Edité par Johns Hopkins University Press, 2003
ISBN 10 : 0801871670 ISBN 13 : 9780801871672
Langue: anglais
Vendeur : Better World Books: West, Reno, NV, Etats-Unis
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Ajouter au panierEtat : Very Good. Former library book; may include library markings. Used book that is in excellent condition. May show signs of wear or have minor defects.
Edité par Johns Hopkins University Press, 2003
ISBN 10 : 0801871670 ISBN 13 : 9780801871672
Langue: anglais
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Ajouter au panierHardcover. Etat : Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less 3.12.
Edité par Johns Hopkins University Press, 2003
ISBN 10 : 0801871670 ISBN 13 : 9780801871672
Langue: anglais
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Ajouter au panierHardcover. Etat : Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less 3.12.
Edité par The John Hopkins University Press, Baltimore, 2003
ISBN 10 : 0801871670 ISBN 13 : 9780801871672
Langue: anglais
Vendeur : Small World Books, Rochester, NY, Etats-Unis
Edition originale Signé
EUR 17,78
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Ajouter au panierHardcover. Etat : Very Good. Etat de la jaquette : No DJ. 1st Edition. Full number line. Signed by Gretchen Gardner on title page below author's name. Author's short inscription off to side of page. Boards clean, some scuffing and light shelf wear. Spine square and clean. Binding sound. Contents unmarked & clean. Signed by Author(s).
Edité par Johns Hopkins University Press, 2003
ISBN 10 : 0801871670 ISBN 13 : 9780801871672
Langue: anglais
Vendeur : GoldBooks, Denver, CO, Etats-Unis
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Ajouter au panierEtat : new.
Edité par Johns Hopkins University Press, 2003
ISBN 10 : 0801871670 ISBN 13 : 9780801871672
Langue: anglais
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Ajouter au panierEtat : New.
Edité par Johns Hopkins University Press, 2003
ISBN 10 : 0801871670 ISBN 13 : 9780801871672
Langue: anglais
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Ajouter au panierEtat : Acceptable. Used - Acceptable. Dust cover damaged. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library with wear and barcode page may have been removed. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.
Edité par Johns Hopkins University Press, 2003
ISBN 10 : 0801871670 ISBN 13 : 9780801871672
Langue: anglais
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Ajouter au panierHardcover. Etat : new. Excellent Condition.Excels in customer satisfaction, prompt replies, and quality checks.
Edité par Johns Hopkins University Press, 2003
ISBN 10 : 0801871670 ISBN 13 : 9780801871672
Langue: anglais
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EUR 42,50
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Ajouter au panierEtat : As New. Unread book in perfect condition.
Edité par Johns Hopkins University Press, 2003
ISBN 10 : 0801871670 ISBN 13 : 9780801871672
Langue: anglais
Vendeur : PBShop.store US, Wood Dale, IL, Etats-Unis
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Ajouter au panierHRD. Etat : New. New Book. Shipped from UK. Established seller since 2000.
Edité par Johns Hopkins University Press, 2003
ISBN 10 : 0801871670 ISBN 13 : 9780801871672
Langue: anglais
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Ajouter au panierHRD. Etat : New. New Book. Shipped from UK. Established seller since 2000.
Edité par Johns Hopkins University Press, Baltimore, MD, 2003
ISBN 10 : 0801871670 ISBN 13 : 9780801871672
Langue: anglais
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Ajouter au panierHardcover. Etat : new. Hardcover. American photographers documented and defined the 20th century in an array of images, the style and content of which evolved dramatically over the course of the century. In this book, photographer and art historian Gretchen Garner chronicles this transformation, from the introduction of the 35-millimetre camera in the 1920s to the digital photography of today. Accompanied by over 125 key works in the history of photography - fine art, documentary, and editorial - her discussion traces American photography's aesthetic, commercial and technological changes, as the medium's primary role of spontaneous witness gradually gave way to contrived arrangement and artistic invention. Garner discusses direct witness as the dominant paradigm for American photographers from the 1920s to the 1960s. During these decades, photographers saw their medium primarily as a vehicle for truthful description and sometimes as a weapon against social injustice. In the 1960s, however, photographic practice and its cultural significance shifted to reflect more personal, idiosyncratic and staged visions of reality - a trend, Garner notes, that has intensified with digital photography.The major portion of the book is devoted to post-1960's work, exploring how the changes have affected portraiture, documentary, landscape, still life, fashion and the new genre of self-imagery. In documenting this transformation in American photography, "Disappearing Witness" forcefully rethinks the history of photography itself. In documenting this transformation in American photography, Disappearing Witness forcefully rethinks the history of photography itself. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Edité par Johns Hopkins University Press, 2003
ISBN 10 : 0801871670 ISBN 13 : 9780801871672
Langue: anglais
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EUR 49,22
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Ajouter au panierEtat : New. pp. xix + 305 Illus.
Edité par Johns Hopkins University Press, 2003
ISBN 10 : 0801871670 ISBN 13 : 9780801871672
Langue: anglais
Vendeur : Ria Christie Collections, Uxbridge, Royaume-Uni
EUR 43,35
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Ajouter au panierEtat : New. In.
Edité par Johns Hopkins University Press 2003-09-19, 2003
ISBN 10 : 0801871670 ISBN 13 : 9780801871672
Langue: anglais
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EUR 41,55
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Ajouter au panierHardcover. Etat : New.
Edité par Johns Hopkins University Press, 2003
ISBN 10 : 0801871670 ISBN 13 : 9780801871672
Langue: anglais
Vendeur : GreatBookPricesUK, Woodford Green, Royaume-Uni
EUR 43,34
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Ajouter au panierEtat : New.
Edité par Johns Hopkins University Press, 2003
ISBN 10 : 0801871670 ISBN 13 : 9780801871672
Langue: anglais
Vendeur : Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irlande
EUR 49,38
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Ajouter au panierEtat : New. In documenting this transformation in American photography, Disappearing Witness forcefully rethinks the history of photography itself. Num Pages: 328 pages, 138, 107 black & white halftones, 31 colour illustrations. BIC Classification: 1KBB; 3JJ; AJC; HBT. Category: (G) General (US: Trade). Dimension: 238 x 212 x 29. Weight in Grams: 1404. . 2003. Hardcover. . . . .
Edité par Johns Hopkins University Press, 2003
ISBN 10 : 0801871670 ISBN 13 : 9780801871672
Langue: anglais
Vendeur : GreatBookPricesUK, Woodford Green, Royaume-Uni
EUR 45,34
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Ajouter au panierEtat : As New. Unread book in perfect condition.
Edité par Johns Hopkins University Press, 2003
ISBN 10 : 0801871670 ISBN 13 : 9780801871672
Langue: anglais
Vendeur : THE SAINT BOOKSTORE, Southport, Royaume-Uni
EUR 43,34
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Ajouter au panierHardback. Etat : New. New copy - Usually dispatched within 4 working days. 1437.
Edité par Johns Hopkins University Press, 2003
ISBN 10 : 0801871670 ISBN 13 : 9780801871672
Langue: anglais
Vendeur : Kennys Bookstore, Olney, MD, Etats-Unis
EUR 59,17
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Ajouter au panierEtat : New. In documenting this transformation in American photography, Disappearing Witness forcefully rethinks the history of photography itself. Num Pages: 328 pages, 138, 107 black & white halftones, 31 colour illustrations. BIC Classification: 1KBB; 3JJ; AJC; HBT. Category: (G) General (US: Trade). Dimension: 238 x 212 x 29. Weight in Grams: 1404. . 2003. Hardcover. . . . . Books ship from the US and Ireland.
Edité par Johns Hopkins University Press, US, 2003
ISBN 10 : 0801871670 ISBN 13 : 9780801871672
Langue: anglais
Vendeur : Rarewaves.com USA, London, LONDO, Royaume-Uni
EUR 68,56
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Ajouter au panierHardback. Etat : New. American photographers documented and defined the twentieth century in a remarkable array of images, the style and content of which evolved dramatically over the course of the century. In Disappearing Witness, photographer and art historian Gretchen Garner chronicles this transformation, from the introduction of the 35-millimeter camera in the 1920s to the digital photography of today. Accompanied by over 125 key works in the history of photography-fine-art, documentary, and editorial-her thoughtful and enlightening discussion traces American photography's aesthetic, commercial, and technological changes, as the medium's primary role of spontaneous witness gradually gave way to contrived arrangement and artistic invention. Garner discusses direct witness as the dominant paradigm for American photographers from the 1920s to the 1960s. During these decades, photographers saw their medium primarily as a vehicle for truthful description and sometimes as a weapon against social injustice.In the 1960s, however, photographic practice and its cultural significance shifted to reflect more personal, idiosyncratic, and staged visions of reality-a trend, Garner notes, that has intensified with digital photography. The major portion of the book is devoted to post-1960s work, exploring how the changes have affected portraiture, documentary, landscape, still life, fashion, and the new genre of self-imagery. In documenting this transformation in American photography, Disappearing Witness forcefully rethinks the history of photography itself.
Edité par Johns Hopkins University Press, 2003
ISBN 10 : 0801871670 ISBN 13 : 9780801871672
Langue: anglais
Vendeur : Books Puddle, New York, NY, Etats-Unis
EUR 67,23
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Ajouter au panierEtat : New. pp. xix + 305.
Vendeur : Revaluation Books, Exeter, Royaume-Uni
EUR 58,21
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Ajouter au panierHardcover. Etat : Brand New. illustrated edition. 328 pages. 9.75x8.75x1.50 inches. In Stock.
Edité par Johns Hopkins University Press, 2003
ISBN 10 : 0801871670 ISBN 13 : 9780801871672
Langue: anglais
Vendeur : GoldBooks, Denver, CO, Etats-Unis
EUR 88,75
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Ajouter au panierHardcover. Etat : new. New Copy. Customer Service Guaranteed.
Edité par Johns Hopkins University Press, 2003
ISBN 10 : 0801871670 ISBN 13 : 9780801871672
Langue: anglais
Vendeur : GoldBooks, Denver, CO, Etats-Unis
EUR 89,25
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Ajouter au panierHardcover. Etat : new. New Copy. Customer Service Guaranteed.
Vendeur : moluna, Greven, Allemagne
EUR 48,85
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Ajouter au panierGebunden. Etat : New. In documenting this transformation in American photography, Disappearing Witness forcefully rethinks the history of photography itself.Über den AutorGretchen Garner is a photographer and independent scholar. She has taug.
Edité par Johns Hopkins University Press Jul 2003, 2003
ISBN 10 : 0801871670 ISBN 13 : 9780801871672
Langue: anglais
Vendeur : AHA-BUCH GmbH, Einbeck, Allemagne
EUR 61,93
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Ajouter au panierBuch. Etat : Neu. Neuware - 'This handsome and well-illustrated book surveys the history of American photography since the 1920s, arguing that the 1960s marked the beginning of a profound shift in photographic practice.' -- 'History: Reviews of New Books'.
Edité par Johns Hopkins University Press, US, 2003
ISBN 10 : 0801871670 ISBN 13 : 9780801871672
Langue: anglais
Vendeur : Rarewaves.com UK, London, Royaume-Uni
EUR 63,50
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Ajouter au panierHardback. Etat : New. American photographers documented and defined the twentieth century in a remarkable array of images, the style and content of which evolved dramatically over the course of the century. In Disappearing Witness, photographer and art historian Gretchen Garner chronicles this transformation, from the introduction of the 35-millimeter camera in the 1920s to the digital photography of today. Accompanied by over 125 key works in the history of photography-fine-art, documentary, and editorial-her thoughtful and enlightening discussion traces American photography's aesthetic, commercial, and technological changes, as the medium's primary role of spontaneous witness gradually gave way to contrived arrangement and artistic invention. Garner discusses direct witness as the dominant paradigm for American photographers from the 1920s to the 1960s. During these decades, photographers saw their medium primarily as a vehicle for truthful description and sometimes as a weapon against social injustice.In the 1960s, however, photographic practice and its cultural significance shifted to reflect more personal, idiosyncratic, and staged visions of reality-a trend, Garner notes, that has intensified with digital photography. The major portion of the book is devoted to post-1960s work, exploring how the changes have affected portraiture, documentary, landscape, still life, fashion, and the new genre of self-imagery. In documenting this transformation in American photography, Disappearing Witness forcefully rethinks the history of photography itself.
Edité par Johns Hopkins University Press, Baltimore, MD, 2003
ISBN 10 : 0801871670 ISBN 13 : 9780801871672
Langue: anglais
Vendeur : AussieBookSeller, Truganina, VIC, Australie
EUR 120,11
Autre deviseQuantité disponible : 1 disponible(s)
Ajouter au panierHardcover. Etat : new. Hardcover. American photographers documented and defined the 20th century in an array of images, the style and content of which evolved dramatically over the course of the century. In this book, photographer and art historian Gretchen Garner chronicles this transformation, from the introduction of the 35-millimetre camera in the 1920s to the digital photography of today. Accompanied by over 125 key works in the history of photography - fine art, documentary, and editorial - her discussion traces American photography's aesthetic, commercial and technological changes, as the medium's primary role of spontaneous witness gradually gave way to contrived arrangement and artistic invention. Garner discusses direct witness as the dominant paradigm for American photographers from the 1920s to the 1960s. During these decades, photographers saw their medium primarily as a vehicle for truthful description and sometimes as a weapon against social injustice. In the 1960s, however, photographic practice and its cultural significance shifted to reflect more personal, idiosyncratic and staged visions of reality - a trend, Garner notes, that has intensified with digital photography.The major portion of the book is devoted to post-1960's work, exploring how the changes have affected portraiture, documentary, landscape, still life, fashion and the new genre of self-imagery. In documenting this transformation in American photography, "Disappearing Witness" forcefully rethinks the history of photography itself. In documenting this transformation in American photography, Disappearing Witness forcefully rethinks the history of photography itself. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.