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Ajouter au panierpaperback. Etat : New. 1st Edition. Ships in a BOX from Central Missouri! UPS shipping for most packages, (Priority Mail for AK/HI/APO/PO Boxes).
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Ajouter au panierEtat : New.
Edité par Ohio University Press, US, 2010
ISBN 10 : 0821419315 ISBN 13 : 9780821419311
Langue: anglais
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Ajouter au panierPaperback. Etat : New. African cinema in the 1960s originated mainly from Francophone countries. It resembled the art cinema of contemporary Europe and relied on support from the French film industry and the French state. Beginning in 1969 the biennial Festival panafricain du cinéma et de la télévision de Ouagadougou (FESPACO), held in Burkina Faso, became the major showcase for these films. But since the early 1990s, a new phenomenon has come to dominate the African cinema world: mass-marketed films shot on less expensive video cameras. These "Nollywood" films, so named because many originate in southern Nigeria, are a thriving industry dominating the world of African cinema. Viewing African Cinema in the Twenty-first Century is the first book to bring together a set of essays offering a comparison of these two main African cinema modes. Contributors: Ralph A. Austen and Mahir Saul, Jonathan Haynes, Onookome Okome, Birgit Meyer, Abdalla Uba Adamu, Matthias Krings, Vincent Bouchard, Laura Fair, Jane Bryce, Peter Rist, Stefan Sereda, Lindsey Green-Simms, and Cornelius Moore.
Edité par MJ - Ohio University Press, 2010
ISBN 10 : 0821419315 ISBN 13 : 9780821419311
Langue: anglais
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Ajouter au panierPAP. Etat : New. New Book. Shipped from UK. Established seller since 2000.
Vendeur : Brook Bookstore On Demand, Napoli, NA, Italie
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Ajouter au panierPaperback / softback. Etat : New. New copy - Usually dispatched within 4 working days.
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Ajouter au panierEtat : New. Offers a unique comparison of the two main African cinema modes: art cinema of contemporary Europe supported by the French film industry and Nollywood , mass-marketed films originating in southern Nigeria which now dominate African cinema.Klappent.
Edité par INGRAM INTERNATIONAL INC Okt 2010, 2010
ISBN 10 : 0821419315 ISBN 13 : 9780821419311
Langue: anglais
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Ajouter au panierTaschenbuch. Etat : Neu. Neuware - African cinema in the 1960s originated mainly from Francophone countries. It resembled the art cinema of contemporary Europe and relied on support from the French film industry and the French state. But since the early 1990s, a new phenomenon has come to dominate the African cinema world: mass-marketed films shot on less expensive video cameras.
Edité par Ohio University Press, US, 2010
ISBN 10 : 0821419315 ISBN 13 : 9780821419311
Langue: anglais
Vendeur : Rarewaves.com UK, London, Royaume-Uni
EUR 32,72
Autre deviseQuantité disponible : 1 disponible(s)
Ajouter au panierPaperback. Etat : New. African cinema in the 1960s originated mainly from Francophone countries. It resembled the art cinema of contemporary Europe and relied on support from the French film industry and the French state. Beginning in 1969 the biennial Festival panafricain du cinéma et de la télévision de Ouagadougou (FESPACO), held in Burkina Faso, became the major showcase for these films. But since the early 1990s, a new phenomenon has come to dominate the African cinema world: mass-marketed films shot on less expensive video cameras. These "Nollywood" films, so named because many originate in southern Nigeria, are a thriving industry dominating the world of African cinema. Viewing African Cinema in the Twenty-first Century is the first book to bring together a set of essays offering a comparison of these two main African cinema modes. Contributors: Ralph A. Austen and Mahir Saul, Jonathan Haynes, Onookome Okome, Birgit Meyer, Abdalla Uba Adamu, Matthias Krings, Vincent Bouchard, Laura Fair, Jane Bryce, Peter Rist, Stefan Sereda, Lindsey Green-Simms, and Cornelius Moore.