Adam pendleton (185 résultats)

Etat : Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Etat : Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Etat : good. A copy that has been read, remains in good condition. All pages are intact, and the cover is intact. The spine and cover show signs of wear. Pages can include notes and highlighting and show signs of wear, and the copy can include "From the library of" labels or previous owner inscriptions. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships via media mail.…

hardcover. Etat : Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

hardcover. Etat : Very Good. HARDCOVER Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Standard-sized.

Paperback. Etat : Very Good. The first encompassing publication on the work of the groundbreaking American artist Adam Pendleton.

hardcover. Etat : Fair. Grade 1 out 5 points. This book is VERY used with a little bit of life remaining. Used books with this grade may have any of the following: HEAVY wear, creases/tears/creases on cover and pages, personalized notes/names, stickers/labels, markings on pages, ex-library markings, minor water damage. May not include extra materials such as dust jackets, access codes, CDs, accessories, etc. All orders ship by next business day! We are a small company and very thankful for your business. …

paperback. Etat : Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Paperback. Etat : Very Good. The first encompassing publication on the work of the groundbreaking American artist Adam Pendleton.

Etat : Very Good. Great shape! Has a publisher remainder mark. paperback Used - Very Good 2020.

hardcover. Etat : Very Good. HARDCOVER Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Standard-sized.

hardcover. Etat : Very Good. HARDCOVER Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Oversized.

Etat : Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.…

Hardcover. Etat : Very Good. HARDCOVER Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Standard-sized.

hardcover. Etat : Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized.

Hardcover without dustjacket as issued, 392+ pages; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Hardcover. Etat : Like New. First Edition. First Edition, First Printing. Published by The Museum of Modern Art, New York, 2021. Quarto. Hardcover. Book is like new. Dust jacket is like new.

hardcover. Etat : Very Good. HARDCOVER Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Standard-sized.

Hardcover. Etat : Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized.

Etat : New. Brand New! Not Overstocks or Low Quality Book Club Editions! Direct From the Publisher! We're not a giant, faceless warehouse organization! We're a small town bookstore that loves books and loves it's customers! Buy from Lakeside Books.

Hardback. Etat : Very Good+. Please note that this is a heavy item and may incur extra shipping costs for international deliveries. ; Black cloth boards are faintly marked, upper corners bumped; binding is tight; pages are unmarked. ; 7.75 X 1.81 X 10.25 inches; 448 pages.

Hardcover. Etat : Fine. No jacket. Security tag on corner of rear endpaper. Price tag on back cover.

HRD. Etat : New. New Book. Shipped from UK. Established seller since 2000.

hardcover. Etat : Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

PAP. Etat : New. New Book. Shipped from UK. Established seller since 2000.

Etat : New.

Etat : new.

Soft cover. Etat : Near Fine. Softcover, 54 pgs. Near fine+, with light bump to lower right corner. Exhibition catalog featuring text by art historian Suzanne Hudson. The book focuses on the work of contemporary American conceptual artist Adam Pendleton, whose art frequently explores the intersection of language, history, and politics using appropriated images and text.…

Hardcover. silver boards w/ black printing. 226 pgs w/ color, bw illustrations. all edges black. "This new volume, designed in collaboration with American artist Adam Pendleton (born 1984) and Ghanaian British artist and architect David Adjaye (born 1966), explores the blurred boundary between art and architecture. Featuring new silkscreen canvases by Pendleton and marble sculptures by Adjaye, this publication brings the artists and their works into conversation. The two collaborators discuss their respective practices and their process of working together on the creation of the exhibition at Pace, as well as notions of history, language, abstraction and space--whether architectonic or on canvas--and how these themes involve and reveal themselves in their work. Images of finished artworks are interspersed with photographs of their production, giving a behind-the-scenes look at process, from the quarrying, cutting and polishing of marble for Adjaye's works to the meeting of ink and canvas in Pendleton's studio."--WorldCat. New (sealed in publisher's wrap; may have rubbing to corners, edges etc).…

Hardcover. Etat : Fine. Hardcover without dust jacket as issued in fine condition. All pages clean without any marks, notstions or folds. Actual book is pictured. See images provided. Synopsis: The work of New Yorkbased artist Adam Pendleton (born 1984) is animated by what he calls "Black Dada," a critical articulation of blackness, abstraction and the avant-garde. Drawing from an archive of language and images, Pendleton makes collages, paintings, videos and other objects that seek to reconfigure received histories of culture. This catalog, accompanying Pendleton's 2018 solo exhibition at Pace London, brings together new work from his various ongoing series: the Black Dada paintings and drawings, System of Display, Untitled (A Victim of American Democracy), paintings and wall works, a video portrait of Yvonne Rainer and a monumental group of 68 works on Mylar, in which certain recurring features―photographs relating to modernism in Africa, ceramics and African masks, fragments from the pages of books and Pendleton's own drawings―are recombined with cut-up phrases and marks, weaving contemporary and historical references into a single body of work. The book includes a text by the artist, essays from Suzanne Hudson and Alec Mapes-Frances, and a conversation between Pendleton and Rainer, moderated by Adrienne Edwards. "About this title" may belong to another edition of this title.…