ISBN: 9782906571921 - contemporary practices: art as experience (24 résultats)

Paperback. Etat : Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized. PAPERBACK.

Paperback. Etat : Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE PAPERBACK Standard-sized.

Etat : As New. Unread book in perfect condition.

Etat : New.

Paperback. Etat : New.

Paperback. Etat : New.

PAP. Etat : New. New Book. Shipped from UK. Established seller since 2000.

PAP. Etat : New. New Book. Shipped from UK. Established seller since 2000.

Etat : Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.…

Paperback. Etat : new. Paperback. Artists today are smugglers. Recycling both real and fictional images, their proposals are no longer artworks or even art objects, but rather situations to be experimented with collectively. Nowadays the emerging creations are hyper-artworks, authorless and non-linear, exploring the idea that all forms of documentation are themselves interpretations open to new readings and renditions. The question thus shifts to how the world is narrated, how stories are told and how are received. In the process, viewers are integrated into the artwork as they strive to make up their own story in a buffer zone between reality and fiction. Artists today are smugglers. Recycling both real and fictional images, their proposals are no longer artworks or even art objects, but rather situations to be lived, put to the test and experimented with collectively. Analyzing contemporary art works as authorless 'hyper-artworks', post-colonial critic and theorist Ackbar Abbas argues that narration emerges as a potent aesthetic force and that all forms of documentation are themselves interpretations open to new and multiple readings. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Etat : New.

Paperback. Etat : Brand New. illustrated edition. 128 pages. 8.25x6.25x0.25 inches. In Stock.

Etat : New. Num Pages: 122 pages, illustrations. BIC Classification: AC. Category: (G) General (US: Trade). Dimension: 210 x 159 x 4. Weight in Grams: 340. . 1999. Paperback. . . . .

Etat : New.

Etat : New. Num Pages: 122 pages, illustrations. BIC Classification: AC. Category: (G) General (US: Trade). Dimension: 210 x 159 x 4. Weight in Grams: 340. . 1999. Paperback. . . . . Books ship from the US and Ireland.

Etat : New.

Etat : New.

Etat : As New. Unread book in perfect condition.

paperback. Etat : Very Good.

Paperback. Etat : New.

Taschenbuch. Etat : Neu. Neuware - Artists today are smugglers. Recycling both real and fictional images, their proposals are no longer artworks or even art objects, but rather situations to be experimented with collectively. Nowadays the emerging creations are hyper-artworks, authorless and non-linear, exploring the idea that all forms of documentation are themselves interpretations open to new readings and renditions. The question thus shifts to how the world is narrated, how stories are told and how are received. In the process, viewers are integrated into the artwork as they strive to make up their own story in a buffer zone between reality and fiction.…

Etat : New. KlappentextrnrnArtists today are smugglers. Recycling both real and fictional images, their proposals are no longer artworks or even art objects, but rather situations to be lived, put to the test and experimented with collectively. Analyzing co.

Paperback. Etat : new. Paperback. Artists today are smugglers. Recycling both real and fictional images, their proposals are no longer artworks or even art objects, but rather situations to be experimented with collectively. Nowadays the emerging creations are hyper-artworks, authorless and non-linear, exploring the idea that all forms of documentation are themselves interpretations open to new readings and renditions. The question thus shifts to how the world is narrated, how stories are told and how are received. In the process, viewers are integrated into the artwork as they strive to make up their own story in a buffer zone between reality and fiction. Artists today are smugglers. Recycling both real and fictional images, their proposals are no longer artworks or even art objects, but rather situations to be lived, put to the test and experimented with collectively. Analyzing contemporary art works as authorless 'hyper-artworks', post-colonial critic and theorist Ackbar Abbas argues that narration emerges as a potent aesthetic force and that all forms of documentation are themselves interpretations open to new and multiple readings. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Paperback. Etat : New.