Daphne wright (52 résultats)

Soft cover. Etat : Fine. Limited Edition. 1st. edition only printing 1998 , Limited to 1000 copies , Soft cover with an illustrated wrpper , 48 page book with color and some black and white illustrations. Condition : Fine with a light edge rub to the cover . Size: 4to - over 9¾" - 12" tall. Daphne Wright (illustrateur). Book.…

Paperback. Magazine/Journal format, [27.75cm/11in], staple-bound with pictorial covers, pp. 47. Fully illustrated. Please feel free to inquire as to particulars and/or additional photographs. In exceptionally good condition.

Paperback. Etat : Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

PAP. Etat : New. New Book. Shipped from UK. Established seller since 2000.

Etat : New.

Etat : As New. Unread book in perfect condition.

Paperback. Etat : new. Paperback. Artist Daphne Wright is fascinated with the collections of the Ashmolean Museum and the history of seeing they present. Her latest project grows out of a lifetimes engagement with this theme. Much of Wrights existing body of work is steeped in a deep understanding of the iconography and history of Western art, as represented in the Ashmoleans extensive collection. This book establishes connections to the Ashmoleans rich collection of 17th century Dutch Still Life paintings. These genre paintings portray a range of subjects from arrangements of flowers to fruit, fish and game. Sometimes the paintings include a symbolic reference to the transience of life, in the form of fruit that has begun to rot or flowers that are losing petals. In Fridge Still Life, the exposed body of a fridge, containing upon its shelves a raw chicken and bundle of asparagus, is topped with a vase of wilting tulips. This is a contemporary re-telling of a still life painting, with its various familiar elements, such as a brace of hanging pheasants, a bowl of fruit and a vase of blooms, with can connote status or vanitas. Wright has explored the transitory nature of life throughout her practice. In previous work, Wright has used plants and animals, with their shorter life spans, to stand in for the human. Wrights work also resonates strongly with the Ashmoleans extensive and celebrated cast collection. Prominent amongst the plaster casts of Greek and Roman sculptures are the gods and heroes of Homeric legend. These idealised images of men still form the basis of our ideas of masculinity today. With Sons on Couch Wright is seeking to capture the elusive moment of transition into manhood. The athletic figures in the cast court may have been updated to social media influencers, but the pressure young men face today to achieve a perceived ideal body type remain the same. The fourth installment of the Ashmolean Now series focuses on sculptures by Irish artist Daphne Wright. Conceived with the Hugh Lane Gallery, Dublin, the exhibition features several new works in plaster which consider the tradition of still lifes and respond to the sculptures in the Ashmolean's Cast Gallery collection. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Paperback. Etat : New. Artist Daphne Wright is fascinated with the collections of the Ashmolean Museum and the history of seeing they present. Her latest project grows out of a lifetime's engagement with this theme. Much of Wright's existing body of work is steeped in a deep understanding of the iconography and history of Western art, as represented in the Ashmolean's extensive collection. This book establishes connections to the Ashmolean's rich collection of 17th century Dutch Still Life paintings. These genre paintings portray a range of subjects from arrangements of flowers to fruit, fish and game. Sometimes the paintings include a symbolic reference to the transience of life, in the form of fruit that has begun to rot or flowers that are losing petals. In Fridge Still Life, the exposed body of a fridge, containing upon its shelves a raw chicken and bundle of asparagus, is topped with a vase of wilting tulips. This is a contemporary re-telling of a still life painting, with its various familiar elements, such as a brace of hanging pheasants, a bowl of fruit and a vase of blooms, with can connote status or vanitas. Wright has explored the transitory nature of life throughout her practice. In previous work, Wright has used plants and animals, with their shorter life spans, to stand in for the human. Wright's work also resonates strongly with the Ashmolean's extensive and celebrated cast collection. Prominent amongst the plaster casts of Greek and Roman sculptures are the gods and heroes of Homeric legend. These idealised images of men still form the basis of our ideas of masculinity today. With Sons on Couch Wright is seeking to capture the elusive moment of transition into manhood. The athletic figures in the cast court may have been updated to social media influencers, but the pressure young men face today to achieve a perceived ideal body type remain the same.…

paperback. Etat : New. Brand new book, sourced directly from publisher. Dispatch time is 24-48 hours from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Paperback. Etat : Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Paperback. Etat : Brand New. 144 pages. 11.03x9.06x9.06 inches. In Stock.

Soft cover. Etat : Fine. 1st Edition. UK1ST.EDITION.1ST.PRINTING.FINE OBLONG GLOSSY SOFTWRAPS WITH FLAPS.

Etat : New. In English.

Etat : New.

Paperback. Etat : Used; Very Good. **SHIPPED FROM UK** We believe you will be completely satisfied with our quick and reliable service. All orders are dispatched as swiftly as possible! Buy with confidence! Greener Books.

Etat : As New. Unread book in perfect condition.

Etat : Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Etat : Fine. Impeccable Hardback.

Paperback. Etat : Good. This volume was published on the occasion of a major travelling exhibition of Wright's work and features both colour and black-and-white illustrations exploring her poignant, emotionally charged installations and sculptures.

Paperback. Etat : Near Fine. A bright, attractive copy, signed and dated by Daphne Wright on title page. Spine not creased. 220 x 175 mm. 144 pp. Published on the occasion of the travelling exhibition. Colour and b&w illustrations. Signed by the artist. Book.

in-quarto, 50 pages, photographies en noir et blanc, br Suite de danse (Chopin), Andante (Mozart, Symphonie classique (Prokofiev), Adagio (Bizet), Sérénade, Presages (Tchaïkovsky), etcLa couverture représente la TaglioniTrès bon état.

Softcover. Etat : Good. Immediate dispatch from Somerset. Nice older book in good condition. Pages in good condition. Softcover. English. See images for condition. About the book >.>.> They've Taken to Their Beds' comprises three major new sculptures by Daphne Wright made entirely of tinfoil, two of which are presented for the first time in this exhibibon, while the other, from which the exhibition takes its title, is being seen in Britain for the first time following an acclaimed tour in Ireland last year Daphne Wright has recently become interested in the phenomenon of elderly people who have withdrawn to their own rooms, eschewing all contact with the outside world. These individuals cast round them a saintly, tranquil, seemingly unearthly aura which belies the ongoing workings of their body, and an emotionally cold core that is unsettling to those who care for them. The artist's first contact with this condition was of several grannies' in Sligo and Longford, the rural counties in mid Ireland where she grew up, who of their own accord took to their beds. They've Taken to Their Beds, the exhibition's largest piece, is a bower-like structure made up of webs of naturalistically modelled floweri.…

Hardcover. Etat : Fine. Small Qto., 88 pages, illustrated. A Fine copy.

SOFTCOVER. Etat : As New. 1st Edition. Landscape Quarto size (4to) in colour printed stiff glossy card covers, 83pp, colour plates, etc. Published to coincide with an exhibition of Wright's work at Limerick City Gallery of Art 20 January - 26 February 2006 . [CONDITION: AS NEW ] . __To see more of our Art Monographs etc type DbbARTIST in the Keywords search box . . We always ship in STRONG PROTECTIVE CARD PARCELS.…

Buch. Etat : Neu. Neuware -Between memory and presence Daphne Wright and the boundaries of lifeDaphne Wright s (b. 1963) sculptures and installations bear witness to transience, fragility and the many facetsof human life. Through observing them, one senses a certain melancholy, which is underscored by fragile materials such as unfired clay or plaster. This volume offers a comprehensive overview of Wright s fascinating body of work from 1995 to the present.Transitions between childhood and adulthood, between life and death Daphne Wright s works explore life s liminal spaces, engaging with themes such as care, parenthood and ageing. Using a wide range of materials, she examines everything from common objects and farm animals to her own children, capturing the transience of subtle moments. A fascinating memento mori of contemporary art that challenges and confronts the viewer by means of sometimes life-sized sculptures./Zwischen Erinnerung und Gegenwart - Daphne Wright und die Grenzen des LebensVon Vergänglichkeit, Zerbrechlichkeit und den Facetten menschlichen Lebens zeugen Daphne Wrights (geb. 1963) Skulpturen und Installationen. Diese halten immer Seinszustände fest: In der direkten Begegnung mit ihnen wird eine gewisse Melancholie deutlich, die durch die fragilen Materialien wie ungebrannten Ton oder Gips unterstrichen werden. Das Buch bietet einen umfassenden Überblick über Wrights faszinierendes Werk von 1995 bis heute.Übergänge zwischen Kindheit und Erwachsensein, zwischen Leben und Tod Daphne Wright erforscht in ihren Werken die Grenzbereiche des Lebens und beschäftigt sich mit Themen wie Pflege, Elternschaft und dem Altern. Mit einer Vielfalt an Materialien untersucht sie von Alltagsobjekten über Nutztiere bis hin zu den eigenen Kindern und hält die Vergänglichkeit subtiler Momente fest. Ein faszinierendes Memento Mori der Gegenwartskunst, das durch teils lebensgroße Skulpturen herausfordert und konfrontiert.Sprachen: Deutsch, Englisch 128 pp. Deutsch.…

Buch. Etat : Neu. Neuware -Between memory and presence Daphne Wright and the boundaries of lifeDaphne Wright s (b. 1963) sculptures and installations bear witness to transience, fragility and the many facetsof human life. Through observing them, one senses a certain melancholy, which is underscored by fragile materials such as unfired clay or plaster. This volume offers a comprehensive overview of Wright s fascinating body of work from 1995 to the present.Transitions between childhood and adulthood, between life and death Daphne Wright s works explore life s liminal spaces, engaging with themes such as care, parenthood and ageing. Using a wide range of materials, she examines everything from common objects and farm animals to her own children, capturing the transience of subtle moments. A fascinating memento mori of contemporary art that challenges and confronts the viewer by means of sometimes life-sized sculptures./Zwischen Erinnerung und Gegenwart - Daphne Wright und die Grenzen des LebensVon Vergänglichkeit, Zerbrechlichkeit und den Facetten menschlichen Lebens zeugen Daphne Wrights (geb. 1963) Skulpturen und Installationen. Diese halten immer Seinszustände fest: In der direkten Begegnung mit ihnen wird eine gewisse Melancholie deutlich, die durch die fragilen Materialien wie ungebrannten Ton oder Gips unterstrichen werden. Das Buch bietet einen umfassenden Überblick über Wrights faszinierendes Werk von 1995 bis heute.Übergänge zwischen Kindheit und Erwachsensein, zwischen Leben und Tod Daphne Wright erforscht in ihren Werken die Grenzbereiche des Lebens und beschäftigt sich mit Themen wie Pflege, Elternschaft und dem Altern. Mit einer Vielfalt an Materialien untersucht sie von Alltagsobjekten über Nutztiere bis hin zu den eigenen Kindern und hält die Vergänglichkeit subtiler Momente fest. Ein faszinierendes Memento Mori der Gegenwartskunst, das durch teils lebensgroße Skulpturen herausfordert und konfrontiert.Sprachen: Deutsch, Englisch 128 pp. Deutsch.…

Etat : NEW.

Hardcover. Etat : Brand New. 128 pages. 9.80x0.75x12.52 inches. In Stock.

Taschenbuch. Etat : Neu. Neuware - The fourth installment of the Ashmolean Now series focuses on sculptures by Irish artist Daphne Wright. Conceived with the Hugh Lane Gallery, Dublin, the exhibition features several new works in plaster which consider the tradition of still lifes and respond to the sculptures in the Ashmolean's Cast Gallery collection. Artist Daphne Wright is fascinated with the collections of the Ashmolean Museum and the history of seeing they present. Her latest project grows out of a lifetime's engagement with this theme. Much of Wright's existing body of work is steeped in a deep understanding of the iconography and history of Western art, as represented in the Ashmolean's extensive collection. This book establishes connections to the Ashmolean's rich collection of 17th century Dutch Still Life paintings. These genre paintings portray a range of subjects from arrangements of flowers to fruit, fish and game. Sometimes the paintings include a symbolic reference to the transience of life, in the form of fruit that has begun to rot or flowers that are losing petals. In Fridge Still Life, the exposed body of a fridge, containing upon its shelves a raw chicken and bundle of asparagus, is topped with a vase of wilting tulips. This is a contemporary re-telling of a still life painting, with its various familiar elements, such as a brace of hanging pheasants, a bowl of fruit and a vase of blooms, with can connote status or vanitas. Wright has explored the transitory nature of life throughout her practice. In previous work, Wright has used plants and animals, with their shorter life spans, to stand in for the human. Wright's work also resonates strongly with the Ashmolean's extensive and celebrated cast collection. Prominent amongst the plaster casts of Greek and Roman sculptures are the gods and heroes of Homeric legend. These idealized images of men still form the basis of our ideas of masculinity today. With Sons on Couch Wright is seeking to capture the elusive moment of transition into manhood. The athletic figures in the cast court may have been updated to social media influencers, but the pressure young men face today to achieve a perceived ideal body type remain the same.…

Edition de 1992.