9789401501521 - francisco correa de arauxo par jacobs, charles (10 résultats)
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Vendeur : Ria Christie Collections, Uxbridge, Royaume-UniRia Christie Collections
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Vendeur : Chiron Media, Wallingford, Royaume-UniChiron Media
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PF. Etat : New.
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Vendeur : Books Puddle, New York, NY, Etats-UnisBooks Puddle
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Etat : New. pp. 112.
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Vendeur : Revaluation Books, Exeter, Royaume-UniRevaluation Books
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Paperback. Etat : Brand New. 1973 edition. 112 pages. 9.25x6.10x0.26 inches. In Stock.
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Vendeur : AHA-BUCH GmbH, Einbeck, AllemagneAHA-BUCH GmbH
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Taschenbuch. Etat : Neu. Druck auf Anfrage Neuware - Printed after ordering - Francisco Correa de Arauxo: how little does the name evoke for most musicians Yet, this composer wrote music equal in interest and beauty to that of such better-known composers of his time as Bull, Titelouze, Gibbons, Sweelinck, and Frescobaldi. Unfort…unately, Correa's music was published in a notation which, though excellent, was little-known beyond Spain. Only within the last twenty years has a complete -though regrettably deficient - edition of Correa's music become available. Cabezon, Correa de Arauxo's most significant immediate predecessor on the Hispanic musical scene (at least among keyboard composers whose music survives to any extent), figures among the greatest and most influential Renaissance composers. In Cabezon's works, the ricer car (known as tiento in Spain) and variations forms reached full de velopment. Manuel Rodrigues Coelho, Correa's Portuguese contemporary, al though working well into the seventeenth century, did not venture beyond the formal boundaries established by Cabezon. On the other hand, a number of late sixteenth-century Spanish composers - Francisco Peraza, and others whose works seem irretriev ably lost - apparently were writing music that incorporated into the contrapuntal flow of the tiento toccata-like episodes. The result, for mally, was similar in many respects to toccatas of late-Renaissance Italy. Formal sectionality also appears in the late sixteenth-century Italian ricercar, particularly in those known as canzone francese. This formal trait is present in music by composers of Naples, then under Spanish dominion, and Venice. Correa could not have been working in cultural semi-isolation.
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Vendeur : BuchWeltWeit Ludwig Meier e.K., Bergisch Gladbach, AllemagneBuchWeltWeit Ludwig Meier e.K.
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Taschenbuch. Etat : Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -Francisco Correa de Arauxo: how little does the name evoke for most musicians Yet, this composer wrote music equal in interest and beauty to that of such better-known composers of his time as Bull, Titelouze, Gibbons, Sweelinck, and Fre…scobaldi. Unfortunately, Correa's music was published in a notation which, though excellent, was little-known beyond Spain. Only within the last twenty years has a complete -though regrettably deficient - edition of Correa's music become available. Cabezon, Correa de Arauxo's most significant immediate predecessor on the Hispanic musical scene (at least among keyboard composers whose music survives to any extent), figures among the greatest and most influential Renaissance composers. In Cabezon's works, the ricer car (known as tiento in Spain) and variations forms reached full de velopment. Manuel Rodrigues Coelho, Correa's Portuguese contemporary, al though working well into the seventeenth century, did not venture beyond the formal boundaries established by Cabezon. On the other hand, a number of late sixteenth-century Spanish composers - Francisco Peraza, and others whose works seem irretriev ably lost - apparently were writing music that incorporated into the contrapuntal flow of the tiento toccata-like episodes. The result, for mally, was similar in many respects to toccatas of late-Renaissance Italy. Formal sectionality also appears in the late sixteenth-century Italian ricercar, particularly in those known as canzone francese. This formal trait is present in music by composers of Naples, then under Spanish dominion, and Venice. Correa could not have been working in cultural semi-isolation. 112 pp. Englisch.
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Vendeur : Majestic Books, Hounslow, Royaume-UniMajestic Books
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Etat : New. Print on Demand pp. 112 49:B&W 6.14 x 9.21 in or 234 x 156 mm (Royal 8vo) Perfect Bound on White w/Gloss Lam.
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Vendeur : Biblios, frankfurt am main, HESSE, AllemagneBiblios
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Etat : New. PRINT ON DEMAND pp. 112.
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Vendeur : moluna, Greven, Allemagnemoluna
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Etat : New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Correa de Arauxo.- Biography.- Sources.- Use of Tempo, Proportions.- Conducting, Phrasing.- Use of Modes.- Use of Dissonance.- Ornamentation.- Fingering.- Use of Form.- Registration.- Selected Works from the Facultad (Com…mentary).- Summary.- Index to Facsim.
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Vendeur : buchversandmimpf2000, Emtmannsberg, BAYE, Allemagnebuchversandmimpf2000
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Taschenbuch. Etat : Neu. This item is printed on demand - Print on Demand Titel. Neuware -Correa de Arauxo.- Biography.- Sources.- Use of Tempo, Proportions.- Conducting, Phrasing.- Use of Modes.- Use of Dissonance.- Ornamentation.- Fingering.- Use of Form.- Registration.- Selected Works from the Facultad (Commentary).- Summary.…- Index to Facsimiles and Musical Examples.Springer-Verlag KG, Sachsenplatz 4-6, 1201 Wien 112 pp. Englisch.
