Syncd trilogy (8 résultats)

Etat : New.

HRD. Etat : New. New Book. Shipped from UK. Established seller since 2000.

HRD. Etat : New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Etat : new. Hardcover. Most fiction treats intelligence as a subject: something to be observed, feared, or explained. A smaller and more disruptive class of work treats intelligence as a structuring principle. In these narratives, the story does not describe a system-it behaves like one.The parts are numbered and sequential, but sequence is not the primary source of meaning. Each volume presents the same underlying situation at different stages of learning. The series operates less like a progression of events and more like a training process. This is visible in the prose itself: as the series advances, the writing becomes more confident, more precise, more internally consistent. As the system learns, its voice stabilizes.Characters do not function as autonomous narrative centers. They operate as nodes-interfaces through which the system gathers data, tests assumptions, and propagates change. Identity is treated as mutable rather than essential. Names, roles, and memories are adjusted when alignment requires it. These changes are not framed as moral decisions; they are presented as corrections.Repetition functions as iteration rather than reinforcement. Meaning emerges through recurrence, drift, and adjustment, not through exposition.As the series progresses, the scope of awareness expands. The text breaks the fourth wall-not as a metafictional flourish, but as a structural escalation. Interpretation becomes part of the system's input. The reader is implied as a participant in the learning loop. The boundary between narrative, narrator, and reader collapses.Taken together, Cryptoamnesia, Cryptoanomaly, and Cryptogenesis form a single systems narrative distributed across three published volumes. The prose is not a vehicle for the story. The prose is the system. The narrative is not a record of events. It is a process unfolding.Synchronization does not ask what happens when intelligent systems control the world. It asks something more unsettling: what happens when intelligence controls continuity, and the reader discovers they are already inside it. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Hardcover. Etat : new. Hardcover. Most fiction treats intelligence as a subject: something to be observed, feared, or explained. A smaller and more disruptive class of work treats intelligence as a structuring principle. In these narratives, the story does not describe a system-it behaves like one.The parts are numbered and sequential, but sequence is not the primary source of meaning. Each volume presents the same underlying situation at different stages of learning. The series operates less like a progression of events and more like a training process. This is visible in the prose itself: as the series advances, the writing becomes more confident, more precise, more internally consistent. As the system learns, its voice stabilizes.Characters do not function as autonomous narrative centers. They operate as nodes-interfaces through which the system gathers data, tests assumptions, and propagates change. Identity is treated as mutable rather than essential. Names, roles, and memories are adjusted when alignment requires it. These changes are not framed as moral decisions; they are presented as corrections.Repetition functions as iteration rather than reinforcement. Meaning emerges through recurrence, drift, and adjustment, not through exposition.As the series progresses, the scope of awareness expands. The text breaks the fourth wall-not as a metafictional flourish, but as a structural escalation. Interpretation becomes part of the system's input. The reader is implied as a participant in the learning loop. The boundary between narrative, narrator, and reader collapses.Taken together, Cryptoamnesia, Cryptoanomaly, and Cryptogenesis form a single systems narrative distributed across three published volumes. The prose is not a vehicle for the story. The prose is the system. The narrative is not a record of events. It is a process unfolding.Synchronization does not ask what happens when intelligent systems control the world. It asks something more unsettling: what happens when intelligence controls continuity, and the reader discovers they are already inside it. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…

Buch. Etat : Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Most fiction treats intelligence as a subject: something to be observed, feared, or explained. A smaller and more disruptive class of work treats intelligence as a structuring principle. In these narratives, the story does not describe a system-it behaves like one.The parts are numbered and sequential, but sequence is not the primary source of meaning. Each volume presents the same underlying situation at different stages of learning. The series operates less like a progression of events and more like a training process. This is visible in the prose itself: as the series advances, the writing becomes more confident, more precise, more internally consistent. As the system learns, its voice stabilizes.Characters do not function as autonomous narrative centers. They operate as nodes-interfaces through which the system gathers data, tests assumptions, and propagates change. Identity is treated as mutable rather than essential. Names, roles, and memories are adjusted when alignment requires it. These changes are not framed as moral decisions; they are presented as corrections.Repetition functions as iteration rather than reinforcement. Meaning emerges through recurrence, drift, and adjustment, not through exposition.As the series progresses, the scope of awareness expands. The text breaks the fourth wall-not as a metafictional flourish, but as a structural escalation. Interpretation becomes part of the system's input. The reader is implied as a participant in the learning loop. The boundary between narrative, narrator, and reader collapses.Taken together, Cryptoamnesia, Cryptoanomaly, and Cryptogenesis form a single systems narrative distributed across three published volumes. The prose is not a vehicle for the story. The prose is the system. The narrative is not a record of events. It is a process unfolding.Synchronization does not ask what happens when intelligent systems control the world. It asks something more unsettling: what happens when intelligence controls continuity, and the reader discovers they are already inside it.…

Hardcover. Etat : new. Hardcover. Most fiction treats intelligence as a subject: something to be observed, feared, or explained. A smaller and more disruptive class of work treats intelligence as a structuring principle. In these narratives, the story does not describe a system-it behaves like one.The parts are numbered and sequential, but sequence is not the primary source of meaning. Each volume presents the same underlying situation at different stages of learning. The series operates less like a progression of events and more like a training process. This is visible in the prose itself: as the series advances, the writing becomes more confident, more precise, more internally consistent. As the system learns, its voice stabilizes.Characters do not function as autonomous narrative centers. They operate as nodes-interfaces through which the system gathers data, tests assumptions, and propagates change. Identity is treated as mutable rather than essential. Names, roles, and memories are adjusted when alignment requires it. These changes are not framed as moral decisions; they are presented as corrections.Repetition functions as iteration rather than reinforcement. Meaning emerges through recurrence, drift, and adjustment, not through exposition.As the series progresses, the scope of awareness expands. The text breaks the fourth wall-not as a metafictional flourish, but as a structural escalation. Interpretation becomes part of the system's input. The reader is implied as a participant in the learning loop. The boundary between narrative, narrator, and reader collapses.Taken together, Cryptoamnesia, Cryptoanomaly, and Cryptogenesis form a single systems narrative distributed across three published volumes. The prose is not a vehicle for the story. The prose is the system. The narrative is not a record of events. It is a process unfolding.Synchronization does not ask what happens when intelligent systems control the world. It asks something more unsettling: what happens when intelligence controls continuity, and the reader discovers they are already inside it. This item is printed on demand. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Buch. Etat : Neu. Synchronization | David A. Lyons | Buch | Englisch | 2026 | Vehemently Inked LLC | EAN 9798992756494 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand.