Duchamp effect (15 résultats)

Etat : Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Softcover. Etat : Near Fine Condition. Lsight wear to cover Size: Octavo (8vo). Quantity Available: 1. Shipped Weight: Under 1 kilo. Category: Philosophy; ISBN: 0262522179. ISBN/EAN: 9780262522175. Inventory No: 049373.

Paperback. Etat : Acceptable. Minor Water Damage Some shelf wear Satisfaction 100% guaranteed.

Paperback. Etat : Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Soft Cover. Etat : Near Fine. Expanded Edition. soft cover, as issued., clean, no writing or markings, no bumps or tears. strong sewn/glued binding.; 227pp. b/w illustrations throughout. contains seven essays, and five interviews, plus the transcript of a six person round table discussion. this is an expanded edition of the original october 70 issue with a reply that appeared in october 71. Size: 8vo - over 7¾" - 9¾" tall. Scholarly Journal.…

Glossy Wraps. Etat : Near Fine. None. 1st American Edition. " The Duchamp Effect is an investigation of the historical reception of the work of Marcel Duchampfrom the 1950's to the present, including interviews with contemporary artists and a round-table discussion of the Duchamp effect on conceptual art." Near Fine Glossy Wraps. Size: Tall 8vo.…

Soft cover. Etat : Very Good. 1st Edition. MIT Press, Cambridge, MA, 1996. With several black & white photo illustrations. Examining the historical reception of the work of artist Marcel Duchamp from the 1950s onward. With essays by nine authors, plus interviews. Very good condition with slightly rubbed wraps.…

227 pages, illustrated. Fine paperback book in decorative wrappers (soft cover book).

Soft Cover. Etat : Very Good. An OCTOBER Book, from October Magazine, Fall 1994.

Soft cover. Etat : Near Fine. Softcover. Fall 1994. This issue contains essays by Thierry de Duve, Hal Foster, Benjamin H.D. Buchloh, and Martha Buskirk among others. Near Fine. Thin octavo; stiff paper wraps; 146 pp.; illustrated in b/w; a touch of shelfwear to cover, else a clean, crisp copy.

Soft cover. Etat : Near Fine. 1st Edition. Cambridge, MA: The MIT Press, 1994. First Edition. Softcover wraps in near fine condition with light toning around the edges. (23 cm x 18 cm). [146] pp. Includes essays, interviews, and photographic images in black and white. Essays on Duchamp and the postwar Avant-Garde (1950's/1960's) as well as an interview with Ed Ruscha.…

Paperback. Etat : new. New Copy. Customer Service Guaranteed.

paperback. Etat : New. In shrink wrap. Looks like an interesting title.

Near Fine in publishers decorated wrappers. Reprint. This expanded edition of the fall 1994 special issue of October includes new essays by Sarat Maharaj and by Molly Nesbit and Naomi Sawelson-Gorse. It also includes the transcript of an exchange between T. J. Clark and Benjamin Buchloh which presents new responses to the problems raised by this immediately popular (and now out of print) issue of the journal. The Duchamp Effect is an investigation of the historical reception of the work of Marcel Duchamp from the 1950s to the present, including interviews by Benjamin Buchloh (with Claes Oldenburg, Andy Warhol, and Robert Morris), Elizabeth Armstrong (with Ed Ruscha and Bruce Conner), and Martha Buskirk (with Louise Lawler, Sherrie Levine, and Fred Wilson) and a round-table discussion of the Duchamp effect on conceptual art. ISBN 0262522179.…

146 pp.; 23 x 17.7 cm.; glue bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Fall 1994 themed issue of October dedicated to the work of Marcel Duchamp. Edited by Mignon Nixon. Contents include: "Introduction" by Benjamin H.D. Buchloh; "What's Neo about the Neo-Avant-Garde?" by Hal Foster; "Three Conversations in 1985: Claes Oldenburg, Andy Warhol, Robert Morris" by Benjamin H.D. Buchloh; "Interviews with Ed Ruscha and Bruce Conner" by Elizabeth Armstron; "Echoes of the Readymade: Critique of Pure Modernism" by Thierry de Duve; "Interviews with Sherrie Levine, Louise Lawler, and Fred Wilson" by Martha Buskirk; "Thoroughly Modern Marcel" by Martha Buskirk "Round Table: Conceptual Art and the Reception of Duchamp" with Benjamin H.D. Buchloh, Rosalind Krauss, Alexander Alberro, Thierry du Duve, Martha Buskirk and Yve-Alain Bois. Reference : "Artists' Magazines : An Alternative Space for Art" by Gwen Allen. Cambridge / London, MA / United Kingdom : The MIT Press, 2011, pp. 280. Very Good. Yellowing and light scratching of covers. Area of light soiling to recto measuring 13 cm. Contents clean and unmarked and binding tight to the spine.…