Isbn: 9781844573608 - signs and meaning in the cinema (22 résultats)

Etat : new.

PAP. Etat : New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Etat : Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Paperback. Etat : new. Paperback. First published in 1969, Signs and Meaning in the Cinema transformed the emerging discipline of film studies. Remarkably eclectic and informed, Peter Wollen's highly influential and groundbreaking work remains a brilliant and accessible theorisation of film as an art form and as a sign system.The book is divided into three main sections. The first explores the work of Sergei Eisenstein as film-maker, designer and aesthetician. The second, which contains a celebrated comparison of the films of John Ford and Howard Hawks, is an expositionand defence of the auteur theory. The third formulates a semiology of the cinema, invoking cinema as an exemplary test-case for comparative aesthetics and general theories of signification. Wollen's Conclusion argues for an avant-garde cinema, bringingpost-structuralist ideas into his discussion of Godard and other contemporaries.Published as part of the BFI Silver series, this fifth edition features a new foreword by film theorist David Rodowick and brings together material from the four previous editions, inviting the reader to trace the development of Wollen's thinking, and the unfolding of the discourse of cinema. First published in 1969, Signs and Meaning in the Cinema helped transform the discipline of film studies by incorporating the methodology of structuralism and semiotics. Featuring a new foreword by D.N. Rodowick, this new BFI Silver edition explores the way in which a new approach to the cinema can be combined with a new approach to aesthetics. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Etat : New. First published in 1969, Signs and Meaning in the Cinema helped transform the discipline of film studies by incorporating the methodology of structuralism and semiotics. Featuring a new foreword by D.N. Rodowick, this new BFI Silver edition explores the way in which a new approach to the cinema can be combined with a new approach to aesthetics. Series: BFI Silver. Num Pages: 288 pages, 60 black & white halftones. BIC Classification: APFA. Category: (G) General (US: Trade). Dimension: 138 x 190 x 21. Weight in Grams: 460. . 2013. 5th edition. Paperback. . . . .…

Paperback. Etat : New. First published in 1969, Signs and Meaning in the Cinema transformed the emerging discipline of film studies. Remarkably eclectic and informed, Peter Wollen's highly influential and groundbreaking work remains a brilliant and accessible theorisation of film as an art form and as a sign system.The book is divided into three main sections. The first explores the work of Sergei Eisenstein as film-maker, designer and aesthetician. The second, which contains a celebrated comparison of the films of John Ford and Howard Hawks, is an expositionand defence of the auteur theory. The third formulates a semiology of the cinema, invoking cinema as an exemplary test-case for comparative aesthetics and general theories of signification. Wollen's Conclusion argues for an avant-garde cinema, bringingpost-structuralist ideas into his discussion of Godard and other contemporaries.Published as part of the BFI Silver series, this fifth edition features a new foreword by film theorist David Rodowick and brings together material from the four previous editions, inviting the reader to trace the development of Wollen's thinking, and the unfolding of the discourse of cinema.…

PAP. Etat : New. New Book. Shipped from UK. Established seller since 2000.

Etat : good. Paperback Book.

Paperback. Etat : Brand New. 3rd new edition. 272 pages. 7.50x5.25x1.00 inches. In Stock.

Paperback. Etat : New.

Etat : Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.…

Etat : New. First published in 1969, Signs and Meaning in the Cinema helped transform the discipline of film studies by incorporating the methodology of structuralism and semiotics. Featuring a new foreword by D.N. Rodowick, this new BFI Silver edition explores the way in which a new approach to the cinema can be combined with a new approach to aesthetics. Series: BFI Silver. Num Pages: 288 pages, 60 black & white halftones. BIC Classification: APFA. Category: (G) General (US: Trade). Dimension: 138 x 190 x 21. Weight in Grams: 460. . 2013. 5th edition. Paperback. . . . . Books ship from the US and Ireland.…

Etat : New. pp. 288 5th Edition.

Etat : New. pp. 288.

Paperback / softback. Etat : New. New copy - Usually dispatched within 4 working days.

Paperback. Etat : new. Paperback. First published in 1969, Signs and Meaning in the Cinema transformed the emerging discipline of film studies. Remarkably eclectic and informed, Peter Wollen's highly influential and groundbreaking work remains a brilliant and accessible theorisation of film as an art form and as a sign system.The book is divided into three main sections. The first explores the work of Sergei Eisenstein as film-maker, designer and aesthetician. The second, which contains a celebrated comparison of the films of John Ford and Howard Hawks, is an expositionand defence of the auteur theory. The third formulates a semiology of the cinema, invoking cinema as an exemplary test-case for comparative aesthetics and general theories of signification. Wollen's Conclusion argues for an avant-garde cinema, bringingpost-structuralist ideas into his discussion of Godard and other contemporaries.Published as part of the BFI Silver series, this fifth edition features a new foreword by film theorist David Rodowick and brings together material from the four previous editions, inviting the reader to trace the development of Wollen's thinking, and the unfolding of the discourse of cinema. First published in 1969, Signs and Meaning in the Cinema helped transform the discipline of film studies by incorporating the methodology of structuralism and semiotics. Featuring a new foreword by D.N. Rodowick, this new BFI Silver edition explores the way in which a new approach to the cinema can be combined with a new approach to aesthetics. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Paperback. Etat : new. Paperback. First published in 1969, Signs and Meaning in the Cinema transformed the emerging discipline of film studies. Remarkably eclectic and informed, Peter Wollen's highly influential and groundbreaking work remains a brilliant and accessible theorisation of film as an art form and as a sign system.The book is divided into three main sections. The first explores the work of Sergei Eisenstein as film-maker, designer and aesthetician. The second, which contains a celebrated comparison of the films of John Ford and Howard Hawks, is an expositionand defence of the auteur theory. The third formulates a semiology of the cinema, invoking cinema as an exemplary test-case for comparative aesthetics and general theories of signification. Wollen's Conclusion argues for an avant-garde cinema, bringingpost-structuralist ideas into his discussion of Godard and other contemporaries.Published as part of the BFI Silver series, this fifth edition features a new foreword by film theorist David Rodowick and brings together material from the four previous editions, inviting the reader to trace the development of Wollen's thinking, and the unfolding of the discourse of cinema. First published in 1969, Signs and Meaning in the Cinema helped transform the discipline of film studies by incorporating the methodology of structuralism and semiotics. Featuring a new foreword by D.N. Rodowick, this new BFI Silver edition explores the way in which a new approach to the cinema can be combined with a new approach to aesthetics. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…

Etat : New. First published in 1969, Signs and Meaning in the Cinema helped transform the discipline of film studies by incorporating the methodology of structuralism and semiotics. Featuring a new foreword by D.N. Rodowick, this new BFI Silver edition explores the way.

Taschenbuch. Etat : Neu. Neuware - First published in 1969, Signs and Meaning in the Cinema transformed the emerging discipline of film studies. Remarkably eclectic and informed, Peter Wollen's highly influential and groundbreaking work remains a brilliant and accessible theorisation of film as an art form and as a sign system.The book is divided into three main sections. The first explores the work of Sergei Eisenstein as film-maker, designer and aesthetician. The second, which contains a celebrated comparison of the films of John Ford and Howard Hawks, is an expositionand defence of the auteur theory. The third formulates a semiology of the cinema, invoking cinema as an exemplary test-case for comparative aesthetics and general theories of signification. Wollen's Conclusion argues for an avant-garde cinema, bringingpost-structuralist ideas into his discussion of Godard and other contemporaries.Published as part of the BFI Silver series, this fifth edition features a new foreword by film theorist David Rodowick and brings together material from the four previous editions, inviting the reader to trace the development of Wollen's thinking, and the unfolding of the discourse of cinema.…

Paperback. Etat : New. First published in 1969, Signs and Meaning in the Cinema transformed the emerging discipline of film studies. Remarkably eclectic and informed, Peter Wollen's highly influential and groundbreaking work remains a brilliant and accessible theorisation of film as an art form and as a sign system.The book is divided into three main sections. The first explores the work of Sergei Eisenstein as film-maker, designer and aesthetician. The second, which contains a celebrated comparison of the films of John Ford and Howard Hawks, is an expositionand defence of the auteur theory. The third formulates a semiology of the cinema, invoking cinema as an exemplary test-case for comparative aesthetics and general theories of signification. Wollen's Conclusion argues for an avant-garde cinema, bringingpost-structuralist ideas into his discussion of Godard and other contemporaries.Published as part of the BFI Silver series, this fifth edition features a new foreword by film theorist David Rodowick and brings together material from the four previous editions, inviting the reader to trace the development of Wollen's thinking, and the unfolding of the discourse of cinema.…

Paperback. Etat : New. BFI Silver.

Etat : New. pp. 288 This item is printed on demand.