9780877014737 - Billy Al Bengston: Paintings of Three Decades de Tsujimoto, Karen; Etc. (30 résultats)

Paperback. Etat : Good. No Jacket. Over 100 Color & B/w Illustrations (illustrateur). Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less 0.18.

Paperback. Etat : Good. Over 100 Color & B/w Illustrations (illustrateur).

Paperback. Etat : Very Good. Over 100 Color & B/w Illustrations (illustrateur).

Paperback. Etat : Very Good. 1st Edition. Pages unmarked. Covers moderately worn. Binding square & firm. Book.

PAPERBACK. Etat : Fine. Over 100 Color & B/w Illustrations (illustrateur). 0877014736.

Over 100 Color & B/w Illustrations (illustrateur). Softcover, 144 pages, very good condition, light rubbing to covers; spinr toned; owner's name; no other internal marks. Foreign shipping may be extra.

Paperback. Etat : Very Good. Over 100 Color & B/w Illustrations (illustrateur). *35% OFF Sale* Unmarked. Some age tanning on cover. Accompanied traveling exhibition. Essays by Jane Livingston, Karen Tsujimoto, Henry T. Hopkins and Maurice Tuchman. Beautiful color plates, including a foldout and photos of the artist. Checklist for the exhibition. Chronology. Bibliography. 144p. Billy Al Bengston (b. 1934) is an American artist and sculptor.

Trade Paperback. Etat : Near Fine. No Jacket. Over 100 Color & B/w Illustrations (illustrateur). First Edition. 4to - over 9¾" - 12" Tall. 143, [1] pages. Upper wrapper title: Billy II. Catalogue of the exhibition organized by the Contemporary Arts Museum, Houston, and The Oakland Museum, at 4 US institutions in all, May 1988 - April 1989. Preface and acknowledgments by Linda L. Cathcart and Christina Orr-Cahall; essays by Jane Livingston, Karen Tsujimoto, Henry T. Hopkins and Maurice Tuchman. Slight external and internal browning to top edges of wrappers and leaves; else a near fine copy.Over 100 Color & b/w Illustrations.

paperback. Etat : Very Good. Over 100 Color & B/w Illustrations (illustrateur).

paperback. Etat : Very Good. Over 100 Color & B/w Illustrations (illustrateur). Clean crisp copy with no markings.

Wraps. Etat : Fine. Etat de la jaquette : No dust jacket. Over 100 Color & B/w Illustrations (illustrateur). First edition. 4to. 143pp., [1] pages. Preface and acknowledgments by Linda L. Cathcart and Christina Orr-Cahall; essays by Jane Livingston, Karen Tsujimoto, Henry T. Hopkins and Maurice Tuchman.

paperback. Etat : Like New. Over 100 Color & B/w Illustrations (illustrateur). First Paperback Edition. Publisher: Chronicle Books, San Francisco, 1988.FINE softcover in pictorial French wraps, as issued. First Softcover Edition, First Printing. Previous owner's artistic embossed stamp at bottom of title page, otherwise as new.

Soft cover. Etat : Good. No jacket. Back cover has a crease up the middle of the panel. Cover has mild discoloration on the edges and some dark scratches on the front top corner. Inside pages are clean and unmarked.

Soft Cover. Etat : Fine. Over 100 Color & B/w Illustrations (illustrateur). First Edition; First Printing. Numerpus full page color plates. Preface by Linda L. Cathcart and Christiana Orr-Cahall. With contributions by Jane Livingston, Karen Tsujimoto, Henry T. Hopkins, and Maurice Tuchman. Published on the occasion of the exhibition at the Contemporary Arts Museum, Houston and at the Oakland Museum, CA. ; Tight, clean and crisp. A gently read book in excellent condition. No inscriptions. No remainder mark. Not ex-library. ; 4to; 143 pages.

Over 100 Color & B/w Illustrations (illustrateur). First edition. Oblong softcover. 143 pages. Published in conjunction a traveling exhibition Preface and acknowledgements by Linda L. Cathcart and Christiana Orr-Cahall. Features text contributions by Jane Livingston, Karen Tsujimoto, Henry T. Hopkins, and Maurice Tuchman. Includes numerous illustrations, chronology, checklist, list of previous exhibitions, and a selected bibliography. A fine copy in French style wrappers.

Softcover. Etat : Very Good. Over 100 Color & B/w Illustrations (illustrateur). The text appears clean, the cover is in very nice condition. Rare / Scarce Room Rack 8 / Shelf 2 . Billy Al Bengston: Three Decades of Painting, published by the Contemporary Arts Museum, Houston and the Oakland Museum, California. This artwork featured in the exhibition was copublished by Chronicle Books, San Francisco." West Coast Pop Art/Finish Fetish. With well-illustrated. CONTENTS: Preface, with Acknowledgements, by Linda L. Cathcart and Christina Orr-Cahall; Billy Al Bengston: Some Retrospective Thoughts, by Jane Livingston; Painting as a Visual Diary, by Karen Tsujimoto; A Remembrance of the Emerging Los Angeles Art Scene; by Henry T. Hopkins; The Installation of Billy Al Bengston at the Los Angeles County Museum of Art, 1968, by Maurice Tuchman; Plates; Chronology; Checklist of the Exhibition; Selected One-Person Exhibitions; Selected Group Exhibitions; Selected Bibliography. Size: Oblong. Exhibition Catalogue Rare / Scarce Room Rack 8 / Shelf 2 Quantity Available: 1. ISBN: 0877014736. ISBN/EAN: 9780877014737. Pictures of this item not already displayed here available upon request. Inventory No: 1560791447.

Paperback. Etat : VG. Over 100 Color & B/w Illustrations (illustrateur). White wraps with mint green and irridescent stamped lettering. 143 pp. Mainly color illustrations. This beautiful volume chronicles the ever-changing work of Billy Al Bengston - art that spans a period of thirty years, encompasses a variety of materials, and consistently defies stylistic classification. With colleagues Edward Kienholz, Edward Ruscha, and Kenneth Price, Bengston was a leader in the art revolution that transformed Los Angeles from art backwater to international art center beginning in the 1960s. His own widely acclaimed work has changed dramatically from decade to decade, reflecting the artist's independent spirit and firm belief in the open-endedness of the creative process. Bengston has said, "A work of art should never be predictable . if each time you look at it you see something new, find that it means something more, something different, then you are on the track of art." Inspired by the various environments in which he has lived and worked - from California and Hawaii to London and Mexico - Bengston vibrantly evokes in his works the colors, lights, and patterns of these locales. This book visually chronicles the evolution of the artist's pictorial investigations, from his early paintings that conjure up the metallic and chrome-plated car culture of Los Angeles to the later Hawaiian images that opulently evoke this island paradise. Lavishly illustrated with sixty full-color plates of Bengston's paintings, collages, watercolors, screens, and banners, the book reveals the true radiance of his palette and his continual process of experimentation. Insightful essays by Henry T. Hopkins, Jane Livingston, Karen Tsujimoto, and Maurice Tuchman provide a welcome overview for admirers of Bengston's art and a splendid introduction for those as yet unfamiliar with it. This volume offers an illuminating appraisal of an artist of enormous originality, range, and achievement, whose glowing canvases reward the viewer with prolonged visual pleasure. -- from front cover flap.

Soft cover. Etat : Very Good. Over 100 Color & B/w Illustrations (illustrateur). 1st Edition. Titled "Billy II" because it is Bengston's second retrospective, the first ("Billy") published twenty years earlier. Back hinge is starting, holding well. 144 p. Published in 1988 at $18.95. Contents: Preface with acknowledgments / Linda L. Cathcart and Christina Orr-Cahall -- Billy Al Bengston : some retrospective thoughts / Jane Livingston -- Painting as a visual diary / Karen Tsujimoto -- A remembrance of the emerging Los Angeles art scene / Henry T. Hopkins -- The installation of Billy Al Bengston at the Los Angeles County Museum of Art, 1968 / Maurice Tuchman. Oversize [otob: 56r].

Paperback. Etat : Very Good. Over 100 Color & B/w Illustrations (illustrateur). Chronicle Books, 1988. First Edition with the full number line. Oblong - 9 1/2 x 10". 144 pp. Very good. The interior is clean and solid.

Trade Paperback. Etat : Used - Very Good. Over 100 Color & B/w Illustrations (illustrateur). Very nice clean, tight copy free of any marks.

Trade Paperback. Etat : Used - Very Good. Over 100 Color & B/w Illustrations (illustrateur).

Hardcover. Etat : Near Fine. SIGNED vibrantly and dated by Artist Billy AL Benston; Near Fine square, glossy soft cover, slight edge / shelf wear. ; 1988; 9.9 X 9.6 X 0.5 inches; 143 pages; Signed by Artist.

Paperback. Etat : Fine. Over 100 Color & B/w Illustrations (illustrateur). First Edition. Oversize. 143 pages.

Trade Paperback. Etat : Fine. Over 100 Color & B/w Illustrations (illustrateur). First Edition. Exhibition catalog for a show held at the publisher's gallery. Book is in excellent condition in every respect, as new. Binding is solid and square, covers have sharp corners, exterior shows no blemishes, text/interior is clean and free of marking of any kind. Historical retrospective with over 100 Color & b/w prints and Illustrations with 59 full page, full color prints, including two intact fold-out pages in excellent condition.

Soft cover. Etat : Near Fine. Over 100 Color & B/w Illustrations (illustrateur). 1st Edition. First edition, first printing. Soft cover. Photographically illustrated French-fold wrappers; no dust jacket as issued. Paintings by Billy Al Bengston. Text by Jane Livingston, Karen Tsujimoto, Henry T. Hopkins and Maurice Tuchman. Includes a chronology, exhibition checklist, selected exhibitions and a selected bibliography. Designed by Dana Levy. 144 pp. (including two 2-page gatefolds), with 60 four-color plates and numerous black-and-white illustrations. 9-5/8 x 10 inches. This first edition was limited to 7,500 copies. Published on the occasion of an exhibition organized by the Contemporary Arts Museum, Houston, and The Oakland Museum. Near Fine (light wear and sunning to the extremities, else Fine).

Soft cover. Etat : Fine. No Jacket. Over 100 Color & B/w Illustrations (illustrateur). 1st Edition.

Soft cover. Etat : Fine. Etat de la jaquette : Issued Without DJ. Over 100 Color & B/w Illustrations (illustrateur). 1st Edition.

paperback. Etat : New. Over 100 Color & B/w Illustrations (illustrateur). In shrink wrap. Looks like an interesting title!

Soft cover. Etat : Near Fine. Over 100 Color & B/w Illustrations (illustrateur). 1st Edition. 1968/1988. Set of two books (Billy and Billy II), each signed, inscribed and dated 2003 on acetate dust jackets. Billy: First edition, first printing (1968). Inscribed and signed by Bengston, "For the sweetest of Malibu kooks / Billy Al Bengston / AKA Moondoggie." Soft cover. Sandpaper wrappers with the title "Billy" in pink flocking on cover, bound with machine screws and nuts, with a pink satin ribbon page marker. Paintings by Billy Al Bengston. Text by James Monte. Includes a list of plates, exhibition history and bibliography. Designed by Ed Ruscha. Unpaginated (64 pp.), with 10 four-color and 36 black and white plates and additional illustrations printed in Los Angeles by Toyo Press. 9 x 11 inches. This first edition was limited to 2,500 copies. Published on the occasion of the 1968 exhibition "Billy Al Bengston" at the Los Angeles County Museum of Art (installation designed by Frank Gehry). No ISBN. [Cited in Andrew Roth, ed., The Open Book. (Göteborg, Sweden: Hasselblad Center in association with Steidl Verlag, Göttingen, Germany, 2004).] Very scarce. Billy II: (Paintings of Three Decades): First edition, first printing (1988). Inscribed and signed by Bengston, "To the cool Malibu kooks / Billy Al Bengston / AKA Moondoggie." Soft cover. Photographically illustrated French-fold wrappers. Paintings by Billy Al Bengston. Text by Jane Livingston, Karen Tsujimoto, Henry T. Hopkins and Maurice Tuchman. Includes a chronology, exhibition checklist, selected exhibitions and a selected bibliography. Designed by Dana Levy. 144 pp. (including two 2-page gatefolds), with 60 four-color plates and numerous black-and-white illustrations. 9-5/8 x 10 inches. This first edition was limited to 7,500 copies. Published on the occasion of an exhibition organized by the Contemporary Arts Museum, Houston, and The Oakland Museum. ISBN: 0877014736. Billy: Near Fine (moderate wear to the extremities, front cover slightly curled, 1/8-inch chip to upper edge of front cover, 1/8-inch closed tear to upper edge of front cover, pin hole at lower right front corner [affecting all pages]). Billy II: (Paintings of Three Decades): Near Fine (moderate surface wear and wear to the extremities, faint crease to back cover, first two pages stuck together, sticker residue on first page, pin hole at lower right corner [affecting all pages]). Featuring one of Ruscha's most inventive book designs, with the front cover being a sheet of 100-grit sandpaper and the back cover a coarser 50-grit sheet. The contrasting pink flocked title provides yet another witty articulation of Ruscha's and Bengston's collaborative sensibilities as demonstrated in their book Business Cards, published the same year. Signed by Author.

Paperback. Etat : Fine. 1st. 143 pages, chiefly colour illustrations (some folded); 25 cm. Exhibition coorganized by the Contemporary Arts Museum, Houston and the Oakland Museum, California. Firm binding, clean inside copy. Richly illustrated with colour plates. West Coast Pop Art/Finish Fetish. *** "This beautiful volume chronicles the ever-changing work of Billy Al Bengston - art that spans a period of thirty years, encompasses a variety of materials, and consistently defies stylistic classification. With colleagues Edward Kienholz, Edward Ruscha, and Kenneth Price, Bengston was a leader in the art revolution that transformed Los Angeles from art backwater to international art center beginning in the 1960s. His own widely acclaimed work has changed dramatically from decade to decade, reflecting the artist's independent spirit and firm belief in the open-endedness of the creative process. Bengston has said, "A work of art should never be predictable . if each time you look at it you see something new, find that it means something more, something different, then you are on the track of art." Inspired by the various environments in which he has lived and worked - from California and Hawaii to London and Mexico - Bengston vibrantly evokes in his works the colors, lights, and patterns of these locales. This book visually chronicles the evolution of the artist's pictorial investigations, from his early paintings that conjure up the metallic and chrome-plated car culture of Los Angeles to the later Hawaiian images that opulently evoke this island paradise. Lavishly illustrated with sixty full-color plates of Bengston's paintings, collages, watercolors, screens, and banners, the book reveals the true radiance of his palette and his continual process of experimentation. Insightful essays by Henry T. Hopkins, Jane Livingston, Karen Tsujimoto, and Maurice Tuchman provide a welcome overview for admirers of Bengston's art and a splendid introduction for those as yet unfamiliar with it. This volume offers an illuminating appraisal of an artist of enormous originality, range, and achievement, whose glowing canvases reward the viewer with prolonged visual pleasure." - Publisher. *** CONTENTS: Preface with acknowledgments, by Linda L. Cathcart and Christina Orr-Cahall; Billy Al Bengston: some retrospective thoughts, by Jane Livingston; Painting as a visual diary, by Karen Tsujimoto; A remembrance of the emerging Los Angeles art scene, by Henry T. Hopkins; The installation of Billy Al Bengston at the Los Angeles County Museum of Art, 1968, by Maurice Tuchman. Size: Oblong. Collectible.