Hogarth aesthetics difference (32 résultats)

Etat : good. A copy that has been read, remains in good condition. All pages are intact, and the cover is intact. The spine and cover show signs of wear. Pages can include notes and highlighting and show signs of wear, and the copy can include "From the library of" labels or previous owner inscriptions. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships via media mail.…

Etat : very_good. Gently read. May have name of previous ownership, or ex-library edition. Binding tight; spine straight and smooth, with no creasing; covers clean and crisp. Minimal signs of handling or shelving. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships USPS Media Mail.…

Paperback. Etat : Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Etat : Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

paperback. Etat : Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority.

Paperback. Etat : Very Good. The Other Hogarth: Aesthetics of Difference This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping.…

Paperback. Etat : Very Good. William Hogarth (1697-1764), famous for his satiric representations of high and low life in eighteenth-century London, took as one of his central artistic themes the staging of otherness and difference. In a groundbreaking book, a group of international art historians and cultural theorists investigates this major yet overlooked dimension of Hogarth's art and aesthetics. They show that, whether Hogarth depicts a harlot or a wealthy patroness, a gouty earl or a dissolute rake, a black servant or an effeminate parasite, issues of class, gender, and race reverberate throughout his paintings and prints and deeply inform his unique innovation, the Modern Moral Subject. Drawing on a broad array of methodologies, the authors of the fifteen essays gathered in this volume include the latest insights of cultural history, gender studies, and visual theory to look afresh at a constellation of themes and issues prominent in Hogarth's work: the construction of diverse social, sexual, and racial identities; the role of women in the family and the public sphere; the critique of a culture of increasing commodification and imperial expansion; issues of politics and patronage; the body as a bearer of aesthetic as well as erotic desire. The volume also features the autobiographical testimony of a contemporary black feminist artist who took Hogarth's work as an inspiration. By looking at this unsuspected dimension of Hogarth's work, The Other Hogarth both presents a revisionist perspective on the artist and invites us to read in his images the broader operations of eighteenth-century visual culture. In addition to the editors, the contributors to this volume are David Bindman, Patricia Crown, Mark Hallett, Lubaina Himid, Christina Kiaer, Sarah Maza, Richard Meyer, Frederic Ogee, Amelia Rauser, Sean Shesgreen, David Solkin, Nadia Tscherny, James Grantham Turner, and Peter Wagner. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.…

Etat : Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Etat : Very Good. This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping.…

Etat : Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Etat : Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

paperback. Etat : Very Good. A trade paperback in excellent condition, clean with a tight binding and an unmarked text.From a private smoke free collection.Shipping within 24 hours, with a tracking number and delivery confirmation.

Paperback. Etat : New. New large pbk.; crisp, clean, tight.

Etat : Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In fair condition, suitable as a study copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1300grams, ISBN:9780691010137. …

Etat : Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1300grams, ISBN:9780691010137.

Soft cover. Etat : Very Good. A very good copy of the first softcover printing (full number line ending with 1). The text is wholly unmarked, pristine, and the binding is bright and fresh in appearance, with no creasing to the spine. A sharp copy. [Please note: Due to the size and weight of the volume extra shipping may be required depending on the destination and speed of delivery requested. Quotations gladly provided.].…

Paperback. Etat : Near Fine. Illustrated covers with burgundy spine and white text. Contains 26 duotones and 129 black and white illustrations. 320pp.CONDITION: Covers are mildly rubbed. Small scuff and crease mark on the spine. Pages are crisp and clean. Binding and text block are sound. Full refund if not satisfied.…

Paperback. Etat : New. William Hogarth (1697-1764), famous for his satiric representations of high and low life in eighteenth-century London, took as one of his central artistic themes the staging of otherness and difference. In a groundbreaking book, a group of international art historians and cultural theorists investigates this major yet overlooked dimension of Hogarth's art and aesthetics. They show that, whether Hogarth depicts a harlot or a wealthy patroness, a gouty earl or a dissolute rake, a black servant or an effeminate parasite, issues of class, gender, and race reverberate throughout his paintings and prints and deeply inform his unique innovation, the Modern Moral Subject. Drawing on a broad array of methodologies, the authors of the fifteen essays gathered in this volume include the latest insights of cultural history, gender studies, and visual theory to look afresh at a constellation of themes and issues prominent in Hogarth's work: the construction of diverse social, sexual, and racial identities; the role of women in the family and the public sphere; the critique of a culture of increasing commodification and imperial expansion; issues of politics and patronage; the body as a bearer of aesthetic as well as erotic desire. The volume also features the autobiographical testimony of a contemporary black feminist artist who took Hogarth's work as an inspiration. By looking at this unsuspected dimension of Hogarth's work, The Other Hogarth both presents a revisionist perspective on the artist and invites us to read in his images the broader operations of eighteenth-century visual culture. In addition to the editors, the contributors to this volume are David Bindman, Patricia Crown, Mark Hallett, Lubaina Himid, Christina Kiaer, Sarah Maza, Richard Meyer, Frederic Ogee, Amelia Rauser, Sean Shesgreen, David Solkin, Nadia Tscherny, James Grantham Turner, and Peter Wagner.…

Paperback. Etat : Fine. 1st. Firm binding, clean inside copy. *** "William Hogarth (1697-1764), famous for his satiric representations of high and low life in eighteenth-century London, took as one of his central artistic themes the staging of otherness and difference. In a groundbreaking book, a group of international art historians and cultural theorists investigates this major yet overlooked dimension of Hogarth's art and aesthetics. They show that, whether Hogarth depicts a harlot or a wealthy patroness, a gouty earl or a dissolute rake, a black servant or an effeminate parasite, issues of class, gender, and race reverberate throughout his paintings and prints and deeply inform his unique innovation, the Modern Moral Subject. Drawing on a broad array of methodologies, the authors of the fifteen essays gathered in this volume include the latest insights of cultural history, gender studies, and visual theory to look afresh at a constellation of themes and issues prominent in Hogarth's work: the construction of diverse social, sexual, and racial identities; the role of women in the family and the public sphere; the critique of a culture of increasing commodification and imperial expansion; issues of politics and patronage; the body as a bearer of aesthetic as well as erotic desire. The volume also features the autobiographical testimony of a contemporary black feminist artist who took Hogarth's work as an inspiration. By looking at this unsuspected dimension of Hogarth's work, The Other Hogarth both presents a revisionist perspective on the artist and invites us to read in his images the broader operations of eighteenth-century visual culture. / Bernadette Fort is Weinberg College Board of Visitors Professor of French at Northwestern University and Editor-in-Chief of the interdisciplinary journal Eighteenth-Century Studies. Angela Rosenthal is Assistant Professor of Art History at Dartmouth College." - Publisher. *** CONTENTS: "A wanton kind of chace": display as procurement in A harlot's progress and its reception, by James Grantham Turner; The flesh of theory: the erotics of Hogarth's lines, by Frederic Ogee; Professional femininity in Hogarth's Strolling actresses dressing in a barn, by Christina Kiaer; Spotting the symptoms: Hogarthian bodies as sites of semantic ambiguity, by Peter Wagner; Unfolding gender: women and the "secret" sign language of fans in Hogarth's work, by Angela Rosenthal; Manly satire: William Hogarth's A rake's progress, by Mark Hallett; "Nature revers'd": satire and homosexual difference in Hogarth's London, by Richard Meyer; The fetish over the fireplace: disease as genius loci in Marriage a-la-mode, by David Solkin; Marriage in the French and English manners: Hogarth and Abraham Bosse, by Sarah Maza and Sean Shesgreen; An un-married woman: Mary Edwards, William Hogarth, and a case of eighteenth-century British patronage, by Nadia Tscherny; Hogarth's working women: commerce and consumption, by Patricia Crown; Embodied liberty: why Hogarth's caricature of John Wilkes backfired, by Amelia Rauser; "A voluptuous alliance between Africa and Europe": Hogarth's Africans, by David Bindman; A fashionable marriage, by Lubaina Himid; Lubaina Himid's A fashionable marriage: a post-colonial Hogarthian "dumb show", by Bernadette Fort. Size: 4to.…

Paperback. 320pp, 129 figures. Very good plus condition with text clean & binding tight.

Hardcover. Etat : Used - very good. No Jacket. No DJ, ass issued-- some scuffing/shelfwear on corners of boards but otherwise closer to like new condition.

Etat : Very Good. Light scuffs & scratches to the softcover. Content is in very good, clean condition.

Paperback. Etat : Fine. 328pp, illustarted, NEW; quarto; 328 pages.

Hardcover. Etat : New. New copy with minor shelf wear, Published without a jacket, Location Q217.

Hardcover. Etat : New. No Dust Jacket. This book is new. Still in the original shrink wrap.

Soft cover. Etat : Fine. No Jacket. 1st Edition. Tight Firm Clean First Edtion First Printing With All Numbers 1 Through To 10 - Large Paperback Format. Illustrated In Black And White. Laminated Pictorial Soft Card Cover With Titles To Spine And Front, Slight Aware Along Corner Edges Of Spine, And Along Top Bottom Edges. Heavy Book Additional Postage May Be Requested.…

broschiert. Etat : Gut. 320 Seiten ; Ill. ; Sprache: Englisch guter Zustand, leichte Lagerspuren am Einband, Rücken leicht schief, Schnitt am Rücken leicht bestoßen Sprache: Englisch Gewicht in Gramm: 1240.

Etat : Very Good.

Soft cover. Etat : Fine. No Jacket. 1st Edition. 2001 Princeton University 1st Edition 1st Impression. Fine unread copy with wonderful cover design & illustrations.

Near Fine in publishers decorated wrappers. 320pp. Illustrated. William Hogarth (1697-1764), famous for his satiric representations of high and low life in eighteenth-century London, took as one of his central artistic themes the staging of otherness and difference. In a groundbreaking book, a group of international art historians and cultural theorists investigates this major yet overlooked dimension of Hogarth's art and aesthetics. They show that, whether Hogarth depicts a harlot or a wealthy patroness, a gouty earl or a dissolute rake, a black servant or an effeminate parasite, issues of class, gender, and race reverberate throughout his paintings and prints and deeply inform his unique innovation, the Modern Moral Subject. Drawing on a broad array of methodologies, the authors of the fifteen essays gathered in this volume include the latest insights of cultural history, gender studies, and visual theory to look afresh at a constellation of themes and issues prominent in Hogarth's work: the construction of diverse social, sexual, and racial identities; the role of women in the family and the public sphere; the critique of a culture of increasing commodification and imperial expansion; issues of politics and patronage; the body as a bearer of aesthetic as well as erotic desire. The volume also features the autobiographical testimony of a contemporary black feminist artist who took Hogarth's work as an inspiration. By looking at this unsuspected dimension of Hogarth's work, The Other Hogarth both presents a revisionist perspective on the artist and invites us to read in his images the broader operations of eighteenth-century visual culture. In addition to the editors, the contributors to this volume are David Bindman, Patricia Crown, Mark Hallett, Lubaina Himid, Christina Kiaer, Sarah Maza, Richard Meyer, Frdric Oge, Amelia Rauser, Sean Shesgreen, David Solkin, Nadia Tscherny, James Grantham Turner, and Peter Wagner. ISBN 0691010137.…