Isbn: 9780979562921 - hannah wilke: gestures (9 résultats)

Paperback. Etat : Good. No Jacket. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Etat : good. The item shows wear from consistent use, but it remains in good condition and works perfectly. All pages and cover are intact including the dust cover, if applicable . Spine may show signs of wear. Pages may include limited notes and highlighting. May NOT include discs, access code or other supplemental materials.…

Soft cover. Etat : Very good. No jacket. Excellent condition. Cover corners are lightly worn. Binding is tight and inside is clean and unmarked.

Paperback. Etat : Very Good. Reprint. 7 X 0.25 X 8 inches; 108 pages.

Soft cover. Etat : New. 1st Edition. Hannah Wilke: Gestures (NEW! SEALED!) The catalogue features works by Wilke, never before seen, as well as works not seen in over forty years. It contains a scholarly essay by exhibition curator Tracy Fitzpatrick, the transcript of a panel discussion held at the Neuberger Museum of Art between scholars Saundra Goldman, Tom Kochheiser, and Griselda Pollock on Wilke's art and legacy, and the first published chronology of Hannah Wilke's artistic practice. The exhibition, Hannah Wilke: Gestures, held at the Neuberger Museum of Art, Purchase College, The State University of New York, between October 3, 2008 and January 25, 2009, included over sixty works by the artist. The act of folding is the salient gesture in the sculptures of American artist Hannah Wilke (1940-1993). Taking such materials as clay, bubble gum and Play-Doh, Wilke fashioned serial forms that folded inward or opened out with overtly labial sensuousness. Wilke often placed these objects in compromising situations--hinged with pins or glued to walls and boards, placed freely on the floor, always seemingly on the verge of disaster. Today she is famed for her many nude self-portraits, which have threatened to eclipse the sculptural basis of both the portraits themselves and her work in general. By emphasizing folding as a gesture, this catalogue--the first on the artist to appear in many years--unites Wilke's sculpture and photography under the rubric of performance, and the performing of material. With an abundance of color reproductions and critical commentary, Hannah Gestures offers a fresh assessment of a pioneer in sculpture, feminist art and performance.…

Soft Cover. Etat : As New. This is an as new softcover copy still in the publisher's shrinkwrap, unopened. This catalog was prepared to accompany the exhibition at the Neuberger Museum of Art, from October 25, 2008 to January 25, 2009. Essays by Tracy Fitzpatrick, Saundra Goldman, Tom Kochheiser and Griselda Pollock. Illustrated in color. Chronology. 10" high X 8" wide, 108 pages. This book will be securely packed and shipped with tracking.…

Softcover, 108 pages, new condition; still sealed in shrinkwrap; clean and crisp. Foreign shipping may be extra.

Paperback. Etat : Very Good. 2010 Neuberger Museum of Art paperback edition. Light reading wear else very good condition.

Hardcover. Etat : New. The act of folding is the salient gesture in the sculptures of American artist Hannah Wilke (1940-1993). Taking such materials as clay, bubble gum and Play-Doh, Wilke fashioned serial forms that folded inward or opened out with overtly labial sensuousness. Wilke often placed these objects in compromising situations--hinged with pins or glued to walls and boards, placed freely on the floor, always seemingly on the verge of disaster. Today she is famed for her many nude self-portraits, which have threatened to eclipse the sculptural basis of both the portraits themselves and her work in general. By emphasizing folding as a gesture, this catalogue--the first on the artist to appear in many years--unites Wilke's sculpture and photography under the rubric of performance, and the performing of material. With an abundance of color reproductions and critical commentary, Hannah Wilke: Gestures offers a fresh assessment of a pioneer in sculpture, feminist art and performance.…