historical print antwerp de anonymous (50 résultats)

No Binding. Etat : Reasonable. Palatio vulgo Steccata, pontis Antverpiani pars. The contruction of Parma's pontoon bridge in Antwerp. Copper Engraving, c. 1650. Source: An edition of: F. Strada. De Bello belgico (.), c. 1650. Reasonable condition. Paper slightly browned and slightly soiled. Folds as issued. Verso: blank. Dimensions: 172 x 192 mm. c. 1650. Print.

No Binding. Etat : Reasonable. Primus pro patria, qui sese cinxerat armis (.). Battle of Oosterweel, 1567. Copper Engraving after Frans Hogenberg (1535-1590), or workshop, c. 1620. Source: W. Baudartius' history of the 80 Years War, c. 1620. Reasonable condition. Paper a bit soiled and a bit browned. Edges slightly ragged with some minor, small stains. Verso: French text. Dimensions: 129 x 170 mm. c. 1620. Print.

No Binding. Etat : Reasonable. Navis incendiaria cum cuniculo. A view of a fire ship, which was used to attack Parma's pontoon bridge in Antwerp. Copper Engraving, c. 1650. Source: An edition of: F. Strada. De Bello belgico (.), c. 1650. Reasonable condition. Paper slightly browned and slightly soiled. Folds as issued. Verso: blank, with a very small tear on the fold. Dimensions: 198 x 190 mm. c. 1650. Print.

No Binding. Etat : Good. Haec ubi gesta jugum plebs durum ferre recusat (.). The demolition of the Citadel of Antwerp by the citizens, 23 August 1577. Copper Engraving after Frans Hogenberg (1535-1590), or workshop, 1622. Source: W. Baudartius. Polemographia Auraico-Belgica, (.). Amsterdam, Michiel Colijn, 1621-1622. Good condition. Paper a bit soiled and a bit browned. Verso: Latin text. Dimensions: 125 x 159 mm. Print.

No Binding. Etat : Good. Protinus afflatos devin Numinis aura (.). The ban on Protestant preaching in Antwerp, 12 April 1577. Copper Engraving after Frans Hogenberg (1535-1590), or workshop, 1622. Source: W. Baudartius. Polemographia Auraico-Belgica, (.). Amsterdam, Michiel Colijn, 1621-1622. Good condition. Paper a bit soiled and a bit browned. A small wormhole in the lower margin. Verso: Latin text. Dimensions: 123 x 156 mm. Print.

No Binding. Etat : Reasonable. Ordo sacer Magnum proclamat sumere Ianum (.). Jesuits and Friars Minor leaving Antwerp, 1578. Copper Engraving after Frans Hogenberg (1535-1590), or workshop, c. 1620. Source: W. Baudartius' history of the 80 Years War, c. 1620. Reasonable condition. Paper a bit soiled and a bit browned. A small tear in the right upper margin and a small hole in the left margin. Left edge slightly ragged, with some minor creasing. Verso: French text. Dimensions: 126 x 159 mm. c. 1620. Print.

No Binding. Etat : Reasonable. Armatae facibus Furiae parstrata viarum (.). The Spanish Fury: murder and rape in the streets of Antwerp, November 1576. Copper Engraving after Frans Hogenberg (1535-1590), or workshop, c. 1620. Source: An edition of W. Baudartius' History of the 80 Years War, c. 1620. Reasonable condition. Paper a bit soiled and a bit browned. Some faint stains. A few small wormholes in the margins (not affecting the image). Verso: Latin text, with traces of former mounting. Dimensions: 123 x 169 mm. c. 1620. Print.

No Binding. Etat : Good. Componunt pacem Rex, et Sacer Ordo beatam (.). The publication of the Twelve Years' Truce at Antwerp City Hall, 9 April 1609. Copper Engraving after Frans Hogenberg (1535-1590), or workshop, 1621. Source: W. Baudartius. Polemographia Auraico-Belgica, (.). Amsterdam, Michiel Colijn, 1621-1622. Reasonable condition. Paper a bit soiled and a bit browned. Two stains in the upper corners, most probably due to the former mounting. Verso: Latin text, with traces of former mounting. Dimensions: 122 x 155 mm. Print.

No Binding. Etat : Good. Mars iterum fervet violata pace cruentus (.). The Walloons leaving the Castle of Antwerp, 1 August 1577. Copper Engraving after Frans Hogenberg (1535-1590), or workshop, 1622. Source: W. Baudartius. Polemographia Auraico-Belgica, (.). Amsterdam, Michiel Colijn, 1621-1622. Good condition. Paper a bit soiled and a bit browned. Verso: Latin text. Dimensions: 127 x 163 mm. Print.

No Binding. Etat : Good. Ordo sacer Magnum proclamat surmere Ianum (.). Jesuits and Friars Minor leaving Antwerp, 1578. Copper Engraving after Frans Hogenberg (1535-1590), or workshop, 1622. Source: W. Baudartius. Polemographia Auraico-Belgica, (.). Amsterdam, Michiel Colijn, 1621-1622. Good condition. Paper a bit soiled and a bit browned. Verso: Latin text. Dimensions: 126 x 157 mm. Print.

No Binding. Etat : Good. Helperijs praedam canibus Sacer Ordo negabat (.). The Spanish Fury: canons fire at the city of Antwerp, November 1576. Copper Engraving after Frans Hogenberg (1535-1590), or workshop, 1622. Source: W. Baudartius. Polemographia Auraico-Belgica, (.). Amsterdam, Michiel Colijn, 1621-1622. Good condition. Paper a bit soiled and a bit browned. Verso: Latin text. Dimensions: 123 x 170 mm. Print.

No Binding. Etat : Good. Armatae facibus Furiae parstrata viarum (.). The Spanish Fury: murder and rape in the streets of Antwerp, November 1576. Copper Engraving after Frans Hogenberg (1535-1590), or workshop, 1622. Source: W. Baudartius. Polemographia Auraico-Belgica, (.). Amsterdam, Michiel Colijn, 1621-1622. Good condition. Paper a bit soiled and a bit browned. Verso: Latin text. Dimensions: 124 x 169 mm. Print.

No Binding. Etat : Reasonable. Haec ubi gesta jugum plebs durum ferre recusat (.). The demolition of the Citadel of Antwerp by the citizens, 23 August 1577. Copper Engraving after Frans Hogenberg (1535-1590), or workshop, c. 1620. Source: An edition of W. Baudartius' History of the 80 Years War, c. 1620. Reasonable condition. Paper a bit soiled and a bit browned. Verso: Latin text, with traces of former mounting. Dimensions: 125 x 159 mm. c. 1620. Print.

No Binding. Etat : Good. Hinc inter Cives animis ardentibus orta est (.). The Calvinist riot in Antwerp, 1567. Copper Engraving after Frans Hogenberg (1535-1590), or workshop, c. 1620. Source: W. Baudartius' history of the 80 Years War, c. 1620. Good condition. Paper a bit soiled and a bit browned. The left edge slightly ragged. Verso: French text. Dimensions: 126 x 158 mm. c. 1620. Print.

No Binding. Etat : Good. Ut regeret Belgas in pace Anversa Mathiam (.). The solemn entry of Matthias, Archduke of Austria at Antwerp, 2 November 1577. Copper Engraving after Frans Hogenberg (1535-1590), or workshop, 1622. Source: W. Baudartius. Polemographia Auraico-Belgica, (.). Amsterdam, Michiel Colijn, 1621-1622. Good condition. A bit of a weak impression in places. Paper a bit soiled and a bit browned. Verso: Latin text. Dimensions: 129 x 171 mm. Print.

No Binding. Etat : Good. Fugit Alenconius, complevit funere portas(.). French soldiers are expelled from the city of Antwerp. They leave the city via the Kipdorppoort, 17 January 1583. Copper Engraving after Frans Hogenberg (1535-1590), or workshop, 1622. Source: W. Baudartius. Polemographia Auraico-Belgica, (.). Amsterdam, Michiel Colijn, 1621-1622. Good condition. Paper a bit soiled and a bit browned. Verso: Latin text. Dimensions: 124 x 157 mm. Print.

No Binding. Etat : Good. Primus pro patria, qui sese cinxerat armis (.). Battle of Oosterweel, 13 March, 1567. Copper Engraving after Frans Hogenberg (1535-1590), or workshop, 1621. Source: W. Baudartius. Polemographia Auraico-Belgica, (.). Amsterdam, Michiel Colijn, 1621-1622. Good condition. Paper a bit soiled and a bit browned. Two faint stains in the upper corners, most probably due to the former mounting. Verso: Latin text, with traces of former mounting. Dimensions: 130 x 170 mm. Print.

No Binding. Etat : Reasonable. Quis quaeso memoret caedes acceptaque bello (.). The Spanish Fury: citizens of Antwerp try to escape the violence by jumping in the River Scheldt, November 1576. Copper Engraving after Frans Hogenberg (1535-1590), or workshop, c. 1620. Source: An edition of W. Baudartius' History of the 80 Years War, c. 1620. Reasonable condition. Paper slightly soiled and slightly browned. Verso: Latin text, with traces of former mounting. Dimensions: 123 x 158 mm. c. 1620. Print.

No Binding. Etat : Good. Quis quaeso memortet caedes acceptaque bello (.). The Spanish Fury: citizens of Antwerp try to flee the violence by jumping in the river Scheldt, November 1576. Copper Engraving after Frans Hogenberg (1535-1590), or workshop, 1622. Source: W. Baudartius. Polemographia Auraico-Belgica, (.). Amsterdam, Michiel Colijn, 1621-1622. Good condition. Paper a bit soiled and a bit browned. Verso: Latin text. Dimensions: 123 x 158 mm. Print.

No Binding. Etat : Good. Faemineum ecce gregem pedibus suspendit ab alto (.). Spanish Fury at Antwerp: massacre in the streets, 1576. Copper Engraving after Frans Hogenberg (1535-1590), or workshop, 1621. Source: W. Baudartius. Polemographia Auraico-Belgica, (.). Amsterdam, Michiel Colijn, 1621-1622. Good condition. Paper a bit soiled and a bit browned. Two faint stains in the upper corners, most probably due to the former mounting Verso: Latin text, with traces of former mounting. Dimensions: 124 x 157 mm. Print.

No Binding. Etat : Good. Hinc petit Anversam furioso milite Parma (.). The Battle of Borgerhout near Antwerp, 2 March 1579. Copper Engraving after Frans Hogenberg (1535-1590), or workshop, c. 1620. Source: W. Baudartius' history of the 80 Years War, c. 1620. Good condition. Paper a bit soiled and a bit browned. With a small fold in the upper right corner. Verso: French text. Dimensions: 124 x 157 mm. c. 1620. Print.

No Binding. Etat : Good. Ingratis servire nefas, spondentibus ultro (.). The Betrayal of Ladron: German soldiers taken prisoner outside Antwerp, 1570. Copper Engraving after Frans Hogenberg (1535-1590), or workshop, 1621. Source: W. Baudartius. Polemographia Auraico-Belgica, (.). Amsterdam, Michiel Colijn, 1621-1622. Good condition. Paper a bit soiled and a bit browned. Two faint stains in the upper corners, most probably due to the former mounting. Some minor creasing in the lower left corner. Verso: Latin text, with traces of former mounting. Dimensions: 124 x 157 mm. Print.

No Binding. Etat : Good. Illa armisque virisque potens Anversa, Brabanti (?). Entry of the Prince of Parma in Antwerp, 27 August 1585. Copper Engraving after Frans Hogenberg (1535-1590), or workshop, 1684. Source: Pieter Christianz. Bor. Oorsprongk, begin, en vervolgh der Nederlandsche oorlogen, beroerten, en borgerlyke oneenigheden (.). Amsterdam, Widow of Joannes van Someren, Abraham Wolfgangh, Hendrick en de Widow of Dirck Boom, 1684. Good condition. Paper slightly browned and slightly soiled. The left edge slightly ragged. Verso: Dutch text. Dimensions: 124 x 158 mm. Print.

No Binding. Etat : Good. Hispanus Miles praeda satiatus optima (.). Retreat of Spaniards in Antwerp, 1577. Copper Engraving after Frans Hogenberg (1535-1590), or workshop, 1621. Source: W. Baudartius. Polemographia Auraico-Belgica, (.). Amsterdam, Michiel Colijn, 1621-1622. Good condition. Paper a bit soiled and a bit browned. Two faint stains in the upper corners, most probably due to the former mounting. A small wormhole in het left margin, not affecting the image. Verso: Latin text, with traces of former mounting. Dimensions: 124 x 158 mm. Print.

No Binding. Etat : Reasonable. Hinc jutis iterum exardescit motibus omnis (.). German soldiers leaving Antwerp, 25 August 1577. Copper Engraving after Frans Hogenberg (1535-1590), or workshop, 1621. Source: W. Baudartius. Polemographia Auraico-Belgica, (.). Amsterdam, Michiel Colijn, 1621-1622. Reasonable condition. Paper a bit soiled and a bit browned. Two faint stains in the upper corners, most probably due to the former mounting. A small wormhole in the left margin, not affecting the image. Verso: Latin text, with traces of former mounting. Dimensions: 122 x 153 mm. Print.

No Binding. Etat : Good. Cum nostris nonnulla daret Deus otia terris (.). Joyful entry of the Duke of Anjou in Antwerp, 19 February 1582. Copper Engraving after Frans Hogenberg (1535-1590), or workshop, 1622. Source: W. Baudartius. Polemographia Auraico-Belgica, (.). Amsterdam, Michiel Colijn, 1621-1622. Good condition. Paper a bit soiled and a bit browned. Verso: Latin text. Dimensions: 122 x 154 mm. Print.

No Binding. Etat : Good. Hispanus Miles praeda satiatus optima (.). Retreat of the Spaniards in Antwerp, 1577. Copper Engraving after Frans Hogenberg (1535-1590), or workshop, 1684. Source: Pieter Christianz. Bor. Oorsprongk, begin, en vervolgh der Nederlandsche oorlogen, beroerten, en borgerlyke oneenigheden (.). Amsterdam, Widow of Joannes van Someren, Abraham Wolfgangh, Hendrick en de Widow of Dirck Boom, 1684. Good condition. Paper a bit soiled and a bit browned. Left edge slightly ragged. Verso: Dutch text. Dimensions: 126 x 161 mm. Print.

No Binding. Etat : Good. Auriacum incolumem Belgis, Maurisque flagellum (.). Entrance of the Prince of Orange in Antwerp, 18 September 1577. Copper Engraving after Frans Hogenberg (1535-1590), or workshop, 1622. Source: W. Baudartius. Polemographia Auraico-Belgica, (.). Amsterdam, Michiel Colijn, 1616. Good condition. Paper a bit soiled and a bit browned. Verso: Latin text. Dimensions: 128 x 165 mm. Print.

No Binding. Etat : Good. Nobilium saevis solvuntur pacta trophaeis (.). The Prince of Orange moves from Antwerp to Breda, 21 April 1567. Copper Engraving after Frans Hogenberg (1535-1590), or workshop, 1621. Source: W. Baudartius. Polemographia Auraico-Belgica, (.). Amsterdam, Michiel Colijn, 1621-1622. Good condition. Paper a bit soiled and a bit browned. With two faint stains in the upper corners, most probably due to the former mounting. Verso: Latin text, with traces of former mounting. Dimensions: 130 x 173 mm. Print.

No Binding. Etat : Good. Belgica Pax toto nunc applaudente Senatu (.). Proclamation of the Eternal Edict, 27 February 1577. Copper Engraving after Frans Hogenberg (1535-1590), or workshop, 1621. Source: W. Baudartius. Polemographia Auraico-Belgica, (.). Amsterdam, Michiel Colijn, 1621-1622. Good condition. Paper a bit soiled and a bit browned. Two faint stains in the upper corners, most probably due to the former mounting Verso: Latin text, with traces of former mounting. Dimensions: 122 x 157 mm. Print.