ISBN: 9781844574995 - taxi driver (26 résultats)

paperback. Etat : Very Good. Most items will be dispatched the same or the next working day. A copy that has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

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Etat : New.

Paperback. Etat : New. Paul Schrader was in meltdown in 1972. Drinking heavily, living in his car, he was hospitalised with a gastric ulcer. There he read about Arthur Bremer's attempt to assassinate Alabama Governor George Wallace: the story was the germ of his screenplay for Taxi Driver (1976). Executives at Columbia hated the script, but when Martin Scorsese and Robert De Niro, who were flying high after the triumphs of Mean Streets (1973) and The Godfather Part II (1974), signed up, Taxi Driver became too good a package to refuse.Scorsese transformed the script into what is now considered one of the two or three definitive films of the 1970s. De Niro is mesmerising as Travis Bickle - pent-up, bigoted, steadily slipping into psychosis, the personification of American masculinity post-Vietnam. Cybill Shepherd and Jodie Foster give fine support and Scorsese brought in Bernard Herrmann, the greatest of film composers, to write what turned out to be his last score. Crucially, Scorsese rooted Taxi Driver in its New York locations, tuning the film's violence into the hard reality of the city. Technically thrilling though it is, Taxi Driver is profoundly disturbing - finding, as Amy Taubin shows, racism, misogyny and gun fetishism at the heart of American culture.In her foreword to this special edition, published to celebrate the 20th anniversary of the BFI Film Classics series, Amy Taubin considers Taxi Driver anew in the context of contemporary politics of race and masculinity in the US, and draws on an exclusive interview with Robert De Niro about his memories of making the film. …

Paperback. Etat : New. Brand new book, sourced directly from publisher. Dispatch time is 24-48 hours from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

PAP. Etat : New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Etat : New. Brand new book, sourced directly from publisher. Dispatch time is 5-6 days from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Paperback. Etat : new. Paperback. Paul Schrader was in meltdown in 1972. Drinking heavily, living in his car, he was hospitalised with a gastric ulcer. There he read about Arthur Bremer's attempt to assassinate Alabama Governor George Wallace: the story was the germ of his screenplay for Taxi Driver (1976). Executives at Columbia hated the script, but when Martin Scorsese and Robert De Niro, who were flying high after the triumphs of Mean Streets (1973) and The Godfather Part II (1974), signed up, Taxi Driver became too good a package to refuse.Scorsese transformed the script into what is now considered one of the two or three definitive films of the 1970s. De Niro is mesmerising as Travis Bickle pent-up, bigoted, steadily slipping into psychosis, the personification of American masculinity post-Vietnam. Cybill Shepherd and Jodie Foster give fine support and Scorsese brought in Bernard Herrmann, the greatest of film composers, to write what turned out to be his last score. Crucially, Scorsese rooted Taxi Driver in its New York locations, tuning the film's violence into the hard reality of the city. Technically thrilling though it is, Taxi Driver is profoundly disturbing finding, as Amy Taubin shows, racism, misogyny and gun fetishism at the heart of American culture.In her foreword to this special edition, published to celebrate the 20th anniversary of the BFI Film Classics series, Amy Taubin considers Taxi Driver anew in the context of contemporary politics of race and masculinity in the US, and draws on an exclusive interview with Robert De Niro about his memories of making the film. Taxi Driver is one of the major films of the 1970s, which established Martin Scorcese's reputation as a prominent American director. This new edition of Taubin's study is published in the Film Classics 20th anniversary series of special editions, with a new foreword by Amy Taubin, and a stunning new jacket design by Marc Atkins. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Etat : new.

Etat : New. pp. 88.

Etat : New. 2012. Second Edition, Revised. Paperback. Taxi Driver is one of the major films of the 1970s, which established Martin Scorcese's reputation as a prominent American director. This new edition of Taubin's study is published in the Film Classics 20th anniversary series of special editions, with a new foreword by Amy Taubin, and a stunning new jacket design by Marc Atkins. Series: BFI Film Classics. Num Pages: 88 pages, 24 colour illustrations, 26 black & white halftones. BIC Classification: APFG. Category: (G) General (US: Trade). Dimension: 189 x 137 x 7. Weight in Grams: 178. Series: BFI Film Classics. 88 pages, 24 colour illustrations, 26 black & white halftones. Taxi Driver is one of the major films of the 1970s, which established Martin Scorcese's reputation as a prominent American director. This new edition of Taubin's study is published in the Film Classics 20th anniversary series of special editions, with a new foreword by Amy Taubin, and a stunning new jacket design by Marc Atkins. Cateogry: (G) General (US: Trade). BIC Classification: APFG. Dimension: 189 x 137 x 7. Weight: 176. . . . . . …

Paperback. Etat : Brand New. 2nd revised edition. 88 pages. 7.50x5.50x0.50 inches. In Stock.

Etat : New. 2012. Second Edition, Revised. Paperback. Taxi Driver is one of the major films of the 1970s, which established Martin Scorcese's reputation as a prominent American director. This new edition of Taubin's study is published in the Film Classics 20th anniversary series of special editions, with a new foreword by Amy Taubin, and a stunning new jacket design by Marc Atkins. Series: BFI Film Classics. Num Pages: 88 pages, 24 colour illustrations, 26 black & white halftones. BIC Classification: APFG. Category: (G) General (US: Trade). Dimension: 189 x 137 x 7. Weight in Grams: 178. Series: BFI Film Classics. 88 pages, 24 colour illustrations, 26 black & white halftones. Taxi Driver is one of the major films of the 1970s, which established Martin Scorcese's reputation as a prominent American director. This new edition of Taubin's study is published in the Film Classics 20th anniversary series of special editions, with a new foreword by Amy Taubin, and a stunning new jacket design by Marc Atkins. Cateogry: (G) General (US: Trade). BIC Classification: APFG. Dimension: 189 x 137 x 7. Weight: 176. . . . . . Books ship from the US and Ireland. …

Etat : New. In English.

Etat : New. pp. 88 Acknowledgements.

Etat : New. pp. 88 2nd Revised Edition.

Paperback / softback. Etat : New. New copy - Usually dispatched within 4 working days.

Etat : New.

Etat : As New. Unread book in perfect condition.

Taschenbuch. Etat : Neu. Neuware - Paul Schrader was in meltdown in 1972. Drinking heavily, living in his car, he was hospitalised with a gastric ulcer. There he read about Arthur Bremer's attempt to assassinate Alabama Governor George Wallace: the story was the germ of his screenplay for Taxi Driver (1976). Executives at Columbia hated the script, but when Martin Scorsese and Robert De Niro, who were flying high after the triumphs of Mean Streets (1973) and The Godfather Part II (1974), signed up, Taxi Driver became too good a package to refuse.Scorsese transformed the script into what is now considered one of the two or three definitive films of the 1970s. De Niro is mesmerising as Travis Bickle - pent-up, bigoted, steadily slipping into psychosis, the personification of American masculinity post-Vietnam. Cybill Shepherd and Jodie Foster give fine support and Scorsese brought in Bernard Herrmann, the greatest of film composers, to write what turned out to be his last score. Crucially, Scorsese rooted Taxi Driver in its New York locations, tuning the film's violence into the hard reality of the city. Technically thrilling though it is, Taxi Driver is profoundly disturbing - finding, as Amy Taubin shows, racism, misogyny and gun fetishism at the heart of American culture.In her foreword to this special edition, published to celebrate the 20th anniversary of the BFI Film Classics series, Amy Taubin considers Taxi Driver anew in the context of contemporary politics of race and masculinity in the US, and draws on an exclusive interview with Robert De Niro about his memories of making the film.…

Paperback. Etat : new. Paperback. Paul Schrader was in meltdown in 1972. Drinking heavily, living in his car, he was hospitalised with a gastric ulcer. There he read about Arthur Bremer's attempt to assassinate Alabama Governor George Wallace: the story was the germ of his screenplay for Taxi Driver (1976). Executives at Columbia hated the script, but when Martin Scorsese and Robert De Niro, who were flying high after the triumphs of Mean Streets (1973) and The Godfather Part II (1974), signed up, Taxi Driver became too good a package to refuse.Scorsese transformed the script into what is now considered one of the two or three definitive films of the 1970s. De Niro is mesmerising as Travis Bickle pent-up, bigoted, steadily slipping into psychosis, the personification of American masculinity post-Vietnam. Cybill Shepherd and Jodie Foster give fine support and Scorsese brought in Bernard Herrmann, the greatest of film composers, to write what turned out to be his last score. Crucially, Scorsese rooted Taxi Driver in its New York locations, tuning the film's violence into the hard reality of the city. Technically thrilling though it is, Taxi Driver is profoundly disturbing finding, as Amy Taubin shows, racism, misogyny and gun fetishism at the heart of American culture.In her foreword to this special edition, published to celebrate the 20th anniversary of the BFI Film Classics series, Amy Taubin considers Taxi Driver anew in the context of contemporary politics of race and masculinity in the US, and draws on an exclusive interview with Robert De Niro about his memories of making the film. Taxi Driver is one of the major films of the 1970s, which established Martin Scorcese's reputation as a prominent American director. This new edition of Taubin's study is published in the Film Classics 20th anniversary series of special editions, with a new foreword by Amy Taubin, and a stunning new jacket design by Marc Atkins. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…

Paperback. Etat : new. Paperback. Paul Schrader was in meltdown in 1972. Drinking heavily, living in his car, he was hospitalised with a gastric ulcer. There he read about Arthur Bremer's attempt to assassinate Alabama Governor George Wallace: the story was the germ of his screenplay for Taxi Driver (1976). Executives at Columbia hated the script, but when Martin Scorsese and Robert De Niro, who were flying high after the triumphs of Mean Streets (1973) and The Godfather Part II (1974), signed up, Taxi Driver became too good a package to refuse.Scorsese transformed the script into what is now considered one of the two or three definitive films of the 1970s. De Niro is mesmerising as Travis Bickle pent-up, bigoted, steadily slipping into psychosis, the personification of American masculinity post-Vietnam. Cybill Shepherd and Jodie Foster give fine support and Scorsese brought in Bernard Herrmann, the greatest of film composers, to write what turned out to be his last score. Crucially, Scorsese rooted Taxi Driver in its New York locations, tuning the film's violence into the hard reality of the city. Technically thrilling though it is, Taxi Driver is profoundly disturbing finding, as Amy Taubin shows, racism, misogyny and gun fetishism at the heart of American culture.In her foreword to this special edition, published to celebrate the 20th anniversary of the BFI Film Classics series, Amy Taubin considers Taxi Driver anew in the context of contemporary politics of race and masculinity in the US, and draws on an exclusive interview with Robert De Niro about his memories of making the film. Taxi Driver is one of the major films of the 1970s, which established Martin Scorcese's reputation as a prominent American director. This new edition of Taubin's study is published in the Film Classics 20th anniversary series of special editions, with a new foreword by Amy Taubin, and a stunning new jacket design by Marc Atkins. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Etat : NEW.

Etat : New. Taxi Driver is one of the major films of the 1970s, which established Martin Scorcese s reputation as a prominent American director. This new edition of Taubin s study is published in the Film Classics 20th anniversary series of special editions, with a new.

Taschenbuch. Etat : Neu. Taxi Driver | Amy Taubin | Taschenbuch | BFI Film Classics | Kartoniert / Broschiert | Englisch | 2012 | Macmillan Education | EAN 9781844574995 | Verantwortliche Person für die EU: preigu GmbH & Co. KG, Lengericher Landstr. 19, 49078 Osnabrück, mail[at]preigu[dot]de | Anbieter: preigu.…

Paperback. Etat : New. Paul Schrader was in meltdown in 1972. Drinking heavily, living in his car, he was hospitalised with a gastric ulcer. There he read about Arthur Bremer's attempt to assassinate Alabama Governor George Wallace: the story was the germ of his screenplay for Taxi Driver (1976). Executives at Columbia hated the script, but when Martin Scorsese and Robert De Niro, who were flying high after the triumphs of Mean Streets (1973) and The Godfather Part II (1974), signed up, Taxi Driver became too good a package to refuse.Scorsese transformed the script into what is now considered one of the two or three definitive films of the 1970s. De Niro is mesmerising as Travis Bickle - pent-up, bigoted, steadily slipping into psychosis, the personification of American masculinity post-Vietnam. Cybill Shepherd and Jodie Foster give fine support and Scorsese brought in Bernard Herrmann, the greatest of film composers, to write what turned out to be his last score. Crucially, Scorsese rooted Taxi Driver in its New York locations, tuning the film's violence into the hard reality of the city. Technically thrilling though it is, Taxi Driver is profoundly disturbing - finding, as Amy Taubin shows, racism, misogyny and gun fetishism at the heart of American culture.In her foreword to this special edition, published to celebrate the 20th anniversary of the BFI Film Classics series, Amy Taubin considers Taxi Driver anew in the context of contemporary politics of race and masculinity in the US, and draws on an exclusive interview with Robert De Niro about his memories of making the film. …