Edité par Harvard University Asia Center, 2018
ISBN 10 : 0674977033 ISBN 13 : 9780674977037
Langue: anglais
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Edité par Harvard University Asia Center, 2018
ISBN 10 : 0674977033 ISBN 13 : 9780674977037
Langue: anglais
Vendeur : GreatBookPrices, Columbia, MD, Etats-Unis
EUR 49,35
Quantité disponible : 16 disponible(s)
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Edité par Harvard University Press, 2018
ISBN 10 : 0674977033 ISBN 13 : 9780674977037
Langue: anglais
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Edité par Harvard University Asia Center, 2018
ISBN 10 : 0674977033 ISBN 13 : 9780674977037
Langue: anglais
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Edité par Harvard University Asia Center, 2018
ISBN 10 : 0674977033 ISBN 13 : 9780674977037
Langue: anglais
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Edité par Harvard University Asia Center, 2018
ISBN 10 : 0674977033 ISBN 13 : 9780674977037
Langue: anglais
Vendeur : GreatBookPricesUK, Woodford Green, Royaume-Uni
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Ajouter au panierEtat : As New. Unread book in perfect condition.
Edité par Harvard University, Asia Center, 2018
ISBN 10 : 0674977033 ISBN 13 : 9780674977037
Langue: anglais
Vendeur : THE SAINT BOOKSTORE, Southport, Royaume-Uni
EUR 49,35
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Ajouter au panierHardback. Etat : New. New copy - Usually dispatched within 4 working days. 526.
Edité par Harvard University Press 2018, 2018
Vendeur : Pali, Roma, RM, Italie
EUR 40
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Ajouter au panierHard Cover in Dj. Etat : As New. Etat de la jaquette : As New. 8vo, hardcover in dj. 868pp. The turn of the third century CE-known as the Jian'an era or Three Kingdoms period-holds double significance for the Chinese cultural tradition. Its writings laid the foundation of classical poetry and literary criticism. Its historical personages and events have also inspired works of poetry, fiction, drama, film, and art throughout Chinese history, including Internet fantasy literature today. There is a vast body of secondary literature on these two subjects individually, but very little on their interface. The image of the Jian'an era, with its feasting, drinking, heroism, and literary panache, as well as intense male friendship, was to return time and again in the romanticized narrative of the Three Kingdoms. How did Jian'an bifurcate into two distinct nostalgias, one of which was the first paradigmatic embodiment of wen (literary graces, cultural patterning), and the other of wu (heroic martial virtue)? How did these largely segregated nostalgias negotiate with one another? And how is the predominantly male world of the Three Kingdoms appropriated by young women in contemporary China? The Halberd at Red Cliff investigates how these associations were closely related in their complex origins and then came to be divergent in their later metamorphoses.