Isbn: 9781478014621 - a fictional commons: natsume soseki and the properties of modern literature (24 résultats)

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Paperback or Softback. Etat : New. A Fictional Commons: Natsume Soseki and the Properties of Modern Literature. Book.

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Paperback. Etat : Brand New. 248 pages. 9.00x6.00x0.47 inches. In Stock.

Etat : New. pp. 236.

Paperback. Etat : New. Modernity arrived in Japan, as elsewhere, through new forms of ownership. In A Fictional Commons, Michael K. Bourdaghs explores how the literary and theoretical works of Natsume Soseki (1867-1916), widely celebrated as Japan's greatest modern novelist, exploited the contradictions and ambiguities that haunted this new system. Many of his works feature narratives about inheritance, thievery, and the struggle to obtain or preserve material wealth while also imagining alternative ways of owning and sharing. For Soseki, literature was a means for thinking through-and beyond-private property. Bourdaghs puts Soseki into dialogue with thinkers from his own era (including William James and Mizuno Rentaro, author of Japan's first copyright law) and discusses how his work anticipates such theorists as Karatani Kojin and Franco Moretti. As Bourdaghs shows, Soseki both appropriated and rejected concepts of ownership and subjectivity in ways that theorized literature as a critical response to the emergence of global capitalism.…

Etat : New. 2021. Paperback. . . . . .

Paperback. Etat : New. Modernity arrived in Japan, as elsewhere, through new forms of ownership. In A Fictional Commons, Michael K. Bourdaghs explores how the literary and theoretical works of Natsume Soseki (1867-1916), widely celebrated as Japan's greatest modern novelist, exploited the contradictions and ambiguities that haunted this new system. Many of his works feature narratives about inheritance, thievery, and the struggle to obtain or preserve material wealth while also imagining alternative ways of owning and sharing. For Soseki, literature was a means for thinking through-and beyond-private property. Bourdaghs puts Soseki into dialogue with thinkers from his own era (including William James and Mizuno Rentaro, author of Japan's first copyright law) and discusses how his work anticipates such theorists as Karatani Kojin and Franco Moretti. As Bourdaghs shows, Soseki both appropriated and rejected concepts of ownership and subjectivity in ways that theorized literature as a critical response to the emergence of global capitalism.…

Etat : New. 2021. Paperback. . . . . . Books ship from the US and Ireland.

Etat : New. pp. 236.

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Etat : As New. Unread book in perfect condition.

Etat : New. In English.

Paperback. Etat : Brand New. 248 pages. 9.00x6.00x0.47 inches. In Stock.

Paperback. Etat : New. Modernity arrived in Japan, as elsewhere, through new forms of ownership. In A Fictional Commons, Michael K. Bourdaghs explores how the literary and theoretical works of Natsume Soseki (1867-1916), widely celebrated as Japan's greatest modern novelist, exploited the contradictions and ambiguities that haunted this new system. Many of his works feature narratives about inheritance, thievery, and the struggle to obtain or preserve material wealth while also imagining alternative ways of owning and sharing. For Soseki, literature was a means for thinking through-and beyond-private property. Bourdaghs puts Soseki into dialogue with thinkers from his own era (including William James and Mizuno Rentaro, author of Japan's first copyright law) and discusses how his work anticipates such theorists as Karatani Kojin and Franco Moretti. As Bourdaghs shows, Soseki both appropriated and rejected concepts of ownership and subjectivity in ways that theorized literature as a critical response to the emergence of global capitalism.…

Taschenbuch. Etat : Neu. A Fictional Commons | Natsume Soseki and the Properties of Modern Literature | Michael K. Bourdaghs | Taschenbuch | Einband - flex.(Paperback) | Englisch | 2021 | Duke University Press | EAN 9781478014621 | Verantwortliche Person für die EU: Mare Nostrum Group B.V., Doelen 72, 4831 GR BREDA, NIEDERLANDE, gpsr[at]mare-nostrum[dot]co[dot]uk | Anbieter: preigu.…

Paperback. Etat : New. Modernity arrived in Japan, as elsewhere, through new forms of ownership. In A Fictional Commons, Michael K. Bourdaghs explores how the literary and theoretical works of Natsume Soseki (1867-1916), widely celebrated as Japan's greatest modern novelist, exploited the contradictions and ambiguities that haunted this new system. Many of his works feature narratives about inheritance, thievery, and the struggle to obtain or preserve material wealth while also imagining alternative ways of owning and sharing. For Soseki, literature was a means for thinking through-and beyond-private property. Bourdaghs puts Soseki into dialogue with thinkers from his own era (including William James and Mizuno Rentaro, author of Japan's first copyright law) and discusses how his work anticipates such theorists as Karatani Kojin and Franco Moretti. As Bourdaghs shows, Soseki both appropriated and rejected concepts of ownership and subjectivity in ways that theorized literature as a critical response to the emergence of global capitalism.…

Taschenbuch. Etat : Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -Modernity arrived in Japan, as elsewhere, through new forms of ownership. In A Fictional Commons, Michael K. Bourdaghs explores how the literary and theoretical works of Natsume S seki (1867-1916), widely celebrated as Japan's greatest modern novelist, exploited the contradictions and ambiguities that haunted this new system. Many of his works feature narratives about inheritance, thievery, and the struggle to obtain or preserve material wealth while also imagining alternative ways of owning and sharing. For S seki, literature was a means for thinking through-and beyond-private property. Bourdaghs puts S seki into dialogue with thinkers from his own era (including William James and Mizuno Rentar , author of Japan's first copyright law) and discusses how his work anticipates such theorists as Karatani K jin and Franco Moretti. As Bourdaghs shows, S seki both appropriated and rejected concepts of ownership and subjectivity in ways that theorized literature as a critical response to the emergence of global capitalism. 236 pp. Englisch.…

Etat : New. PRINT ON DEMAND pp. 236.

Etat : New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Michael K. Bourdaghs presents a radical reframing of the works of Natsume Soseki-widely considered to be Japan s greatest modern novelist-as critical and creative responses to the emergence of new forms of property ownership in nineteenth-century Japan.…

Taschenbuch. Etat : Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Modernity arrived in Japan, as elsewhere, through new forms of ownership. In A Fictional Commons, Michael K. Bourdaghs explores how the literary and theoretical works of Natsume S seki (1867-1916), widely celebrated as Japan's greatest modern novelist, exploited the contradictions and ambiguities that haunted this new system. Many of his works feature narratives about inheritance, thievery, and the struggle to obtain or preserve material wealth while also imagining alternative ways of owning and sharing. For S seki, literature was a means for thinking through-and beyond-private property. Bourdaghs puts S seki into dialogue with thinkers from his own era (including William James and Mizuno Rentar , author of Japan's first copyright law) and discusses how his work anticipates such theorists as Karatani K jin and Franco Moretti. As Bourdaghs shows, S seki both appropriated and rejected concepts of ownership and subjectivity in ways that theorized literature as a critical response to the emergence of global capitalism.…