dame blanche original lithograph anti dreyfusard de lenepveu auguste victor alfred dreyfus (2 résultats)

Etat : Good. Handcolored lithograph. 63.5 x 49 cm. Mounted on Pearl Linen, a polycotton blend fabric with an aqueous acrylic coating. Repaired tears in blank areas.Caricature of Amélie Darthout as a cow. Darthout regularly attended the Dreyfus trial wearing all white. .The story of Captain Alfred Dreyfus, a Jewish officer in the French army is widely known. Falsely accused of treason for selling military secrets to Germany and convicted of treason by a secret military commission, Dreyfus was stripped of his rank and imprisoned on Devils' Island. It was only after the affair had dragged on for a dozen years that Dreyfus was finally cleared of all charges by the court of appeals. French society was deeply divided by the Dreyfus case and hostile rhetoric led to widespread anti-Semitic expression in the popular press. This scarce series of intensely provocative color lithographs was only one example of the virulent reaction to the Dreyfus Affair. The identity of the artist who signed each of the drawings (in the plates) is unknown beyond the pseudonym of V. Lenepveu. It is probable that the series was promulgated by Léon Hayard, the independent publisher who distributed a wide variety of anti-Dreyfus material including posters, pamphlets and even knick-knacks. In addition to provocative images of Alfred Dreyfus and Emile Zola, the journalist who took up Dreyfus' cause and penned the famous missive J'accuse, the remaining caricatures by Lenepveu excoriate a variety of prominent Dreyfusards, Republican statesmen and Jews, including no fewer than eight separate representations of members of the prominent Jewish Rothschild family. The publication of Musée des Horreurs was halted by the police after 51 numbers had been published.

Etat : Good. Handcolored lithograph. 65.2 x 50 cm. Mounted on board. Some foxing and marginal tears. According to Duke Univ.:Caricature of Amélie Darthout as a cow. Darthout regularly attended the Dreyfus trial wearing all white.Also thought to be:Séverine, pseudonyme de Caroline Rémy, née le 27 avril 1855 à Paris et morte le 24 avril 1929Elle s'engage aussi dans l'affaire Dreyfus aux côtés des dreyfusards, et notamment de Mécislas Golberg. Très généreuse, elle organise de nombreuses souscriptions. Elle soutient certaines causes anarchistes, prend la défense de Germaine Berton et, en 1927, s'associe aux vains efforts entrepris pour sauver Sacco et Vanzetti.The story of Captain Alfred Dreyfus, a Jewish officer in the French army is widely known. Falsely accused of treason for selling military secrets to Germany and convicted of treason by a secret military commission, Dreyfus was stripped of his rank and imprisoned on Devils' Island. It was only after the affair had dragged on for a dozen years that Dreyfus was finally cleared of all charges by the court of appeals. French society was deeply divided by the Dreyfus case and hostile rhetoric led to widespread anti-Semitic expression in the popular press. This scarce series of intensely provocative color lithographs was only one example of the virulent reaction to the Dreyfus Affair. The identity of the artist who signed each of the drawings (in the plates) is unknown beyond the pseudonym of V. Lenepveu. It is probable that the series was promulgated by Léon Hayard, the independent publisher who distributed a wide variety of anti-Dreyfus material including posters, pamphlets and even knick-knacks. In addition to provocative images of Alfred Dreyfus and Emile Zola, the journalist who took up Dreyfus' cause and penned the famous missive J'accuse, the remaining caricatures by Lenepveu excoriate a variety of prominent Dreyfusards, Republican statesmen and Jews, including no fewer than eight separate representations of members of the prominent Jewish Rothschild family. The publication of Musée des Horreurs was halted by the police after 51 numbers had been published.