Isbn: 9783775728362 - charles brittin west and south /anglais (9 résultats)

hardcover. Etat : Good. Ex owner markings on prelim pages. Edges of pages are tanned. Bottom of cover is dented.

Hardcover. Etat : Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

Hardcover. Etat : Acceptable. Ex-library with usual stamps and markings This is a damaged book. May be ex-library, water-damaged, or spine creased/broken. Acceptable, Reading copy only, with writing/markings and heavy wear. Oversized.

Pappband. Quart. 213 S. Pappband. Sprache: Englisch, Mit zahlr. Abb. neu, original eingeschweißt.

Hardcover without dustjacket as issued; 216 pages; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

213 Seiten, Bildaband; --- gutes Exemplar, ungelesen Sprache: Englisch Gewicht in Gramm: 2100 33,5 x 24,5 cm, Gebundene Ausgabe / Pappband.

Etat : Used: Like New. Encore sous blister.

EA, 33x25 cm, 216 S., OPbd., sehr gut erhalten Aufgrund der EPR-Regelung kann in folgende Länder KEIN Versand mehr erfolgen: Bulgarien, Finnland, Frankreich, Griechenland, Luxemburg, Österreich, Polen, Rumänien, Schweden, Slowakei, Spanien.

Hardcover. Etat : New. Throughout the 1950s, Charles Brittin was the unofficial house photographer for the Beat community that coalesced around the artist Wallace Berman. Brittin settled in Venice Beach, California, in 1951, and his beach shack became a hangout for the Berman circle, which included actors Dean Stockwell and Dennis Hopper, artist John Altoon, curator Walter Hopps and poet David Meltzer, among many others. A self-taught photographer, Brittin was working as a mailman at the time, and spent much of his free time wandering the streets with a camera; he came to know Venice intimately, and his pictures of the town are freighted with a hushed beauty and forlorn sweetness. In the early 1960s the focus of Brittin's life shifted dramatically when he became involved with the civil rights movement. "I suddenly realized I was compelled to do something," Brittin recalls, "because the times demanded it." As a photographer for the Congress of Racial Equality, Brittin documented the dramatic non-violent protests that occurred throughout Southern California, and made a courageous trip to the deep South, in 1965, to assist with the registration of black voters. As the 60s progressed he documented the antiwar movement, and by the end of the decade was devoting most of his time to the Black Panther Party. These two very different social revolutions are at the heart of Charles Brittin: West and South. With 150 images--138 of them previously unpublished--this monograph is published on the occasion of a 2011 retrospective at Michael Kohn Gallery in Los Angeles.Charles Brittin (born 1928) moved to California from Cedar Rapids, Iowa, after enrolling at UCLA. He contributed several photographs to Wallace Berman's Semina magazine throughout the 50s and 60s, while working as a photographer for Charles and Ray Eames. After a two-decade hiatus, Brittin returned to photography in the 1990s, also making video works.…