Isbn: 9781854377401 - ben nicholson (8 résultats)

Soft cover. Large 8vo. Pp: 128. First Edition First Printing. Publisher's colour-illustrated softcovers with black lettering. Colour illustrations throughout. Includes loosely inserted accompanying exhibition pamphlet as well as newspaper review. Also includes loosely inserted card and press release for a later [2015] Ben Nicholson.ISBN: 9781854377401 Very good plus.…

Soft. Etat : Very Good. Abbot Hall sticker to front. Unfortunate splash staining to base closed edges, otherwise very tidy. Size: 4to. Exhibition Book.

Soft cover. Etat : Very Good. 1st Edition. 128pp. Large format.

SOFTCOVER. Etat : New. 1st Edition. 4to in colour printed stiff card covers, 128pp on stiff art paper, colour plates, index etc . [CONDITION: NEW unread and unmarked copy ] . __To see more of our Art Monographs etc type DbbARTIST in the Keywords search box . . We always ship in STRONG PROTECTIVE CARD PARCELS.…

Etat : Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Etat : New. Ben Nicholson (1894-1982) is widely considered to be one of the most important artists to have emerged from Britain in the last hundred years. In the early 1920s he first saw Cubist paintings and began producing Cubist-influenced works: other informative influences included the Cornish naive painter Alfred Wallis; the sculptor Barbara Hepworth, who became his second wife; and the avant-garde artists he encountered in Paris that included Braque, Mondrian, and Picasso. In 1934 he made the first of a series of white reliefs that were hailed as the most uncompromisingly avant-garde works produced by any English artist, bringing him to international prominence. In 1939, Nicholson and Hepworth returned to live in St Ives, in Cornwall, England, where he was to remain for the next two decades, becoming the nucleus of the school of artists that was at the vanguard of a British modern movement. Accompanying a major touring exhibition, this fully illustrated survey concentrates on the years Nicholson spent in Britain, before he left to live in Switzerland in 1959. Works discussed date from the 1920s through to the 1950s, and range from landscape drawings and paintings, Cubist still lifes, and a range of the both abstract and landscape-inspired works he made in St Ives during World War II. With essays by leading authorities on Nicholson, this book will shed light on aspects of Nicholsonâs work and inspiration that have previously been overlooked or misunderstood, deepening our appreciation of the achievements of one of the most influential British artists of the 20th century.…

Paperback. Etat : New. Ben Nicholson (1894-1982) is widely considered to be one of the most important artists to have emerged from Britain in the last hundred years. In the early 1920s he first saw Cubist paintings and began producing Cubist-influenced works: other informative influences included the Cornish naive painter Alfred Wallis; the sculptor Barbara Hepworth, who became his second wife; and the avant-garde artists he encountered in Paris that included Braque, Mondrian, and Picasso. In 1934 he made the first of a series of white reliefs that were hailed as the most uncompromisingly avant-garde works produced by any English artist, bringing him to international prominence. In 1939, Nicholson and Hepworth returned to live in St Ives, in Cornwall, England, where he was to remain for the next two decades, becoming the nucleus of the school of artists that was at the vanguard of a British modern movement. Accompanying a major touring exhibition, this fully illustrated survey concentrates on the years Nicholson spent in Britain, before he left to live in Switzerland in 1959. Works discussed date from the 1920s through to the 1950s, and range from landscape drawings and paintings, Cubist still lifes, and a range of the both abstract and landscape-inspired works he made in St Ives during World War II. With essays by leading authorities on Nicholson, this book will shed light on aspects of Nicholsonâs work and inspiration that have previously been overlooked or misunderstood, deepening our appreciation of the achievements of one of the most influential British artists of the 20th century.…