Fields influence conjunctions artists (6 résultats)

Hardcover. Etat : Fine in Fine dust jacket. 22.5 x 14 cm. Octavo. 174pp. Black cloth in dust jacket.

Etat : Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.…

Etat : Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. Dust jacket in good condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,500grams, ISBN:9781902459103. …

Hardcover. Etat : Good. Ex-library book, usual markings. Hardback with dust cover. Clean copy, sound binding. Quick dispatch from UK seller.

Hardcover. Etat : Good. Good. Dust Jacket NOT present. CD WILL BE MISSING. . SHIPS FROM MULTIPLE LOCATIONS. book.

A Pristine copy of the First Edition in loose protective film. Unblemished and with no ownership marks. 8vo. xiii. 174pps. 42 black & white plates and 13 in colour dedication to Eduardo Paolozzi. The distinction between 'Artist' and 'Scientist', so plain to our twenty-first-century eyes, had not fully evolved in the early and middle nineteenth century. In fact, it can be argued that there was barely a division at all, but a community of interchange and understanding, and palpable, constructive friendships between artists and 'natural philosophers', as scientists were called in the early nineteenth century.A central purpose of this book is to show something of the pattern of interchange between artists and scientists. From this starting point the contributors have tackled a fascinating range of subjects - the roots of Humphry Davy's visions and visionary writing; the strong scientific undertow in the paintings of John Martin; John Constable's knowledge of the Beaufort Scale at the time he painted his sky studies; the genesis of the portrait collections of learned societies in nineteenth-century London; and the work of Harriet Jane Moore, a shadowy figure in the worlds of art and science, but the painter of a unique series of watercolour interiors of Michael Faraday's laboratory at the Royal Institution.…