antique print haarlem heeren logement netherlands romeyn hooghe 1754 (1 résultats)

Heeren Logement. This home for Haarlem proveniers was founded in 1707 by the city council to house elderly men. The main buildings are much older than that. The entire site was once a nunnery, called the St. Michielsklooster, from the 14th century up to the Protestant Reformation, when all church lands reverted to the city council. The Haarlem archives still have a first-hand account of one of the original nuns, Elisabeth Verhagen, who was moved to a house on the Begijnhof after the reformation. She complained of the plundering of her old cloister and the fact that all the sisters were split up and sent to live elsewhere. They had to make room for the St. Joris Doelen, or St. George Militia. In 1577, the city council refurbished the main buildings to house the Haarlem schutterij called the "Oude schuts", and since before the reformation they had been a guild with patron saint St. Joris, or St. George, this was called the St. Jorisdoelen, or St. George militia target field. The garden was converted to include two shooting lanes; one for bow and arrow, and one for the blunderbuss. The fancy St. Joris militiamen, who during the course of the 17th-century met more often together for shooting practise than for fighting or policing the streets, were painted serval times in schutterstukken, most notably by militia member Frans Hals. Original etching/engraving on a verge type handlaid paper. Description: This scarse plate originates from: 'Schrevelius,Theod. Beschrijving van Haarlem, Harlemias, of de eerste stichting der stad Haarlem; haar toenemen en vergrooten; zeldzaame avontuur in vrede, oorlog en belegeringen; harde beginzelen van de eerste reformatie enz.' tweede druk Haarlem by Johannes Marshorn 1754. engr frontispiece, 30 engr fold plts & 12 fold engr by Romeyn de Hooghe.Artists and Engravers: Romeyn de Hooghe (bapt. 10 September 1645 � 10 June 1708) was an important and prolific late Dutch Baroque, painter, sculptor, engraver and caricaturist. De Hooghe was born in Amsterdam. He was skilled as an etcher, draughtsman, painter, sculptor and medalist. He is best known for political caricatures of Louis XIV and propagandistic prints supporting William of Orange. During his career, de Hooghe produced over 3500 prints. He also illustrated books, and his illustrations can be found in some of the most important texts of his period. The Hieroglyphica of Merkbeelden der oude volkeren (1735) was a well known emblem book and sourcebook for classical mythology and its iconography. According to Houbraken he was particularly good at inventive arrangements of subjects in engravings. He was also a gifted painter and painted large panels for the rooms of the mayor's office in Enkhuizen and a room in the estate of Mattthijs van den Broeck in Dubbeldam. Houbraken disapproved of his dissolute lifestyle however, and felt that despite an enormous talent, as he grew older, he engraved shameful subjects that were a disgrace to the profession. According to the RKD he became a member of the Confrerie Pictura in 1662 and again in 1683 in the Hague. He was engaged to Maria Lansman of Edam in 1673, and their child was baptized in the Nieuwezijds Kapel in Amsterdam in 1674. He is known for decorative borders on large-scale city maps. His pupils were Filibert Bouttats (1654-after 1731), Filibertus Bouttats (1635�1707), Frans Decker, Fran�ois Harrewijn, Jacobus Harrewijn, Aernout Naghtegael, Laurens Scherm, and Adriaen Schoonebeek. De Hooghe died in Haarlem. Condition: Excellent, given age. A smll stain just right of the image, and one in the bottom left corner. Two folds, as issued. Left edge minimally uneven from binding. General age-related toning and/or occasional minor defects from handling. Irregular paper edges. Please study scan carefully. Storage location: LJC-C3-05 The overall size is ca. 12.6 x 8.1 inch. The image size is ca. 9.1 x 7.3 inch. The overall size is ca. 32 x 20.5 cm. The image size is ca. 23 x 18.5 cm.