examples gregorian chant works orlandus de gustave fredric soderlund (11 résultats)

Hardcover. Etat : Very Good. No Jacket. 3rd. green c w/clack titles; owner's names, notes, some foxing on end papers; 244 clean, unmarked pages; lite wear at extremities.

Etat : FAIR. 1946 SOFTCOVER, 3rd ed. "For use in Classes of Counterpoint" Dingy paper wraps are encased in vinyl bookcover. Some marginalia.

Hard Cover. Etat : Good. No Jacket. Musical notation (illustrateur). Third Edition. [x], 244pp [ink ownership; pencil notes] Size: 4to - over 9¾" - 12" tall.

Hardcover. Etat : VERY GOOD. Third Edition. 244pp. Green cloth black-stamped lettering to front cover and spine, sheet music throughout. Rubbing to extremities, wear to covers, edges a bit dusted, otherwise sound and unmarked.

Soft cover. Etat : Good. Handwritten scores of Gregorian chants. Clean pages. Name whited-out on title page. Rubbing to edges with tear at lower spine.

Hardcover. Etat : Good. Etat de la jaquette : No. Third American Edition. New York: Appleton Century Croft, 1946. Book. Good. Hardcover. Third American Edition. 4to - over 9¾" - 12" tall. Hardcover Collection and Examples of Gregorian chant. A Good- Working collection. One inch chip of covering paper toward top of spine. Some fades. Internally clean tight. Lyrics and music notation Good, clean. NO writing or underlines.

Hard Cover. Etat : Fair. No Jacket. Third Edition. Green cloth boards are tanning, rubbed to board on edges, spinecover taped in place (very old tape.) Text pages have a tiny amount of pencil markings. Size: 4to - over 9¾" - 12" tall.

Hardcover. Etat : Good. Third Edition. Not marked, owner's name; 4to - over 9¾" - 12" tall.

Hardcover. Etat : Good. Later Edition. ISBN Hardback. No dustjacket. Good condition, due to uncut pages improperly separated, leaving jagged edges on pages 19-22 and 113-118 (tears do not extend past margins into musical text), some browning to edges of interior pages. Otherwise, tight sound copy with some margin notes to text in pencil, notes and previous owner's name written in inside covers and endpapers. Third edition.

Hardcover. Etat : Fair. Third Edition. 244p. Ex-library book. Old library markings on spine and inside. A Few stains and scuffing to front cover. Sunfading and wear to cover edges. Spine taped and ends slightly worn. Otherwise text clean and book tight. Palestrina is perhaps the most famous of these three composers. This does not diminish the musically historical importance of the others though. Orlande de Lassus was a Netherlander who settled first in Sicily and then finally in Munich. He is considered one of the most influential composers of the 16th century and was skilled at many different compositional styles. He is best known for his mature polyphonic style.nMarc Antonio Ingegneri was an Italian composer of the same era. He was known as a string player but wrote a decent amount of masses and madrigals. His music is compared in style to that of Palestrina.nGiovanni Pierluigi Palestrina is most well-known of the three and was considerably famous in his own day and age. Much of his compositions have survived the test of time and he is credited with a massive influence on the development of church music. Not only that but he influenced many other famous composers we know today such as Guillaume Dufay and Josquin des Prez.

Etat : Good. Prompt Shipment, shipped in Boxes, Tracking PROVIDEDName in ink front paste-down, slight wear head and heal of spine else good no dust jacket. Religion. Music.