frederick delius peter warlock (18 résultats)

Hardcover. Etat : Very Good. 1st Edition. First impression. 8vo (24 x 16cm). xxii,542 pp. Plates. Cloth, very good, in slightly worn and rubbed dust-jacket. Top edge a little dusty. Internally very good.

Etat : Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. Clean from markings. In good all round condition. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1050grams, ISBN:0198167067.

Etat : New.

Etat : New.

Hardcover. First Edition; First Printing. Near Fine in a Near Fine dust jacket. ; 6.2 X 1.6 X 9.3 inches; 576 pages.

Etat : As New. Unread book in perfect condition.

Etat : As New. Unread book in perfect condition.

Hardback. Etat : New. New copy - Usually dispatched within 4 working days. 1007.

Hardcover. Etat : new. Hardcover. The Eton schoolboy, Philip Heseltine (Peter Warlock), was not yet 17 when he first met his musical hero Frederick Delius at a concert of his works given by Sir Thomas Beecham at Queen's Hall in 1911. The next day he wrote an ecstatic letter to Delius enthusing over `such perfect performances of such perfect music'. Flattered and intrigued by the young admirer, Delius replied in warm and encouraging terms. And so began a correspondence that was to last untilHeseltine's untimely death in 1930. It is fortunate that each composer kept the others' letters and, now placed in chronological order, they give a fascinating picture, not only of the two men and theirmusic, but also of musical life in England and Europe. In their often frank writing the characters and interaction of the two men is highlighted and in their informal and often gossipy way they illuminate the musical life and many personalities of the time. Barry Smith, the author of a recent highly regarded biography of Peter Warlock, has fully researched the background of the correspondence and by means of generous annotations and linking narrative has produced a compelling story of anunusual and unique friendship between two composers. The correspondence of Frederick Delius and Philip Heseltine (Peter Warlock), two of the most fascinating figures of early twentieth-century English music. With the help of generous annotations and linking narrative the reader is given an intriguing portrait of the two composers and their music. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Etat : New.

Hardcover. Etat : new. Hardcover. The Eton schoolboy, Philip Heseltine (Peter Warlock), was not yet 17 when he first met his musical hero Frederick Delius at a concert of his works given by Sir Thomas Beecham at Queen's Hall in 1911. The next day he wrote an ecstatic letter to Delius enthusing over `such perfect performances of such perfect music'. Flattered and intrigued by the young admirer, Delius replied in warm and encouraging terms. And so began a correspondence that was to last untilHeseltine's untimely death in 1930. It is fortunate that each composer kept the others' letters and, now placed in chronological order, they give a fascinating picture, not only of the two men and theirmusic, but also of musical life in England and Europe. In their often frank writing the characters and interaction of the two men is highlighted and in their informal and often gossipy way they illuminate the musical life and many personalities of the time. Barry Smith, the author of a recent highly regarded biography of Peter Warlock, has fully researched the background of the correspondence and by means of generous annotations and linking narrative has produced a compelling story of anunusual and unique friendship between two composers. The correspondence of Frederick Delius and Philip Heseltine (Peter Warlock), two of the most fascinating figures of early twentieth-century English music. With the help of generous annotations and linking narrative the reader is given an intriguing portrait of the two composers and their music. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Buch. Etat : Neu. Neuware - The Eton schoolboy, Philip Heseltine (Peter Warlock), was not yet 17 when he first met his musical hero Frederick Delius at a concert in 1911. The next day he wrote an ecstatic letter to Delius who was flattered and intrigued by the young admirer. And so began a correspondence that was to last until Heseltine's untimely death in 1930. Barry Smith has fully researched the background of the correspondence and by means of generous annotations and linking narrative has produced a compelling story of an unusual and unique friendship between two composers.

Etat : New. pp. 576.

Etat : New. In.

Hardcover. Etat : new. Hardcover. The Eton schoolboy, Philip Heseltine (Peter Warlock), was not yet 17 when he first met his musical hero Frederick Delius at a concert of his works given by Sir Thomas Beecham at Queen's Hall in 1911. The next day he wrote an ecstatic letter to Delius enthusing over `such perfect performances of such perfect music'. Flattered and intrigued by the young admirer, Delius replied in warm and encouraging terms. And so began a correspondence that was to last untilHeseltine's untimely death in 1930. It is fortunate that each composer kept the others' letters and, now placed in chronological order, they give a fascinating picture, not only of the two men and theirmusic, but also of musical life in England and Europe. In their often frank writing the characters and interaction of the two men is highlighted and in their informal and often gossipy way they illuminate the musical life and many personalities of the time. Barry Smith, the author of a recent highly regarded biography of Peter Warlock, has fully researched the background of the correspondence and by means of generous annotations and linking narrative has produced a compelling story of anunusual and unique friendship between two composers. The correspondence of Frederick Delius and Philip Heseltine (Peter Warlock), two of the most fascinating figures of early twentieth-century English music. With the help of generous annotations and linking narrative the reader is given an intriguing portrait of the two composers and their music. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Etat : new. Questo è un articolo print on demand.

Etat : New. Print on Demand pp. 576 Illus.

Etat : New. PRINT ON DEMAND pp. 576.