aesopi phrygis aliorum fabulae quorum de aesop (11 résultats)

Etat : Akzeptabel. Formateinband: Pappband / gebundene Ausgabe 263 S. (15 cm) Ausgabe von 1818; Editia novissima, Mit Holzschnitten im Text; Einband gealtert und fleckig, Rückenhandschrift unleserlich, Schnitt etwas braunfleckig; Papier etwas fleckig, 2 Blatt an einer Ecke repariert, erste 3 Blatt mit zahlreichen Stempeln; sonst gut erhalten. la Gewicht in Gramm: 250 [Stichwörter: (Dt.: Fabeln von Aesop von Phrygien und anderen, deren Namen auf der folgenden Seite angegeben werden. Illustriert mit den elegantesten Symbolen zugunsten der fleißigen Jugend)].

Full Mottled Calf. Etat : General Moderate Wear. No Jacket. Later Edition. Red leather spine label. Spine floral designs in gilt. Old marbled endpapers. Title-page with illustration. All edges red. Spine extremities worn, as are corners. Writing in a very old hand on title-page with small area of brown spotting. (See photo). Text is quite clean, with occasional brown spots. 88 illustrations through the text, indexed at the conclusion. 324pp. + index. A rather elusive edition of Aesop's Fables, published in Madrid, text in Latin. Not listed in OCLC or APBC. We have seen a 1788 Madrid edition with same number of plates but a different publisher. This edition was mentioned in Blake's "Ninth Catalogue of Second-hand Books" on p.312. Size: 5 1/2" x 3 1/2".

279 [9, Index] pp. Woodcut illustrations; printer's device on title page. 12mo, contemporary limp vellum. Some gatherings starting; vellum quite soiled.

With 76 woodcut illus. 279 pp., 9 pp. index. 12mo. Contemp. vellum. Collected Aesopian and other fables for the use of the youth. Reprint of the Brescia 1623 edition. Bodemann 64.2. Used.

Elegant edition of de Dorpius redaction of the Aesop fables. All Latin 349 fables in prose are printed in one column, each with a 'Adfabulation'. Our edition is a reprint of the Brescia edition of 1623 (Bodemann, 64.1) with woodcuts after those in the 1623 edition but somewhat enlarged. Our copy is an undated variant of Bodemann, 64.2: identical title and imprint, etc., dated 1743 [printing error for 1734?]. Most of the woodcuts (not all!) in our edition are less worn down than in the 1734 edition (see nr. 36)).With two 19th-cent. German ownership's entries on first fly-leaf. Some pages in the beginning slightly cropped, some margins repaired. Spine slightly damaged.l Bodemann, 64. 2 (variant), see also 64.1 (& 31.1); not in Fabulae docet. Full calf, 2-5 lines ruled in blind on both covers. Title-page framed in double lines with woodcut printer's device; some woodcut initials, typographical head- and tail pieces, and typographical borders, also the 76 woodcuts (ca. 42 x 55 mm.) are all framed in a typographical border and are partly after Bernard Salomon, partly after Nicolaus and Gerardus Jansen van Kampen. Pages: 279, [280], [8] pp.

12mo. Elegant edition of de Dorpius redaction of the Aesop fables. All Latin 349 fables in prose are printed in one column, each with a 'Adfabulation'. The edition is an almost page-for-page reprint of an earlier Bassano edition (see nr. 35) which is a reprint of the Brescia edition of 1623 (Bodemann, 64.1), with partly the same woodcuts as in the undated earlier Bassano edition, which are after those in the 1623 edition but somewhat enlarged. The woodcuts in our edition (not all!) are more worn down than in the u dated Bassano edition).l Bodemann, 64. 2 (variant, or printing error in Bodemann: 1743 = 1734?), see also 64.1 (& 31.1); not in Fabulae docet. Sheepskin over boards. With woodcut printer's vignette on title-page and some woodcut initials and 76 woodcuts (ca. 42 x 55 mm.), partly after Bernard Salomon, partly after Nicolaus and Gerardus Jansen van Kampen. Pages: 279, [280], [8] pp.

179 (recte: 279) Seiten, (9) Seiten (Inhaltsverzeichnis), Pergamentband der Zeit mit zwei auf den Falz gezogenen Pergamentriemchen, handschriftlicher Rückentitel, 14 x 7,5 cm. Neuausgabe der Fabelanthologie "Aesopus Dorpii" (fußend wohl auf dem ersten italienischen "Aesopus Dorpii": Venedig, Remondini, um 1550). Unser Exemplar textidentisch mit Bodemann 64.1. - Mit Holzschnitt-Druckermarke auf dem Titelblatt (wolkenumwobenes Hand-Zirkel-Motiv in einem Oval; darüber ein Totenkopf, auf dem flankierenden Spruchband "Labore et Constantia"). - Inhalt: "Aesopi fabulatoris vita" (Planudes); Vorspann (Auszüge aus Aphthonius mit "Fabula qua formicarum, [et] cicadarum exemplo, hortantur iuvenes ad laborem", Philostratos und Hermogenes); 33 Fabeln des Lorenzo Valla mit Widmungsvorrede an Arnoldus Favolleda von 1438; "Aliae item aliquot Aesopi fabulae" (ungeklärte Autorenschaft ["incerto interpretes"]; 78 Fabeln), 45 Fabeln in der Bearbeitung des Goudanus mit Widmungsbrief "Diui Aurelii Augustini, Florentino suo, illustri Baroni Iselsteino. S.D."; "Aesopi fabulae trigintasex" (Barlandus; 36 Fabeln); "Aniani fabulae quatuor" (Barlandus; 4 Fabeln); "Aniani fabulae trigintaocto" (Hermannus; 38 Fabeln); "Aesopi fabulatoris clarissimi apologi" (Rinuccio d'Arezzo; 100 Fabeln) mit "Argumentum"; "Apologi ex chiliadibus adagiorum desumpti, ad communem puerorum fructum (Erasmus von Rotterdam; 9 Fabeln); weitere Fabeln von Politianus (1), Petrus Crinitus (1), Johannes Antonius Campanus (2), Plinius (1) und Gellius (2); am Schluß das Register ("Index fabularum"). - Alle Fabeln mit Adfabulatio. - Mit 66 einfach gerahmten Textholzschnitten (mit einigen Wiederholungen); meist zwischen Überschrift und Fabeltext eingesetzt. Die Übernahme der Bildmotive aus den Holzschnittserien (Nachschnitte) von Bernard Salomon (vgl. Bodemann 40.1 und 27.1). Auch in unserem Exemplar wurde "das ideale und antikisierende Ambiente durch typisch italienische Landschaften und einfache, bäuerliche Umgebung abgelöst" (Bodemann 40.1). - Bernard Salomon (auch: Bernardus Gallus), 1506/1510 bis 1561, französischer Maler, Zeichner und (mutmaßlich) Holzschneider. Thieme-Becker XXIX 354. - Antoine du Verdier, La Bibliothèque, Lyon, Honorat, 1585, 119 ("tres-excellent tailleuer d'histoires"). - Mit einigen Paginierungsfehlern (Zahlensprünge von den Seite 60 auf 91, 88 auf 68, 95 auf 69, 277 auf 178/179 usw.). Nach Kustoden und Inhalt vollständig. - Provenienz 1.: Ad (usum?) Georgij Brentani, Roma (Namenszug von alter Hand auf dem vorderen fliegenden Vorsatzblatt); mutmaßlich Georg Brentano (1775-1851; deutscher Großkaufmann, Bankier, Gutsherr und Kunstsammler aus Frankfurt a.M.). Von selber Hand der Rückentitel und weitere Marginalien (Kollation?) auf dem hinteren fliegenden Vorsatzblatt recto und verso. - Provenienz 2.: E[?] Stückelberg, Roma (Namenszug von jüngerer Hand auf dem vorderen Spiegel); mutmaßlich Ernst Stückelberg (1831-1903; eidgenössischer Maler aus Basel). - Handschriftliche Phantasien von einer weiteren jüngeren Hand auf dem hinteren Vorsatzblatt und dem hinteren Spiegel (die Handschrift in zartem Bleistift und in einer Melange aus Kurrent und Antiqua sowie in teils radebrechendem Deutsch); Themen der Phantasie sind der "Prinz von Baroda", "Arbaces aus Hinterindien", "Grüsse von Celebes", Alpenüberquerungen und die Basler Kunsthalle. - Der Einband minimal berieben (Rückdeckel) und mit pergamenttypischer Patina; etwas sperrend; einige wenige Seiten mit der zarten Andeutung von Flecken; das untere Drittel des hinteren fliegenden Vorsatzblatts fehlend; sonst und insgesamt gutes, wohlerhaltenes Exemplar.

Rare Latin edition of Aesop's fables with 187 woodcut illustrations, based on the first illustrated edition of the "Aesopus Dorpii" to be published in Italy, by Dominicus Nicolinus at Venice in 1563 (Bodemann 31.3; Thoen 135). This Latin prose collection of fables compiled by Martinus Dorpius (1485-1525), a humanist teaching in Louvain, was first published in 1509 at Antwerp without illustrations. The Dorpius compilation proved very important for the diffusion of Aesop as a school textbook during the following centuries and went through at least two hundred editions to the mid-19th century, mostly in small formats.With "Aesopi" written in ink on the foot edge. The binding is somewhat soiled and shows traces of use, the work has been rebound with modern endpapers. A small hole in the margin running through the first half of the book. Otherwise in good condition.l EDIT16 CNCE 407 (1 copy); ICCU (same copy); USTC 807915 (same copy); WorldCat (3 copies); cf. Bodemann 31.1-3 (1556 Lyons, 1561 Paris & 1563 Venice eds.); Fabula docet ; Paul Thoen, "Aesopus Dorpii, essai sur l'Esope Latin des temps modernes", in: Humanistica Lovaniensia, 19 (1970), pp. 241-289, nos. 112, 118, 131, 135 ("ca. 1550" [recté post 1634?] Venice, 1554 Lyons, 1561 Paris & 1563 Venice eds.). Contemporary limp vellum with overlapping fore edge. With a printer's device with an ornamental frame on the title-page, and 187 small woodcut illustrations. Pages: 282, [6] pp.

LeatherBound. Etat : New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. LeatherBound edition. Condition: New. Reprinted from edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. Pages: 347 As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 347 Language: English.

Leather Bound. Etat : New. Language: English. Presenting an Exquisite Leather-Bound Edition, expertly crafted with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2025, utilizing the invaluable guidance of the original edition published many years ago in . The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - English, Pages:- 347, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. 347.

Leather Bound. Etat : New. Language: Latin. Presenting an Exquisite Leather-Bound Edition, expertly crafted with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2024, utilizing the invaluable guidance of the original edition published many years ago in 1815. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - Latin, Pages: - 346, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. 346.