Cities creativity renaissance present (29 résultats)

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Etat : New. Ilja Van Damme is Professor in Urban and Socio-Economic History at the University of Antwerp.Bert De Munck is Professor at the History Department at the University of Antwerp.Andrew Miles is Professor of Sociology at the University of Manch.

Etat : New. Editor(s): Van Damme, Ilja; De Munck, Bert; Miles, Andrew. Num Pages: 336 pages, 24 black & white illustrations, 1 black & white tables, 20 black & white halftones, 4 bla. BIC Classification: HBTB; HBTK; JHB. Category: (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 229 x 152. . . 2017. 1st Edition. Hardcover. . . . . …

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Etat : New. Editor(s): Van Damme, Ilja; De Munck, Bert; Miles, Andrew. Num Pages: 336 pages, 24 black & white illustrations, 1 black & white tables, 20 black & white halftones, 4 bla. BIC Classification: HBTB; HBTK; JHB. Category: (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 229 x 152. . . 2017. 1st Edition. Hardcover. . . . . Books ship from the US and Ireland. …

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Etat : New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Ilja Van Damme is Professor in Urban and Socio-Economic History at the University of Antwerp.Bert De Munck is Professor at the History Department at the University of Antwerp.Andrew Miles is Professor of Sociology at the Unive.…

Buch. Etat : Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -This volume critically challenges the current creative city debate from a historical perspective. In the last two decades, urban studieshas beenengulfed by a creative city narrative in which concepts like the creative economy, the creative class or creative industries proclaim the status of the city as the primary site of human creativity and innovation. So far, however, nobody has challenged the core premise underlying this narrative, asking why we automatically have to look at cities as being the agents of change and innovation. What processes have been at work historically before the predominance of cities in nurturing creativity and innovation was established In order to tackle this question, the editors of this volume have collected case studies ranging from Renaissance Firenze and sixteenth-century Antwerp to early modern Naples, Amsterdam, Bologna, Paris, to industrializing Sheffield and nineteenth-and twentieth century cities covering Scandinavian port towns, Venice, andLondon, up to the French techno-industrial city Grenoble. Jointly, these case studies show that a creative city is not an objective or ontological reality, but rather a complex and heterogenic 'assemblage,' in which material, infrastructural and spatial elements become historically entangled with power-laden discourses, narratives and imaginaries about the city and urban actor groups. 306 pp. Englisch.…

Buch. Etat : Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - This volume critically challenges the current creative city debate from a historical perspective. In the last two decades, urban studieshas beenengulfed by a creative city narrative in which concepts like the creative economy, the creative class or creative industries proclaim the status of the city as the primary site of human creativity and innovation. So far, however, nobody has challenged the core premise underlying this narrative, asking why we automatically have to look at cities as being the agents of change and innovation. What processes have been at work historically before the predominance of cities in nurturing creativity and innovation was established In order to tackle this question, the editors of this volume have collected case studies ranging from Renaissance Firenze and sixteenth-century Antwerp to early modern Naples, Amsterdam, Bologna, Paris, to industrializing Sheffield and nineteenth-and twentieth century cities covering Scandinavian port towns, Venice, andLondon, up to the French techno-industrial city Grenoble. Jointly, these case studies show that a creative city is not an objective or ontological reality, but rather a complex and heterogenic 'assemblage,' in which material, infrastructural and spatial elements become historically entangled with power-laden discourses, narratives and imaginaries about the city and urban actor groups.…