Langue: anglais
Edité par Bloomsbury Publishing (UK), 2026
ISBN 10 : 1666965421 ISBN 13 : 9781666965421
Vendeur : PBShop.store UK, Fairford, GLOS, Royaume-Uni
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Ajouter au panierHRD. Etat : New. New Book. Shipped from UK. Established seller since 2000.
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Ajouter au panierEtat : As New. Unread book in perfect condition.
Vendeur : GreatBookPricesUK, Woodford Green, Royaume-Uni
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Vendeur : Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irlande
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Ajouter au panierEtat : New.
Vendeur : GreatBookPricesUK, Woodford Green, Royaume-Uni
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Ajouter au panierEtat : As New. Unread book in perfect condition.
Vendeur : GreatBookPrices, Columbia, MD, Etats-Unis
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Ajouter au panierEtat : New.
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Ajouter au panierEtat : New.
Langue: anglais
Edité par Bloomsbury USA Academic, 2025
ISBN 10 : 1666965421 ISBN 13 : 9781666965421
Vendeur : Revaluation Books, Exeter, Royaume-Uni
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Ajouter au panierHardcover. Etat : Brand New. 304 pages. 9.01x6.00x1.01 inches. In Stock.
Langue: anglais
Edité par Bloomsbury Publishing Plc, London, 2026
ISBN 10 : 1666965421 ISBN 13 : 9781666965421
Vendeur : Grand Eagle Retail, Bensenville, IL, Etats-Unis
EUR 164,32
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Ajouter au panierHardcover. Etat : new. Hardcover. What, if anything, makes photography masculine? This book begins the task of recognizing mens photography as the work of men and their masculinities. From the composite portraiture at the male-only university of the 1880s, to the work of still-living photographer Reagan Louie, the authors situate their photographic subjects in the context of evolving racial, gender, and class identities in Europe and America. Several of the authors analyze instances when men photographers subverted hegemonic masculinity by exposing its signs. The authors are also attuned to the role of queerness and the queer gaze in fine art, documentary, and fashion photography of the last century. Common to them all is a refusal to take for granted the constructed masculinity that surrounded photographys practitioners and institutions, whether those practitioners paid its costs or drew its dividends. A multidisciplinary study on how men use photography to illustrate the tension between social expectations and self-expression. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Langue: anglais
Edité par Bloomsbury Publishing Plc, London, 2026
ISBN 10 : 1666965421 ISBN 13 : 9781666965421
Vendeur : CitiRetail, Stevenage, Royaume-Uni
EUR 132,30
Quantité disponible : 1 disponible(s)
Ajouter au panierHardcover. Etat : new. Hardcover. What, if anything, makes photography masculine? This book begins the task of recognizing mens photography as the work of men and their masculinities. From the composite portraiture at the male-only university of the 1880s, to the work of still-living photographer Reagan Louie, the authors situate their photographic subjects in the context of evolving racial, gender, and class identities in Europe and America. Several of the authors analyze instances when men photographers subverted hegemonic masculinity by exposing its signs. The authors are also attuned to the role of queerness and the queer gaze in fine art, documentary, and fashion photography of the last century. Common to them all is a refusal to take for granted the constructed masculinity that surrounded photographys practitioners and institutions, whether those practitioners paid its costs or drew its dividends. A multidisciplinary study on how men use photography to illustrate the tension between social expectations and self-expression. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.