architecture abstraction de aureli pier (33 résultats)

paperback. Etat : Very Good.

paperback. Etat : Fine. LIKE NEW!!! Has a red or black remainder mark on bottom/exterior edge of pages.

paperback. Etat : Very Good. Very Good Condition - May show some limited signs of wear and may have a remainder mark. Pages and dust cover are intact and not marred by notes or highlighting.

paperback. Etat : Good. Bruise/tear to cover.

Paperback. Etat : new. Paperback. A landmark study of abstraction in architectural history, theory, and practice that challenges our assumptions about the meaning of abstract forms.A landmark study of abstraction in architectural history, theory, and practice that challenges our assumptions about the meaning of abstract forms.In this theoretical study of abstraction in architecture-the first of its kind-Pier Vittorio Aureli argues for a reconsideration of abstraction, its meanings, and its sources. Although architects have typically interpreted abstraction in formal terms-the purposeful reduction of the complexities of design to its essentials-Aureli shows that abstraction instead arises from the material conditions of building production. In a lively study informed by Walter Benjamin, Karl Marx, Alfred Sohn-Rethel, and other social theorists, this book presents abstraction in architecture not as an aesthetic tendency but as a movement that arises from modern divisions of labor and consequent social asymmetries.These divisions were anticipated by the architecture of antiquity, which established a distinction between manual and intellectual labor, and placed the former in service to the latter. Further abstractions arose as geometry, used for measuring territories, became the intermediary between land and money and eventually produced the logic of the grid. In our own time, architectural abstraction serves the logic of capitalism and embraces the premise that all things can be exchanged-even experience itself is a commodity. To resist this turn, Aureli seeks a critique of architecture that begins not by scaling philosophical heights, but by standing at the ground level of material practice. "A history of the relationship between modern architecture and abstraction"-- Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Etat : New.

Paperback. Etat : New. A landmark study of abstraction in architectural history, theory, and practice that challenges our assumptions about the meaning of abstract forms.In this theoretical study of abstraction in architecture-the first of its kind-Pier Vittorio Aureli argues for a reconsideration of abstraction, its meanings, and its sources. Although architects have typically interpreted abstraction in formal terms-the purposeful reduction of the complexities of design to its essentials-Aureli shows that abstraction instead arises from the material conditions of building production. In a lively study informed by Walter Benjamin, Karl Marx, Alfred Sohn-Rethel, and other social theorists, this book presents abstraction in architecture not as an aesthetic tendency but as a movement that arises from modern divisions of labor and consequent social asymmetries. These divisions were anticipated by the architecture of antiquity, which established a distinction between manual and intellectual labor, and placed the former in service to the latter. Further abstractions arose as geometry, used for measuring territories, became the intermediary between land and money and eventually produced the logic of the grid. In our own time, architectural abstraction serves the logic of capitalism and embraces the premise that all things can be exchanged-even experience itself is a commodity. To resist this turn, Aureli seeks a critique of architecture that begins not by scaling philosophical heights, but by standing at the ground level of material practice.

Etat : New.

PAP. Etat : New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Etat : New.

Etat : As New. Unread book in perfect condition.

Etat : new.

Etat : New.

Etat : New. 2023. Paperback. . . . . .

Paperback / softback. Etat : New. New copy - Usually dispatched within 4 working days. 165.

Etat : New.

Etat : New.

Etat : New. In.

Etat : New. 2023. Paperback. . . . . . Books ship from the US and Ireland.

Paperback. Etat : New.

Etat : As New. Unread book in perfect condition.

Taschenbuch. Etat : Neu. Neuware -A landmark study of abstraction in architectural history, theory, and practice that challenges our assumptions about the meaning of abstract forms.In this theoretical study of abstraction in architecturethe first of its kindPier Vittorio Aureli argues for a reconsideration of abstraction, its meanings, and its sources. Although architects have typically interpreted abstraction in formal termsthe purposeful reduction of the complexities of design to its essentialsAureli shows that abstraction instead arises from the material conditions of building production. In a lively study informed by Walter Benjamin, Karl Marx, Alfred Sohn-Rethel, and other social theorists, this book presents abstraction in architecture not as an aesthetic tendency but as a movement that arises from modern divisions of labor and consequent social asymmetries. These divisions were anticipated by the architecture of antiquity, which established a distinction between manual and intellectual labor, and placed the former in service to the latter. Further abstractions arose as geometry, used for measuring territories, became the intermediary between land and money and eventually produced the logic of the grid. In our own time, architectural abstraction serves the logic of capitalism and embraces the premise that all things can be exchangedeven experience itself is a commodity. To resist this turn, Aureli seeks a critique of architecture that begins not by scaling philosophical heights, but by standing at the ground level of material practice. 286 pp. Englisch.

Taschenbuch. Etat : Neu. Neuware -A landmark study of abstraction in architectural history, theory, and practice that challenges our assumptions about the meaning of abstract forms.In this theoretical study of abstraction in architecturethe first of its kindPier Vittorio Aureli argues for a reconsideration of abstraction, its meanings, and its sources. Although architects have typically interpreted abstraction in formal termsthe purposeful reduction of the complexities of design to its essentialsAureli shows that abstraction instead arises from the material conditions of building production. In a lively study informed by Walter Benjamin, Karl Marx, Alfred Sohn-Rethel, and other social theorists, this book presents abstraction in architecture not as an aesthetic tendency but as a movement that arises from modern divisions of labor and consequent social asymmetries. These divisions were anticipated by the architecture of antiquity, which established a distinction between manual and intellectual labor, and placed the former in service to the latter. Further abstractions arose as geometry, used for measuring territories, became the intermediary between land and money and eventually produced the logic of the grid. In our own time, architectural abstraction serves the logic of capitalism and embraces the premise that all things can be exchangedeven experience itself is a commodity. To resist this turn, Aureli seeks a critique of architecture that begins not by scaling philosophical heights, but by standing at the ground level of material practice. 286 pp. Englisch.

Taschenbuch. Etat : Neu. Neuware -A landmark study of abstraction in architectural history, theory, and practice that challenges our assumptions about the meaning of abstract forms.In this theoretical study of abstraction in architecturethe first of its kindPier Vittorio Aureli argues for a reconsideration of abstraction, its meanings, and its sources. Although architects have typically interpreted abstraction in formal termsthe purposeful reduction of the complexities of design to its essentialsAureli shows that abstraction instead arises from the material conditions of building production. In a lively study informed by Walter Benjamin, Karl Marx, Alfred Sohn-Rethel, and other social theorists, this book presents abstraction in architecture not as an aesthetic tendency but as a movement that arises from modern divisions of labor and consequent social asymmetries. These divisions were anticipated by the architecture of antiquity, which established a distinction between manual and intellectual labor, and placed the former in service to the latter. Further abstractions arose as geometry, used for measuring territories, became the intermediary between land and money and eventually produced the logic of the grid. In our own time, architectural abstraction serves the logic of capitalism and embraces the premise that all things can be exchangedeven experience itself is a commodity. To resist this turn, Aureli seeks a critique of architecture that begins not by scaling philosophical heights, but by standing at the ground level of material practice.

Paperback. Etat : Brand New. 286 pages. 7.75x5.25x1.00 inches. In Stock.

Paperback. Etat : new. Paperback. A landmark study of abstraction in architectural history, theory, and practice that challenges our assumptions about the meaning of abstract forms.A landmark study of abstraction in architectural history, theory, and practice that challenges our assumptions about the meaning of abstract forms.In this theoretical study of abstraction in architecture-the first of its kind-Pier Vittorio Aureli argues for a reconsideration of abstraction, its meanings, and its sources. Although architects have typically interpreted abstraction in formal terms-the purposeful reduction of the complexities of design to its essentials-Aureli shows that abstraction instead arises from the material conditions of building production. In a lively study informed by Walter Benjamin, Karl Marx, Alfred Sohn-Rethel, and other social theorists, this book presents abstraction in architecture not as an aesthetic tendency but as a movement that arises from modern divisions of labor and consequent social asymmetries.These divisions were anticipated by the architecture of antiquity, which established a distinction between manual and intellectual labor, and placed the former in service to the latter. Further abstractions arose as geometry, used for measuring territories, became the intermediary between land and money and eventually produced the logic of the grid. In our own time, architectural abstraction serves the logic of capitalism and embraces the premise that all things can be exchanged-even experience itself is a commodity. To resist this turn, Aureli seeks a critique of architecture that begins not by scaling philosophical heights, but by standing at the ground level of material practice. "A history of the relationship between modern architecture and abstraction"-- Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Etat : NEW.

Paperback. Etat : New. A landmark study of abstraction in architectural history, theory, and practice that challenges our assumptions about the meaning of abstract forms.In this theoretical study of abstraction in architecture-the first of its kind-Pier Vittorio Aureli argues for a reconsideration of abstraction, its meanings, and its sources. Although architects have typically interpreted abstraction in formal terms-the purposeful reduction of the complexities of design to its essentials-Aureli shows that abstraction instead arises from the material conditions of building production. In a lively study informed by Walter Benjamin, Karl Marx, Alfred Sohn-Rethel, and other social theorists, this book presents abstraction in architecture not as an aesthetic tendency but as a movement that arises from modern divisions of labor and consequent social asymmetries. These divisions were anticipated by the architecture of antiquity, which established a distinction between manual and intellectual labor, and placed the former in service to the latter. Further abstractions arose as geometry, used for measuring territories, became the intermediary between land and money and eventually produced the logic of the grid. In our own time, architectural abstraction serves the logic of capitalism and embraces the premise that all things can be exchanged-even experience itself is a commodity. To resist this turn, Aureli seeks a critique of architecture that begins not by scaling philosophical heights, but by standing at the ground level of material practice.

Etat : New. Pier Vittorio Aureli teaches at the &Eacutecole Polytechnique F&eacuted&eacuterale de Lausanne (EPFL). He is the cofounder of the architectural office, Dogma. He is the author of The Possibility of an Absolute Architecture (MIT Press, 2011) and The Proje.

Paperback. Etat : new. Paperback. A landmark study of abstraction in architectural history, theory, and practice that challenges our assumptions about the meaning of abstract forms.A landmark study of abstraction in architectural history, theory, and practice that challenges our assumptions about the meaning of abstract forms.In this theoretical study of abstraction in architecture-the first of its kind-Pier Vittorio Aureli argues for a reconsideration of abstraction, its meanings, and its sources. Although architects have typically interpreted abstraction in formal terms-the purposeful reduction of the complexities of design to its essentials-Aureli shows that abstraction instead arises from the material conditions of building production. In a lively study informed by Walter Benjamin, Karl Marx, Alfred Sohn-Rethel, and other social theorists, this book presents abstraction in architecture not as an aesthetic tendency but as a movement that arises from modern divisions of labor and consequent social asymmetries.These divisions were anticipated by the architecture of antiquity, which established a distinction between manual and intellectual labor, and placed the former in service to the latter. Further abstractions arose as geometry, used for measuring territories, became the intermediary between land and money and eventually produced the logic of the grid. In our own time, architectural abstraction serves the logic of capitalism and embraces the premise that all things can be exchanged-even experience itself is a commodity. To resist this turn, Aureli seeks a critique of architecture that begins not by scaling philosophical heights, but by standing at the ground level of material practice. "A history of the relationship between modern architecture and abstraction"-- Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.