ISBN: 9780719081736 - after the event: new perspectives on art history (22 résultats)

Etat : Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Etat : Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. Dust jacket in good condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,800grams, ISBN:9780719081736. …

Hardcover. Etat : As New. Etat de la jaquette : Very Good. 1st Edition.

Etat : As New. Unread book in perfect condition.

HRD. Etat : New. New Book. Shipped from UK. Established seller since 2000.

Etat : New.

Etat : Used. pp. xiv + 243.

Etat : New.

Etat : Used. pp. xiv + 243 Illus.

Etat : As New. Unread book in perfect condition.

Hardback. Etat : New. New copy - Usually dispatched within 4 working days.

Etat : Used. pp. xiv + 243.

Etat : New. In English.

Etat : New. A new approach to art history from an inter-disciplinary and global perspective with a focus on the event and its repercussions. Editor(s): Merewether, Charles; Potts, John. Series Editor(s): Jones, Amelia; Meskimmon, Marsha. Series: Rethinking Art's Histories. Num Pages: 264 pages, Illustrations, black & white. BIC Classification: ACX. Category: (UF) Further/Higher Education. Dimension: 243 x 166 x 18. Weight in Grams: 714. . 2010. Illustrated. hardcover. . . . . …

Hardback. Etat : New. The event occurs in and over time; the aftermath concerns the traces, which are frozen into images, objects, re-presentations. Traditionally, art history is written in the aftermath as representational. A different perspective on the visual arts is opened up when scholars insist on exploring the status of the event itself, allowing temporality to remain in place. By focusing on the event, recognition of the complex character of the traces becomes all the more evident, challenging the singularity of representation itself. This book opens up debates on art history and theory to a broad range of perspectives, offering fresh approaches to art history and media culture alongside diverse investigations into cross-cultural and non-Western art practices. The essays draw together a wide and regionally diverse range of scholars from numerous areas, including film and documentary studies, philosophy, intellectual and cultural history, media theory and performance studies, as well as art history and theory.…

Hardcover. Etat : Brand New. 1st edition. 272 pages. 9.29x6.22x0.94 inches. In Stock.

Etat : New. A new approach to art history from an inter-disciplinary and global perspective with a focus on the event and its repercussions. Editor(s): Merewether, Charles; Potts, John. Series Editor(s): Jones, Amelia; Meskimmon, Marsha. Series: Rethinking Art's Histories. Num Pages: 264 pages, Illustrations, black & white. BIC Classification: ACX. Category: (UF) Further/Higher Education. Dimension: 243 x 166 x 18. Weight in Grams: 714. . 2010. Illustrated. hardcover. . . . . Books ship from the US and Ireland. …

Gebunden. Etat : New. A new approach to art history from an inter-disciplinary and global perspective with a focus on the event and its repercussions. -- .&Uumlber den AutorCharles Merewether is an art historian and curator. John Potts is Associate Profe.

Hardcover. Etat : new. Hardcover. The event occurs in and over time; the aftermath concerns the traces, which are frozen into images, objects, re-presentations. Traditionally, art history is written in the aftermath as representational. A different perspective on the visual arts is opened up when scholars insist on exploring the status of the event itself, allowing temporality to remain in place. By focusing on the event, recognition of the complex character of the traces becomes all the more evident, challenging the singularity of representation itself.This book opens up debates on art history and theory to a broad range of perspectives, offering fresh approaches to art history and media culture alongside diverse investigations into cross-cultural and non-Western art practices. The essays draw together a wide and regionally diverse range of scholars from numerous areas, including film and documentary studies, philosophy, intellectual and cultural history, media theory and performance studies, as well as art history and theory. -- . A new approach to art history from an inter-disciplinary and global perspective with a focus on the event and its repercussions. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Buch. Etat : Neu. Neuware - The event occurs in and over time; the aftermath concerns the traces, which are frozen into images, objects, re-presentations. Traditionally, art history is written in the aftermath as representational. A different perspective on the visual arts is opened up when scholars insist on exploring the status of the event itself, allowing temporality to remain in place. By focusing on the event, recognition of the complex character of the traces becomes all the more evident, challenging the singularity of representation itself. This book opens up debates on art history and theory to a broad range of perspectives, offering fresh approaches to art history and media culture alongside diverse investigations into cross-cultural and non-Western art practices. The essays draw together a wide and regionally diverse range of scholars from numerous areas, including film and documentary studies, philosophy, intellectual and cultural history, media theory and performance studies, as well as art history and theory.…

Hardback. Etat : New. The event occurs in and over time; the aftermath concerns the traces, which are frozen into images, objects, re-presentations. Traditionally, art history is written in the aftermath as representational. A different perspective on the visual arts is opened up when scholars insist on exploring the status of the event itself, allowing temporality to remain in place. By focusing on the event, recognition of the complex character of the traces becomes all the more evident, challenging the singularity of representation itself. This book opens up debates on art history and theory to a broad range of perspectives, offering fresh approaches to art history and media culture alongside diverse investigations into cross-cultural and non-Western art practices. The essays draw together a wide and regionally diverse range of scholars from numerous areas, including film and documentary studies, philosophy, intellectual and cultural history, media theory and performance studies, as well as art history and theory.…

Hardcover. Etat : Brand New. 1st edition. 272 pages. 9.29x6.22x0.94 inches. In Stock.