Acting (Plus de 51 000 résultats)

Langue : anglais
Edité par CreateSpace Independent Publishing Platform, 2011
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Etat : Good. Item in very good condition! Textbooks may not include supplemental items i.e. CDs, access codes etc. Buell, Carl Dennis (illustrateur).

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Paperback. Etat : Good. Hilariously, everything which can go wrong in a production does so. I Fornicazione is a grim tale of operatic adultery, poison and mayhem. Streuth is the crime story Agatha Christie would never have dared to write. A Collier's Tuesday Tea combines the kitchen with the coal mine with an irreverent glance at D.H. Lawrence. All's Well that Ends As You Like It pushes the genius of the bard to its limits while filching lines from most of his plays. In all, cues are missed, effects fail and props are lost and confusion reigns, but the coarse actors struggle on.…

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Langue : anglais
Edité par Vision, 2005
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Paperback. Etat : Good.

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Hardback. Etat : Good. Wilkinson, Annie (illustrateur).

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Hardback. Etat : Good. A WORD TO PARENTS AND GRANDPARENTSMany families are impacted negatively by substance use disorders and other addictions. Children in those families need to be reminded that no matter how their parents may act, they themselves are of infinite worth and value. They will be empowered by learning that there is a strong, confident person living inside the body they call me.…

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Paperback. Etat : Very Good. 1. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

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Paperback. Etat : Good. With almost three hundred performance-tested acting games, this is the largest collection published to date. They were complied from numerous workshops and study sessions. Includes a wide variety of proven activities for learning acting and theatre industry skills. The book is divided into thirty sections including: Audition, Concentration & Focus, Voice, Ensemble, Action & Reaction, Improvisation, Knowing Your Objective, Performance, Thinking Outside the Box, Spatial Awareness, Non-Verbal Communication, Making Choices, Releasing Inhibitions, The Physical Actor and many more. This is an adaptable workbook designed to connect the learning of acting skills with professional auditions and the theatre Industry.…

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Paperback. Etat : Very Good. With almost three hundred performance-tested acting games, this is the largest collection published to date. They were complied from numerous workshops and study sessions. Includes a wide variety of proven activities for learning acting and theatre industry skills. The book is divided into thirty sections including: Audition, Concentration & Focus, Voice, Ensemble, Action & Reaction, Improvisation, Knowing Your Objective, Performance, Thinking Outside the Box, Spatial Awareness, Non-Verbal Communication, Making Choices, Releasing Inhibitions, The Physical Actor and many more. This is an adaptable workbook designed to connect the learning of acting skills with professional auditions and the theatre Industry.…

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Paperback. Etat : Good. For the first time in print, comes the revolutionary acting technique from the premiere acting coach of our era. Not a copy of the old masters, The Warner Loughlin Technique empowers the actor to create rich, nuanced and unique characters. Discover the technique used to help create some of the most remarkable performances of our time from actors such as Amy Adams, Ryan Reynolds, Kyra Sedgwick and countless other Oscar, Emmy, Golden Globe, Tony and Grammy nominees and winners. Loughlin debunks the myth of the tortured actor and guides you step by step through her groundbreaking technique revealing powerful ways to unlock your creativity in a psychologically safe way. Her insight into life and art is remarkable. The Warner Loughlin Technique changes the way acting will be taught for generations to come. Find out more at warnerloughlin.com.I was able to find my voice, and to find tears and to find levels, because I was able to have a safe place to go, that I could come back from. With your technique, in character prep, when I visit a character's life, her past and create an event good or tragic - that belongs to her. I don't take ownership of that pain with me. I don't take it on as my own.So this allows me not to be scared to go there, which allows me freedom as an actress to do anything, because I don't own it. It belongs to my character.-Amy AdamsWorking with Warner was a revelation. I doubted that I could ever work without observing and judging every moment. I will be forever grateful to Warner] for helping me get back to the joy of living in the spontaneous truth of every scene.-Kyra SedgwickI've been working with Warner Loughlin for years. Not only has she helped me become a better actor, but she's also helped me truly enjoy this work in ways I never imagined.-Ryan ReynoldsBefore I started working with Warner on the technique, I felt like acting was just something that I could some days do, and some days not do. It was only through doing deep emotion with detail on each of the characters I got, that I could act everyday how I wanted to, because I ended up knowing the character inside and out. The thoughts are no longer my own, but the characters', so I don't have to work as hard during the scenes. Now being on set and being the character is fun and never feels pushed. I love the technique and it has helped me immensely.-Sosie BaconI met Warner over 10 years ago. She has coached me through comedy, drama, and even life She has not only given me tools to be better at my job, but tools to be 100% confident through the process.-Emma RobertsWarner's Technique has become part of my creative process. It's simply the most intuitive way for me to find a character's base human emotion. Warner worked with us on Disney's Frozen for many months and helped us create truthful characters. I've never felt so comfortable animating a character before and I think the sophistication in the performance in the film speaks for itself.-Lino DiSalvo, Head of Animation for Disney's Frozen.…

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Paperback. Etat : Very Good. This volume examines the prison careers of inmates who sabotage their own rehabilitation by repeated violence, disruptiveness and other behaviour. A challenge is determining the extent to which their behaviour is a result of mental illness, as opposed to characterological defects.…

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Paperback. Etat : Very Good. Acting Right is the leading work on using drama to teach behavior. This step-by-step approach integrates engaging aspects of drama with effective elements of classroom management to empower students to take ownership of and be responsible for their own behavior. Used in classrooms across the country, these strategies help create the behavioral literacy necessary for students to concentrate, cooperate, collaborate and establish a sense of calm, focus, and balance in the classroom. Sean Layne is the founder of Focus 5, Inc., an arts education consulting company providing professional learning opportunities to schools, school districts, performing arts centers, arts organizations, and museums around the country. Sean has worked in the field of arts integration for 30 years. He is a national teaching artist for The John F. Kennedy Center for Performing Arts in Washington, DC. He designs arts integration training seminars for teaching artists for The Kennedy Center and is also a course leader and arts coach for their Changing Education Through the Arts program. For over a decade Sean was a professional actor as well as a Master Artist for the Wolf Trap Institute Early Learning Through the Arts program.…

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Paperback. Etat : Good. 1989 Winner of the Cyril O. Houle World Award for Literature in Adult Education This award-winning book offers a practical, straightforward guide to helping adults develop their critical thinking skills in four key arenas of adult life: in their personal relationships, in their workplaces, in their political involvements, and in their responses to the media.…

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Paperback. Etat : Good. Current market forces in the performing arts, such as aging audiences, electronic media, and HD broadcasts, have changed the operatic landscape. Young opera singers entering the workforce find themselves navigating difficult and highly competitive waters. Previously ignored skill sets become assets - and, in many cases, requirements - in casting. But most singers graduate from college having never taken a formal acting class and knowing little about acting technique as it pertains to their craft. Singer and Actor demystifies theatrical acting technique stemming from Stanislavsky's Method of Physical Action and provides singers at all levels a roadmap with which to complete character preparation, using a clear and organized progression based on the work of Franchelle S. Dorn and exercises and examples (recitatives, arias, and ensembles). Singers (including choristers) are given the necessary tools to prepare auditions and inhabit a character from rehearsal to final performance. Singer and Actor also provides a history of acting from its beginnings to the present day, including a survey of acting techniques from Stanislavsky, Meisner, Hagen, Strasberg, Larry Moss, and others. Drawing additionally on the writings of composers and other creators of opera, the book deals with the misconception that only the singing matters in opera and includes a discussion of previous approaches to operatic acting.…

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