Form transformation soviet underground (14 résultats)

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Hardback. Etat : New. Form and Transformation in Soviet Underground Writing examines the rich literary and cultural innovation that thrived under Soviet censorship in the post-Stalin era. Moving beyond the idea of the underground as merely oppositional, this volume presents it as a vibrant field of artistic experimentation and social imagination. Through close readings of writers such as Leonid Aronzon, Vsevolod Nekrasov, Olga Sedakova, and Elena Shvarts - alongside studies of Vasilisk Gnedov's late poetry, the international circulation of Evgenia Ginzburg's memoirs, and conversations about publishing Soviet underground writing in the post-Soviet era - the collection explores how underground works moved within samizdat (self-publishing in the USSR) and out to tamizdat (publishing abroad). As these texts crossed media, borders, and decades, they gained new meanings and reshaped ideas of authorship and community. Bringing together literary, historical, and sociological perspectives, the book centres the intermediaries - editors, readers, and translators - who sustained creative autonomy under censorship and fostered communication beyond state control. By linking Soviet-era artistic innovation to today's contexts of digital culture and renewed authoritarianism, the book reveals how the underground's independence and inventive energy continue to inspire new forms of creativity, resistance, and cultural resilience.…

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Hardcover. Etat : Brand New. 272 pages. 6.00x1.00x9.00 inches. In Stock.

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Etat : New. 2026. hardcover. . . . . . Books ship from the US and Ireland.

Buch. Etat : Neu. Form and Transformation in Soviet Underground Writing | Catherine Ciepiela (u. a.) | Buch | Einband - fest (Hardcover) | Englisch | 2026 | University of Toronto Press | EAN 9781487582944 | Verantwortliche Person für die EU: Mare Nostrum Group B.V., Doelen 72, 4831 GR BREDA, NIEDERLANDE, gpsr[at]mare-nostrum[dot]co[dot]uk | Anbieter: preigu. …

Hardback. Etat : New. Form and Transformation in Soviet Underground Writing examines the rich literary and cultural innovation that thrived under Soviet censorship in the post-Stalin era. Moving beyond the idea of the underground as merely oppositional, this volume presents it as a vibrant field of artistic experimentation and social imagination. Through close readings of writers such as Leonid Aronzon, Vsevolod Nekrasov, Olga Sedakova, and Elena Shvarts - alongside studies of Vasilisk Gnedov's late poetry, the international circulation of Evgenia Ginzburg's memoirs, and conversations about publishing Soviet underground writing in the post-Soviet era - the collection explores how underground works moved within samizdat (self-publishing in the USSR) and out to tamizdat (publishing abroad). As these texts crossed media, borders, and decades, they gained new meanings and reshaped ideas of authorship and community. Bringing together literary, historical, and sociological perspectives, the book centres the intermediaries - editors, readers, and translators - who sustained creative autonomy under censorship and fostered communication beyond state control. By linking Soviet-era artistic innovation to today's contexts of digital culture and renewed authoritarianism, the book reveals how the underground's independence and inventive energy continue to inspire new forms of creativity, resistance, and cultural resilience.…

Etat : New. 2026. hardcover. . . . . .

Buch. Etat : Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -Form and Transformation in Soviet Underground Writing examines the rich literary and cultural innovation that thrived under Soviet censorship in the post-Stalin era. Moving beyond the idea of the underground as merely oppositional, this volume presents it as a vibrant field of artistic experimentation and social imagination. Through close readings of writers such as Leonid Aronzon, Vsevolod Nekrasov, Olga Sedakova, and Elena Shvarts - alongside studies of Vasilisk Gnedov's late poetry, the international circulation of Evgenia Ginzburg's memoirs, and conversations about publishing Soviet underground writing in the post-Soviet era - the collection explores how underground works moved within samizdat (self-publishing in the USSR) and out to tamizdat (publishing abroad). As these texts crossed media, borders, and decades, they gained new meanings and reshaped ideas of authorship and community. Bringing together literary, historical, and sociological perspectives, the book centres the intermediaries - editors, readers, and translators - who sustained creative autonomy under censorship and fostered communication beyond state control. By linking Soviet-era artistic innovation to today's contexts of digital culture and renewed authoritarianism, the book reveals how the underground's independence and inventive energy continue to inspire new forms of creativity, resistance, and cultural resilience. 296 pp. Englisch.…

Buch. Etat : Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Form and Transformation in Soviet Underground Writing examines the rich literary and cultural innovation that thrived under Soviet censorship in the post-Stalin era. Moving beyond the idea of the underground as merely oppositional, this volume presents it as a vibrant field of artistic experimentation and social imagination. Through close readings of writers such as Leonid Aronzon, Vsevolod Nekrasov, Olga Sedakova, and Elena Shvarts - alongside studies of Vasilisk Gnedov's late poetry, the international circulation of Evgenia Ginzburg's memoirs, and conversations about publishing Soviet underground writing in the post-Soviet era - the collection explores how underground works moved within samizdat (self-publishing in the USSR) and out to tamizdat (publishing abroad). As these texts crossed media, borders, and decades, they gained new meanings and reshaped ideas of authorship and community. Bringing together literary, historical, and sociological perspectives, the book centres the intermediaries - editors, readers, and translators - who sustained creative autonomy under censorship and fostered communication beyond state control. By linking Soviet-era artistic innovation to today's contexts of digital culture and renewed authoritarianism, the book reveals how the underground's independence and inventive energy continue to inspire new forms of creativity, resistance, and cultural resilience.…