fleuron journal typography de stanley morison (22 résultats)

hardcover. Etat : Very Good.

4to. First edition. One of 1150 copies on antique wove paper. Original teal cloth, gilt to spine. Printed in Barbou type by Walter Lewis at the University Press, Cambridge. Illustrated throughout and with tipped in specimen pages, etc, some folding. Cloth a little dulled by dust with light wear to the corner tips. A little light foxing to the endpapers. The rear hinge is cracked but holding firm. Good +. The contents include Stanley Morison on Decorated Types; Paul Beaujon on Decorative Printing in America; and Albert Windisch on the Work of Rudolf Koch.

Hardcover. Etat : Very Good. No Jacket. 1st Edition. One of 1150 (1310) standard copies printed in Barbou type on Abbey Mills paper. 8pp insets of Lutetia italic, Stempel Baskerville, New Hellinic, a 12pp specimen of Weiss roman, and a 16pp specimen of Monotype Pastonchi. The are also broadsides of Lutetia, Weiss, Baskerville and Naudin bound in. Many illustrations in the text, inserted plates include work of Rudolf Koch and various inscriptions. Turquoise cloth, gilt on spine. Lacking dust-jacket, endpapers dusty. A very good copy. Principal contents: The Work of Rudolf Koch, by Albert Windisch; Geofroy Tory, by A.F. Johnson; On Decorative Printing in America, by Paul Beaujon; Decorated Types, by Stanley Morison; Bernard Naudin, Illustrator, by Luc Benoist; Address by Citizen Sobry on the types of Gille, edited by Daniel berkeley Updike.

cloth. 4to. cloth. xiii, 254, (3) pages. Vol. VI. Edited by Stanley Morison. Limited to 1310 copies of which this is one of 1150. Articles on Rudolf Koch, Geofroy Tory by A.F. Johnson, On Decorative Printing in America by Paul Beaujon (Beatrice Warde), Decorated Types by Stanley Morison and others. Bookplate removed from front pastedown. Minor shelfwear. Rear hinge is starting. Bookseller's ticket on rear pastedown.Loosely inserted in a commorative bookplate of William Sihler.

Hardcover. Etat : Very Good+. Limited Edition. Very light wear at edges; light toning to blanks facing front and rear brown endpapers. ; 1000 copies printed. Brown cloth, spine lettered and decorated in gilt. Illustrations throughout including tipped-in or folded examples of typographic and graphic design, some in color. ; 4to 11" - 13" tall; 252 pages.

hardcover. Etat : Very Good.

Hardcover. Etat : Very Good. No Jacket. 1st Edition. One of 1250 (1370) copies printed in Barbou type on antique laid paper. Inset specimens of 'Fournier-le-jeune (16pp), van Krimpen Lutetia (4pp) and Granjon old face (8pp). Plates outside the text by Klingspor, Willi Harwerth, Rudolf Koch; 8 mounted specimens by J.E. Laboueur. Many illustrations within the text. Decorative cloth covers and endpapers by Emil Rudolf Weiss. Lacking dust-jacket. A very good copy indeed. Principal contents: The Work of Karl Klingspor, by Julius Rodenberg; A Selected list of books printed at the Private Press of the Gebr. Klingspor; J.E. Laboureur, Illustrator, by Paul Istel; William Bulmer, by H.V. Marrot; Towards an Ideal Italic, by Stanley Morison; The 'Garamond' Types, by Paul Beaujon.

Hardcover. Etat : Very Good. First Edition; Limited edtion. 4to 11" - 13" tall; Oversize 4to HC in original mustard yellow cloth with decorative title design in red and blue to cover and spine. In a limited edition of 1250 copies printed on Antique Laid stock. Snugly bound and generally neat with just mild crimping to cloth at spine ends and light shelf soiling to board surfaces. Here and there some superficial foxing to pages, generally on leaves facing tipped in plates and examples. Solid neat copy; uncommon in condition. VG. . Oversize book may require additional charges for expedited or international shipping.

Hardcover. Etat : Very Good. No Jacket. 1st Edition. One of 1250 (1370) copies printed in Barbou type on antique laid paper. Inset specimens of 'Fournier-le-jeune (16pp), van Krimpen Lutetia (4pp) and Granjon old face (8pp). Plates outside the text by Klingspor, Willi Harwerth, Rudolf Koch; 8 mounted specimens by J.E. Laboueur. Many illustrations within the text. Decorative cloth covers and endpapers by Emil Rudolf Weiss. Lacking dust-jacket, otherwise a very good copy indeed. Principal contents: The Work of Karl Klingspor, by Julius Rodenberg; A Selected list of books printed at the Private Press of the Gebr. Klingspor; J.E. Laboureur, Illustrator, by Paul Istel; William Bulmer, by H.V. Marrot; Towards an Ideal Italic, by Stanley Morison; The 'Garamond' Types, by Paul Beaujon.

cloth. 4to. cloth. xvi, 205, (21) pages. Vol. V. Limited to 1370 copies. Article on Karl Klingspor by Julius Rodenberg including a list of books printed at the Private Press of the Gebr. Klingspor, articles on Laboureur, Bulmer, and "Towards an Ideal Italick" by Stanley Morison. Small bump along bottom of front cover and small tears at spine ends.

Includes "The 'Garamond Types: A Study of XVI and XVII century sources,' by Paul Beaujon; 'Towards an Ideal Italic,' by Stanley Morison; 'J.E. Laboureur Illustrator,' by Paul Istel; 'William Bulmer,' by H.V. Marrot; etc. Quarto. Illustrated with type facsimiles, reproductions, and tipped-in plates. Cloth. Covers lightly soiled. Very good. First edition. One of 1,250 copies on antique laid paper.

cloth. 4to. cloth. xvi, 205, (21) pages. Vol. V. Limited to 1370 copies. Article on Karl Klingspor by Julius Rodenberg including a list of books printed at the Private Press of the Gebr. Klingspor, articles on Laboureur, Bulmer and "Towards an Ideal Italick" by Stanley Morison. Only minor cover wear. Very good condition.

Includes 'Modern Printing in the Netherlands' by J. Van Krimpen; 'The Typographical Work of Eric Gill' by Paul Beaujon; 'The Typography of the 'Nineties' by A.J.A. Symons, 'First Principles of Typography' by Stanley Morison, et al. Quarto. Illustrated with type facsimiles, reproductions, numerous tipped-in color plates. Cloth. A very good copy, lacking the d.j. First edition. One of 1,000 copies.

Includes: 'The Work of Rudolf Koch' by Albert Windisch; 'Geofroy Tory,' by A.F. Johnson; 'Deecorated Types' by Stanley Morison, etc. Quarto. [xiv], [267] pp. Illustrated with type facsimiles, reproductions, numerous tipped-in color plates. Cloth. Some light foxing, light dampstaining to binding near top edge, not affecting text. Printer Ward Ritchie's copy, with his bookplate and name in pencil. Laid in is a 1934 newspaper article about Rudolf Koch, which has resulted in some offsetting to an interior page. A very good copy in dust jacket that is torn along front joint. Uncommon in jacket. First edition.

Hardcover. Etat : Very Good. No Jacket. 1st Edition. Number 173 of 210 (1210) edition de luxe copies printed on handmade paper with two extra inserts. 42 illustrations in text by Eric Gill and Heinrich Holz, other illustrations by Frances Clayton and Denis Tegetmeier. 7 very substantial inserts, being specimens of Perpetua, Centaur Roman, Monotype Bembo and Lutetia. Blue buckram, elaborately blocked in gold on the spine and upper board to a design by Jan van Krimpen. Lacking dust-jacket, slight fading to spine. A very good copy. The final issue, printed in Monotype Barbou and signed by Stanley Morison on the colophon. The issue contains Beatrice Warde's famous essay `Eric Gill: Sculptor of Letters', this is illustrated with folding plates and other reproductions. Additionally, in this de luxe isse there is a folding photogravure plate of Gill's sculpture `Madonna and Child'. Inset into the essay are 8 pages Initial Letters etc., engraved by Eric Gill, specially printed at the Golden Cockerel Press on handmade paper; this hand-press printing appears only in the de luxe issue. Following the essay is `The Passion of Perpetua and Felicity', 32 pages with engravings on wood by Gill, and signed by him at the foot of the type specimen. It is the first specimen of Gill's Perpetua type, although there is a school of thought that believes the signature was provided by Morison. Stanley Morison's Postscript closes with the specially commissioned `Explicit' engraving by Gill. This final number of `The Fleuron' includes the first printing of Morison's `First Principles of Typography'; Jan van Krimpen on Typography in Holland; D.B. Updike on T.M. Cleland, and Friedrich Ewald on The Officina Bodoni - this with hand-printed specimens. Signed by Author(s).

Hard Cover. Etat : Very Good binding. Etat de la jaquette : Good dust jacket. Volume No. VII only. With essays on Typography in Holland, Eric Gill, First Principles of Typography, Heinrich Holz, Typography of the Eighteen-Nineties, The Officina Bodoni, Thomas Maitland Cleland, additional shorter essays on typographical history, type reviews, book reviews, and an index at the rear. The volume also with folding facsimile plates, tipped in booklets, and other facsimiles of typographical samples. Slight dusty odor. Mild foxing to the edges of the textblock. Small chips and tears to the dusjacket, with minor loss to the extremities of the spine. Red cloth with a Good dustjacket. Very Good binding / Good dust jacket.

Hardcover. Etat : Very Good. 7 vols. 4to. 28 cm. Insets. Plates. Illusts. Vol. 1 qtr. cloth, otherwise full cloth. Vol. 1 boards foxed, some spotting elsewhere, but generally a nice, crisp set, vols 2 & 3 in the orig. d.w. (vols. 2 chipped). Additional postage required, charged at cost. 'For me, collecting volume VII of The Fleuron from Zwemmer's in the Charing Cross Road was as heady an aesthetic experience as my first sight of Venice. For others, too. That notable wood engraver, Reynolds Stone, told me.of a similar experience. Entering the Cambridge University Press as a trainee.he discovered that one of the printers there.Mr Nobbs, had a complete set of The Fleuron. That journal of typography changed Stone's life, as it changed mine.' Robert Harling, from the Foreword to Grant Shipcott, Typographical periodicals between the wars, Oxford, 1980.

Hardcover. Etat : Near Fine. The copy on offer is the Deluxe Edition printed in an edition of 160 copies of which 150 were for sale. Printed on hand-made paper and containing several tipped in exhibits that were not in the regular edition, including an illustration by David Jones that is pencil signed accompanying The Flying fisherman that is reproduced within the volume. Also, there is a copperplate engraving accompanying De Compensatione Rerum, a prize essay for the Chancellor's Latin Prose at the University of Oxford, 1922. Some slight wear to the tips but overall a beautiful collector's copy of one of the most acclaimed typographic journals of the 20th century. Book.

Hardcover. Etat : Good. 4to, illustrated, quarter cloth with paper sides (nos. 1 and 2) and full cloth (nos. 3 to 7); original dustjacket for no. 3 only, all other dustjackets are later-made with title and volume number printed on the spine panel (presumably by a previous owner). With numerous color and black-and-white illustrations, tip-ins, and specimens, some fold-out. Printer and typographer Bernard Newdigate (1869-1944) positively gushes over the first volume in his "Book Production Notes" for The London Mercury: "The first number of The Fleuron is a brilliant piece of book-production. The book itself is a sumptuous production of the Curwen Press and shows, both in its general appearance and in nearly every detail, the care and skill and good taste which have conspired to the splendid achievement" (quoted by Ruari McLean in "The Most Underrated of Typographers," Matrix 6, pp. 172-3). "The Fleuron was an occasional journal of the arts of the book, in hardback form; it was a sumptuous publication which included the writings of many contemporary scholars as well as original work by artists, and specially composed type specimens of many types as they appeared. It had sprung from conversations between [Stanley] Morison and Oliver Simon, designer at the Curwen Press" (Sebastian Carter, in "Stanley Morison and Jan van Krimpen," Matrix 8, p. 117). Volume 5 with the booklabel of Charles Antin, proprietor of the Serendipity Press, on rear pastedown; prior owner signature on vol. 6 pastedown. Contents generally very good to near fine. Most condition issues are with the covers: some wear to head and/or foot of spine of all volumes except vol. 3 (most heavily in vol. 5); vols. 1 and 5 rear hinge has short or partial split; vol. 2 has horizontal inch-length heavy crease along top of both boards and one-inch split at the hinge; light cover edge wear to vols. 1, 2 and 4; some light soiling to covers, except vol. 5, which is heavily soiled; spines to vols. 2 and 4 a bit faded. Pastedowns and first and last few leaves foxed. Dustjackets show some chipping; vol. 1 spine jacket panel partially repaired.

Hard Cover. Etat : Very Good. First Edition. 7 volume set, all issued. Volumes 1 & 2, quarter cloth with paper covers boards, volumes 3 to 7 full cloth. Volumes 1 to 4: 28 x 22cm, volume 5 to 7: 28.5 x 22.5cm. Numerous colour and monochrome illustrations, tipped-in specimens, papers, facsimiles, some folding. All with a little wear to extremities. Volume 4 a little stained to base of spine, volume 5, small abrasion to rear boards. Bookplate to front pastedown in volume 2.

4to, pp. [4], xi, [1], 50, 252, [2], 25, [2]; specimins tipped in, facsimiles throughout text, some printed in red and black; tan cloth printed in red and black, fine. A high-quality reproduction of the original 1930 printing, with articles on typography in Holland, Eric Gill, Heinrich Holz, Bodoni, Thomas Maitland Cleland, etc.

Etat : Fair. Cambridge, New York: Cambridge University Press/Doubleday Page & Co., 1926. 1st edition. No. 5. Limited edition of 1370 copies. xiii+205pp+ads. Fair book. No dust jacket. Covers soiled. Two inch tear at lower-rear joint. Rear board mildewed. Interior pages Good. Williams & Wilkins bookplate on front pastedown. Light pencil marginalia. (Typography, Graphic Design) Inquire if you need further information. NOT AVAILABLE FOR SHIPMENT OUTSIDE OF THE UNITED STATES.