Isbn: 9781844571017 - thinking in images: film theory, feminist philosophy and marlene dietrich (21 résultats)

Paperback. Etat : Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

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Etat : Very Good. 2005th Edition. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. …

Etat : Good. 2005th Edition. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.…

paperback. Etat : Good.

Paperback. Etat : New. Thinking in Images addresses the current crisis in film theory by offering a new methodology for interrelating theory and film texts. Drawing on the groundbreaking work of Michele Le Doeuff the author argures that philosophy is reliant on socio-cultural images, such as the figures of the veiled woman, the femme fatale and the seductress. The author traces the key role played by such images of woman in the theorisations of beauty, art and truth offered by Nietzsche and his successors: Derrida, Kofman and Baudrillard. Importantly, the recognition that images are crucial to theorising means that film images have the capacity to challenge and change previous theoretical models. This is demonstrated by a case study of three films from the Dietrich/Sternberg cycle: The Scarlet Empress, The Devil is a Woman and Shanghai Express. The detailed readings focus on the ways in which Dietrich's glamorous characters challenge the theorisation of woman as a beautiful object, thus offering new ways of conceptualising woman's role as the icon of beauty, art and truth.…

Soft cover. Etat : Near Fine. Etat de la jaquette : Near Fine. Some wear to the cover on the corners but there are no stains or tears on the cover or pages. Thinking in Images addresses the current crisis in film theory by offering a new methodology for interrelating theory and film texts. Drawing on the groundbreaking work of Michele Le Doeuff the author argures that philosophy is reliant on socio-cultural images, such as the figures of the veiled woman, the femme fatale and the seductress. The author traces the key role played by such images of woman in the theorisations of beauty, art and truth offered by Nietzsche and his successors: Derrida, Kofman and Baudrillard. Importantly, the recognition that images are crucial to theorising means that film images have the capacity to challenge and change previous theoretical models. This is demonstrated by a case study of three films from the Dietrich/Sternberg cycle: The Scarlet Empress, The Devil is a Woman and Shanghai Express. The detailed readings focus on the ways in which Dietrich's glamorous characters challenge the theorisation of woman as a beautiful object, thus offering new ways of conceptualising woman's role as the icon of beauty, art and truth.…

Paperback. Etat : New.

Etat : New. In English.

Etat : New. Num Pages: 208 pages, illustrated. BIC Classification: APFA. Category: (G) General (US: Trade); (UU) Undergraduate. Dimension: 156 x 233 x 15. Weight in Grams: 388. . 2005. 2005 ed. paperback. . . . .

Etat : New. Num Pages: 208 pages, illustrated. BIC Classification: APFA. Category: (G) General (US: Trade); (UU) Undergraduate. Dimension: 156 x 233 x 15. Weight in Grams: 388. . 2005. 2005 ed. paperback. . . . . Books ship from the US and Ireland.

Paperback. Etat : Brand New. illustrated edition. 208 pages. 9.00x6.00x0.75 inches. In Stock.

Paperback. Etat : New. In shrink wrap. Looks like an interesting title.

Kartoniert / Broschiert. Etat : New. &Uumlber den AutorrnrnCatherine Constableis Senior Lecturer in Film Studies at Sheffield Hallam University.InhaltsverzeichnisIntroduction: Thinking in Images Chapter 1: Theories Proper and Improper Chapter 2: The Mir.

Paperback. Etat : New. Thinking in Images addresses the current crisis in film theory by offering a new methodology for interrelating theory and film texts. Drawing on the groundbreaking work of Michele Le Doeuff the author argures that philosophy is reliant on socio-cultural images, such as the figures of the veiled woman, the femme fatale and the seductress. The author traces the key role played by such images of woman in the theorisations of beauty, art and truth offered by Nietzsche and his successors: Derrida, Kofman and Baudrillard. Importantly, the recognition that images are crucial to theorising means that film images have the capacity to challenge and change previous theoretical models. This is demonstrated by a case study of three films from the Dietrich/Sternberg cycle: The Scarlet Empress, The Devil is a Woman and Shanghai Express. The detailed readings focus on the ways in which Dietrich's glamorous characters challenge the theorisation of woman as a beautiful object, thus offering new ways of conceptualising woman's role as the icon of beauty, art and truth.…

Etat : Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. May contain underlining and/or highlighting. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.…

PAP. Etat : New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

PAP. Etat : New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Paperback. Etat : new. Paperback. Thinking in Images addresses the current crisis in film theory by offering a new methodology for interrelating theory and film texts. Drawing on the groundbreaking work of Michele Le Doeuff the author argures that philosophy is reliant on socio-cultural images, such as the figures of the veiled woman, the femme fatale and the seductress. The author traces the key role played by such images of woman in the theorisations of beauty, art and truth offered by Nietzsche and his successors: Derrida, Kofman and Baudrillard. Importantly, the recognition that images are crucial to theorising means that film images have the capacity to challenge and change previous theoretical models. This is demonstrated by a case study of three films from the Dietrich/Sternberg cycle: The Scarlet Empress, The Devil is a Woman and Shanghai Express. The detailed readings focus on the ways in which Dietrich's glamorous characters challenge the theorisation of woman as a beautiful object, thus offering new ways of conceptualising woman's role as the icon of beauty, art and truth. "Thinking in Images "addresses the current crisis in film theory by offering a new methodology for interrelating theory and film texts. Drawing on the groundbreaking work of Michele Le Duff, Catherine Constable argues that philosophy is reliant on sociocultural images, such as the figures of the veiled woman, the femme fatale, and the seductress. Constable traces the key role such female images play in the theorizations of beauty, art, and truth offered by Nietzsche and his successors: Jacques Derrida, Sarah Kofman, and Jean Baudrillard. Recognizing that images are crucial to theorizing means that film images have the capacity to challenge and change previous theoretical models. This is demonstrated by a case study of three films from the Dietrich/Sternberg cycle: "The Scarlet Empress, The Devil Is a Woman, "and "Shanghai Express. "These detailed readings focus on the ways in which Dietrich's glamorous characters challenge the theorization of woman as a beautiful object, thus offering new ways of conceptualizing woman's role as the icon of beauty, art, and truth. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Paperback / softback. Etat : New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.

Paperback. Etat : new. Paperback. Thinking in Images addresses the current crisis in film theory by offering a new methodology for interrelating theory and film texts. Drawing on the groundbreaking work of Michele Le Doeuff the author argures that philosophy is reliant on socio-cultural images, such as the figures of the veiled woman, the femme fatale and the seductress. The author traces the key role played by such images of woman in the theorisations of beauty, art and truth offered by Nietzsche and his successors: Derrida, Kofman and Baudrillard. Importantly, the recognition that images are crucial to theorising means that film images have the capacity to challenge and change previous theoretical models. This is demonstrated by a case study of three films from the Dietrich/Sternberg cycle: The Scarlet Empress, The Devil is a Woman and Shanghai Express. The detailed readings focus on the ways in which Dietrich's glamorous characters challenge the theorisation of woman as a beautiful object, thus offering new ways of conceptualising woman's role as the icon of beauty, art and truth. "Thinking in Images "addresses the current crisis in film theory by offering a new methodology for interrelating theory and film texts. Drawing on the groundbreaking work of Michele Le Duff, Catherine Constable argues that philosophy is reliant on sociocultural images, such as the figures of the veiled woman, the femme fatale, and the seductress. Constable traces the key role such female images play in the theorizations of beauty, art, and truth offered by Nietzsche and his successors: Jacques Derrida, Sarah Kofman, and Jean Baudrillard. Recognizing that images are crucial to theorizing means that film images have the capacity to challenge and change previous theoretical models. This is demonstrated by a case study of three films from the Dietrich/Sternberg cycle: "The Scarlet Empress, The Devil Is a Woman, "and "Shanghai Express. "These detailed readings focus on the ways in which Dietrich's glamorous characters challenge the theorization of woman as a beautiful object, thus offering new ways of conceptualizing woman's role as the icon of beauty, art, and truth. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…