Human camera (69 résultats)

Hardcover. Etat : Very Good. First Edition. With dust jacket. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Hardcover. Etat : Good. No Jacket. Missing dust jacket; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Etat : Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Etat : Good. No Jacket. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Etat : Very Good.

Hardcover. Etat : Good. Signed. SIGNED by Cousins on ffep. No jacket. Some shelf/reading wear. Pages clean.

Paperback. Etat : New.

Oversized Paperback. Etat : Good. Published in conjunction with the eponymously named exhibition at the Los Angeles County Museum of Art (1999-2000). This wide-ranging study of the camera portrait as a reflection and catalyst of cultural beliefs about human nature features more than 150 photographic portraits.The book's three essays explore traditional, modern, and postmodern approaches to the subject. Addenda.Color/b&w photographs. 322p. Pap.…

Etat : Very Good. Signed Copy . Good dust jacket. Signed/Inscribed by author on front endpage. Dust jacket price clipped.

Soft cover. Etat : Near Fine. No Jacket. 1st Edition. First edition softcover (with no jacket as issued) is in NEAR FINE condition, having almost invisible scuffmarks to covers; corners slightly bumped; very light wear to top edge of front cover; presentation sticker at right bottom of first page (see photo). Illustrated with color and b&w photographs. Catalogue for a photography exhibit at the Los Angeles County Museum of Art. "The book's three essays explore traditional, modern, and postmodern approaches to the camera portrait"--from front cover flap. Photography. Portrait. History. Mid-19th and 20th centuries. Due to unusual size and considerable weight, extra shipping cost may apply. LLB.…

Hardcover. Etat : Very Good. Etat de la jaquette : Good. 1st Edition. Signed attractively, with inscription, by author Norman Cousins. With full page color photographs and facing brief text of inspiration. Clean pages in sturdy covers. Soroptimist gift label on pastedown. Little spot to endpage and fingerprint residue on shiny black page areas. Jacket with a large closed tear at side edge. No longer a fresh copy but serviceable. Heavy & oversize. Signed by Author(s).…

Hardback. Etat : New.

PAP. Etat : New. New Book. Shipped from UK. Established seller since 2000.

Etat : new.

Etat : New. Examines the visual images that have accompanied human rights struggles and the responses people have had to them. This title considers a series of historical events, including the 1755 Lisbon earthquake and the Holocaust, to illustrate that universal human rights have come to be imagined through aesthetic experience. Num Pages: 192 pages, 29 halftones. BIC Classification: ACB; JPVH. Category: (G) General (US: Trade). Dimension: 154 x 227 x 11. Weight in Grams: 268. . 2011. Paperback. . . . .…

Paperback. Black photo-illustrated wraps with grey, black and cream-colored lettering; 322 pp.; richly illustrated. Issued in conjunction with a 1999-2000 exhibition. "The book's three essays explore traditional, modern, and postmodern approaches to the camera portrait." (flap) The three essays are 'Gymnastics of the Soul: The Clinical Aesthetics of Duchenne de Boulogne,' 'Tolerances of the Human Face: The Affectless Surfaces of Andy Warhol,' and 'Abstract Machines of Faciality: The Dramaturgical Identities of Cindy Sherman,' and photos by Arbus, Cameron, Curtis, Dalí, Leibowitz, Weston, and many more illustrate the various principles involved. A fascinating volume. VG (Light smudging/scuffing/edgewear to wraps; interior is in excellent condition.).…

Paperback or Softback. Etat : New. Human Rights in Camera. Book.

PAP. Etat : New. New Book. Shipped from UK. Established seller since 2000.

Etat : New. Examines the visual images that have accompanied human rights struggles and the responses people have had to them. This title considers a series of historical events, including the 1755 Lisbon earthquake and the Holocaust, to illustrate that universal human rights have come to be imagined through aesthetic experience. Num Pages: 192 pages, 29 halftones. BIC Classification: ACB; JPVH. Category: (G) General (US: Trade). Dimension: 154 x 227 x 11. Weight in Grams: 268. . 2011. Paperback. . . . . Books ship from the US and Ireland.…

paperback. Etat : very good(+). Profusely illustrated. 322pp., large, thick 8vo, stiff, pictorial wrappers. Cambridge: MIT Press, (1999). A very good (+) copy.

Etat : New. pp. 192.

Etat : New. In English.

Etat : New. pp. 192.

Paperback / softback. Etat : New. New copy - Usually dispatched within 4 working days.

Hardcover. Etat : Good. Hardcover with dust jacket. Pages are clean and unmarked. Covers show minor shelving wear. Binding is tight, hinges strong. Dust jacket shows edge wear.; 100% Satisfaction Guaranteed! Ships same or next business day.

Hardcover. Etat : Very Good. Etat de la jaquette : Very Good D. J. First Printing. Very good copy in very good dust jacket. INSCRIBED by Norman Cousins. Large or heavy book and may require extra postage. No AMAZON international order on this title. Inscribed By Author and Photog.

Soft cover. Etat : Near Fine. Etat de la jaquette : No dust jacket as issued. 1st Edition. First edition, first printing. Soft cover. Photographically illustrated stiff wrappers; no dust jacket as issued. Text and editing by Robert A. Sobieszek. Includes a bibliography and an index. 324 pp., with 184 four-color plates. 11 x 11 inches. Published on the occasion of an exhibition at the Los Angeles County Museum of Art. Near Fine (moderate surface wear and wear to the extremities, sticker residue on the back; all plates are Fine). From the publisher: "Ghost in the Shell takes as its premise the idea that the outer person is a reflection of the inner. Tracing the modern photographic portrait over the past 150 years, the book reveals the many ways the photographic arts have investigated, represented, interpreted, and subverted the human face and, consequently, the human spirit. Artists have used the genre not only to convey familiar emotions such as fear, love, sadness, and anger, but also to explore complex subjective states such as passionate individuality and psychological withdrawal. Different avant-garde movements have enlisted farce, masks, and masquerade in their charting of the human character, and many postmodern works employ irony and ambiguity to deal with issues of identity, gender, and dissociation. The book, which accompanies an exhibition opening at the Los Angeles County Museum of Art in October 1999, is organized roughly chronologically around the traditional, modernist, and postmodernist views of the face, although the primary approach of one period often appears in the others. The artists discussed include, among others, Diane Arbus, Julia Margaret Cameron, Edward Curtis, Salvador Dali, Duchenne de Boulogne, Dorothea Lange, Annie Leibowitz, Bruce Nauman, Orlan, William Parker, Irving Penn, Lucas Samaras, Cindy Sherman, Andy Warhol, and Edward Weston.".…

Paperback. Etat : Brand New. 174 pages. 8.75x5.75x0.30 inches. In Stock.

Taschenbuch. Etat : Neu. Neuware.

Taschenbuch. Etat : Neu. Neuware.