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Ajouter au panierPaperback. Etat : New. Conscious of politics and of music, these poems continue Conoley's explorations into the questions of grace and redemption, self and other, death in life, language and being, democracy and song. This collection takes its title from Italian philosopher and critic Giorgio Agamben's notion of a post-rapturous world whose figures roam the earth, striving to find new community, new meaning. Gillian Conoley's collections include Lovers in the Used World, Beckon, Tall Stranger (nominee for the National Book Critics Circle Award), Some Gangster Pain and the chapbooks Woman Speaking Inside Film Noir and Fatherless Afternoon. Winner of several Pushcart Prizes, the Jerome J. Shestack Award in Poetry and included in Best American Poetry, she is poet-in-residence and professor at Sonoma State University, where she is the founder and editor of Volt.
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Ajouter au panierPaperback. Etat : New. Conscious of politics and of music, these poems continue Conoley's explorations into the questions of grace and redemption, self and other, death in life, language and being, democracy and song. This collection takes its title from Italian philosopher and critic Giorgio Agamben's notion of a post-rapturous world whose figures roam the earth, striving to find new community, new meaning. Gillian Conoley's collections include Lovers in the Used World, Beckon, Tall Stranger (nominee for the National Book Critics Circle Award), Some Gangster Pain and the chapbooks Woman Speaking Inside Film Noir and Fatherless Afternoon. Winner of several Pushcart Prizes, the Jerome J. Shestack Award in Poetry and included in Best American Poetry, she is poet-in-residence and professor at Sonoma State University, where she is the founder and editor of Volt.
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Ajouter au panierPAP. Etat : New. New Book. Shipped from UK. Established seller since 2000.
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Ajouter au panierpaperback. Etat : Very Good. Very good paperback from a personal collection (NOT ex-library). Spine is uncreased, binding tight and sturdy. Exterior shelfwear is very minor. Interior is free of previous owner markings. Ships same or next day from Dinkytown, Minneapolis, Minnesota.
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Ajouter au panierPaperback. Etat : new. Paperback. Conscious of politics and of music, these poems continue Conoley's explorations into the questions of grace and redemption, self and other, death in life, language and being, democracy and song. This collection takes its title from Italian philosopher and critic Giorgio Agamben's notion of a post-rapturous world whose figures roam the earth, striving to find new community, new meaning.Gillian Conoley's collections include Lovers in the Used World, Beckon, Tall Stranger (nominee for the National Book Critics Circle Award), Some Gangster Pain and the chapbooks Woman Speaking Inside Film Noir and Fatherless Afternoon. Winner of several Pushcart Prizes, the Jerome J. Shestack Award in Poetry and included in Best American Poetry, she is poet-in-residence and professor at Sonoma State University, where she is the founder and editor of Volt. A rich, thoughtful investigation of this political/historical moment that both illuminates and transcends that moment. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Ajouter au panierPAP. Etat : New. New Book. Shipped from UK. Established seller since 2000.
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Ajouter au panierSoft cover. Etat : Near Fine. 1st Edition. First printing and first edition, INSCRIBED BY THE AUTHOR to the first owner, in excellent, near-pristine condition (slightest handling). 72 pages. [7oz]. Signed by Author(s). Book.
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Ajouter au panierPaperback. Etat : Brand New. 72 pages. 8.75x7.00x0.50 inches. In Stock.
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Ajouter au panierEtat : As New. Unread book in perfect condition.
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Ajouter au panierPaperback. Etat : new. Paperback. Conscious of politics and of music, these poems continue Conoley's explorations into the questions of grace and redemption, self and other, death in life, language and being, democracy and song. This collection takes its title from Italian philosopher and critic Giorgio Agamben's notion of a post-rapturous world whose figures roam the earth, striving to find new community, new meaning.Gillian Conoley's collections include Lovers in the Used World, Beckon, Tall Stranger (nominee for the National Book Critics Circle Award), Some Gangster Pain and the chapbooks Woman Speaking Inside Film Noir and Fatherless Afternoon. Winner of several Pushcart Prizes, the Jerome J. Shestack Award in Poetry and included in Best American Poetry, she is poet-in-residence and professor at Sonoma State University, where she is the founder and editor of Volt. A rich, thoughtful investigation of this political/historical moment that both illuminates and transcends that moment. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
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Ajouter au panierPaperback. Etat : New. Conscious of politics and of music, these poems continue Conoley's explorations into the questions of grace and redemption, self and other, death in life, language and being, democracy and song. This collection takes its title from Italian philosopher and critic Giorgio Agamben's notion of a post-rapturous world whose figures roam the earth, striving to find new community, new meaning. Gillian Conoley's collections include Lovers in the Used World, Beckon, Tall Stranger (nominee for the National Book Critics Circle Award), Some Gangster Pain and the chapbooks Woman Speaking Inside Film Noir and Fatherless Afternoon. Winner of several Pushcart Prizes, the Jerome J. Shestack Award in Poetry and included in Best American Poetry, she is poet-in-residence and professor at Sonoma State University, where she is the founder and editor of Volt.
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Ajouter au panierKartoniert / Broschiert. Etat : New. A rich, thoughtful investigation of this political/historical moment that both illuminates and transcends that moment.Über den AutorrnrnGillian Conoley s collections include Lovers in the Used World, Beckon, Tall Stranger (nominee .
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Ajouter au panierPaperback. Etat : New. In shrink wrap. Looks like an interesting title!
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Ajouter au panierTaschenbuch. Etat : Neu. Neuware - A rich, thoughtful investigation of this political/historical moment that both illuminates and transcends that moment.
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Ajouter au panierPaperback. Etat : New. Conscious of politics and of music, these poems continue Conoley's explorations into the questions of grace and redemption, self and other, death in life, language and being, democracy and song. This collection takes its title from Italian philosopher and critic Giorgio Agamben's notion of a post-rapturous world whose figures roam the earth, striving to find new community, new meaning. Gillian Conoley's collections include Lovers in the Used World, Beckon, Tall Stranger (nominee for the National Book Critics Circle Award), Some Gangster Pain and the chapbooks Woman Speaking Inside Film Noir and Fatherless Afternoon. Winner of several Pushcart Prizes, the Jerome J. Shestack Award in Poetry and included in Best American Poetry, she is poet-in-residence and professor at Sonoma State University, where she is the founder and editor of Volt.