful, Hatoum's works are at the same time powerful evocations of statelessness, anxiety, denial and otherness.Since Hatoum was exiled to London, where she has lived and worked since the 1970s, she has exhibited her work around the world, including the Centre Pompidou in Paris and the Venice Biennale. This book surveys all her work, ranging from early performances, through to her videos, objects and full-scale environments.The distinguished art critic Guy Brett, author of Through Our Own Eyes: Popular Art and Modern History (1986), explores key themes around a sense of place, the body and communication that emerge from Hatoum's range of work. The artist describes a chronology of practice in conversation with Michael Archer, writer, curator and co-founder of London's Audio Arts sound archive. Director of the Kanaal Art Foundation Catherine de Zegher makes a complex and provocative analysis of Recollection, a work she commissioned for a sixteenth-century beguinage. Hatoum has chosen a text by the influential Palestinian author Edward Said as well as a statement from the noted Italian post-war sculptor and performance artist Piero Manzoni. The book also includes Hatoum's own notes, statements and interviews.…

Etat : New. An exploration of the artist's powerful evocations of statelessness, otherness and denial. Series: Contemporary Artists Series. Num Pages: 160 pages, 100 colour plates & 30 b&w halftones. BIC Classification: AFKP; AGB; JFFK. Category: (G) General (US: Trade). Dimension: 290 x 252 x 18. Weight in Grams: 1032. . 1997. First. Paperback. . . . . Books ship from the US and Ireland. …

Paperback. Etat : new. Paperback. Mona Hatoum creates events, videos, sculptures and installations that relate to the body, to language and to the condition of exile. Her most famous work Corps Etranger, first shown at the Tate Gallery when she was nominated for the Turner Prize in 1995, takes the viewer on a journey through the inner passages of the artist's body. Her audience is thrown into a dimension in which anything is possible, as in The Light at the End, which lures viewers down a long tunnel towards a light that will literally burn them. While her video work is often visceral and emotive, her sculptures and environments are ultra cool and minimal in their aesthetic. They often mimic domestic or institutional furniture, yet their designs and materials have a threatening edge. Exquisitely beautiful, Hatoum's works are at the same time powerful evocations of statelessness, anxiety, denial and otherness.Since Hatoum was exiled to London, where she has lived and worked since the 1970s, she has exhibited her work around the world, including the Centre Pompidou in Paris and the Venice Biennale. This book surveys all her work, ranging from early performances, through to her videos, objects and full-scale environments. The distinguished art critic Guy Brett, author of Through Our Own Eyes: Popular Art and Modern History (1986), explores key themes around a sense of place, the body and communication that emerge from Hatoum's range of work. The artist describes a chronology of practice in conversation with Michael Archer, writer, curator and co-founder of London's Audio Arts sound archive. Director of the Kanaal Art Foundation Catherine de Zegher makes a complex and provocative analysis of Recollection, a work she commissioned for a sixteenth-century beguinage. Hatoum has chosen a text by the influential Palestinian author Edward Said as well as a statement from the noted Italian post-war sculptor and performance artist Piero Manzoni. The book also includes Hatoum's own notes, statements and interviews. An exploration of the artist's powerful evocations of statelessness, otherness and denial. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Paperback. Etat : Brand New. 160 pages. 11.50x10.00x0.75 inches. In Stock.

Etat : Used Like New. NEW & UNREAD. Light storage wear to the jacket. Black marker on the foredge of the textblock. Content as new.