Image baroque (136 résultats)

Hardcover. Etat : As New with no dust jacket. Previously unpublished and virtually unconsulted manuscript history of the administration and death of a governor of Brazil in the late 17th century. This panegyric biography has little intrinsic literary merit, falling into the genre of honorific and commissioned eulogy so typical of baroque literature in Spain and Portugal." (This book looks perfect, though!) 216 pages; 6 1/2 x 9 1/2 ".…

Paperback. Etat : Fair. Artemisia Gentileschi, widely regarded as the most important woman artist before the modern period, was a major Italian Baroque painter of the seventeenth century and the only female follower of Caravaggio. This first full-length study of her life and work shows that her powerfully original treatments of mythic-heroic female subjects depart radically from traditional interpretations of the same themes.…

Paperback. Etat : Fair. Artemisia Gentileschi, widely regarded as the most important woman artist before the modern period, was a major Italian Baroque painter of the seventeenth century and the only female follower of Caravaggio. This first full-length study of her life and work shows that her powerfully original treatments of mythic-heroic female subjects depart radically from traditional interpretations of the same themes.…

Hardcover. Etat : Very Good. Etat de la jaquette : No Dust Jacket Issued. very good hardcover in very good plasticene jacket.

Etat : very_good.

Etat : good. A copy that has been read, remains in good condition. All pages are intact, and the cover is intact. The spine and cover show signs of wear. Pages can include notes and highlighting and show signs of wear, and the copy can include "From the library of" labels or previous owner inscriptions. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships via media mail.…

Paperback. Etat : Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Etat : Good. 1st. 143 pages, illustrations (some colour); 20 cm. Catalogue of an exhibition at the Los Angeles County Museum of Art, October 1 to 30, 1968; and other venues. Firm binding, clean inside copy. Previous owner's signature/flyleaf, Moderate edgewear to wraps, expected browning. A good reading copy for the thrifty scholar. Size: 8vo. …

Hard Bound Cover. Etat : Very Good. First of This Edition.

Hardcover. 216p., illustrated with a few scattered period cuts and an excellent modern line map, hardbound in brown leatherette boards gilt and enclosed in a clear acetate sur-wrapper. Top edge of textblock is discolored with dust and foxing, date stamped on free front endpaper, trivial faint edgewear. A very good copy: sound, and otherwise clean.…

Soft cover. Etat : Very Good. Los Angeles County Museum of Art, 1968. Softcover, 143 pp. Small format. Exhibition catalog for a show that started in Los Angeles and traveled to Kansas City, Toledo, Minneapolis and Rhode Island. Illustrated primarily in black and white, with occasional color plates. Very good condition with light age toning of wraps, outer edges of page margins. …

Hardcover. Etat : Very Good. No Dust Jacket. 216 pages.

Paperback. Etat : Very Good. Collection Kurt Rossacher.

Paperback. 60pp and plates. Inked name/date, else very good, clean and sound condition.

Softcover. Etat : Poor. No Jacket. Brownish/yellow spotting all ober the covers & outside of leaves Foxing is present on one or more pages. Boards are moderate to severely edgeworn. Shows more than the usual amount of shelf wear. Please note the image in this listing is a stock photo and may not match the covers of the actual item. Book.…

Etat : Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

paperback. Etat : Good. Ex-library paperback book with library stickers, labels and stamps on cover and inside. Cover is in good condition. Spine is tight. Pages are clean, free of markings, notes or stains. Ships from Friends bookstore to benefit Beaverton (Oregon) library.

Hardcover. Etat : Near Fine. No Jacket. First English Language Edition. 8vo. xi (i), 216 (2) pp, illus. Translated by Ruth E. Jones and Edited by Stuart B. Schwartz First English Language Edition, 1979. Preface, Introduction, Life or Funderal Eulogy, Appendix A: Personalia; Appendix B: A Note on Portuguese and Brazilian Military Organization; Appendix C. Genealogy of Afonso Furtado; Appendix D: Currency, Weights, & Measures, Notes, Index. Very light external wear with lightly age-toned bottom and fore- text block, and dust line along top text block, else, Pristine, no wear. No markings, binding tight, clean, white and bright. 6.5" x 9". Faux leather with gilt lettering to front board and spine. In Mylar Protector. Size: Octavo. Book.…

Hard Cover. Etat : Very Good. 240pp. Hardback with brown glossy boards, VG, b&w illustrations, chapter notes and references, Fourteen papers at a symposium April 17-19, 1993, Stony Brook, New York.

Soft cover. Etat : Good +. 1st Edition. Interior clean but for a couple Jesuit Center stamps, binding tight, covers with some mild shelf wear/rubbing and a small tear on the rear.

Paperback. Etat : Very Good+. 4to 11" - 13" tall.

paperback. Etat : Good. Good paperback, bumped/creased with shelfwear; may have previous owner's name inside. Oversized.

Softcover. Etat : Fine. First Edition. Softcover in illustrated wraps. First edition. Fine, As New condition, crisp, clean, and unblemished. Published to accompany a 1999 exhibition of the same name at McMullen Museum of Art in Boston. Essays about Caravaggio and his work including The Taking of Christ, which made its contemporary debut at this show. Large 4to. 235 pp.…

Softcover. Maroon and gold color-illustrated wraps with black lettering; 235 pp. with 30 color plates and 40 bw figures. This exhibition at Boston College's McMullen Museum of Art (February-May 1999) takes an interdisciplinary approach to studying the style, subject matter, and functions of religious art in Italy between 1580-1680. The conceptual centerpiece of the exhibition is Caravaggio's recently rediscovered The Taking of Christ. The catalogue reproduces in color all of the paintings in the exhibition and includes a collection of essays that analyze how some of the period's most important artistic, religious, and social concerns are encapsulated within the various images. Contributors include Franco Mormando (Exhibition Organizer and Catalogue Editor), Gauvin Bailey, Noel Barber, Sergio Benedetti, Pamela Jones, John W. O'Malley, John Varriano, Josephine von Henneberg, and Thomas Worcester. Contents as follows: Preface: The murder behind the discovery / Noel Barber -- Editor's introduction / Franco Mormando -- A historiographical frame for the paintings: recent interpretations of early modern Catholicism / John W. O'Malley -- The power of images: paintings and viewers in Caravaggio's Italy / Pamela M. Jones -- Trent and beyond: arts of transformation / Thomas Worcester -- Teaching the faithful to fly: Mary Magdalene and Peter in Baroque Italy / Franco Mormando -- Cardinal Caesar Baronius, the arts, and the early Christian martyrs / Josephine von Henneberg -- The Jesuits and painting in Italy, 1550-1690: the art of Catholic reform / Gauvin Alexander Bailey -- "Just as your lips approach the lips of your brothers": Judas Iscariot and the kiss of betrayal / Franco Mormando -- Caravaggio and religion / John Varriano -- Classical and religious influences in Caravaggio's painting / Sergio Benedetti. VG (Ex-library with label and pocket and few marks, average edge wear, otherwise clean.).…

Hardcover. Etat : Fine. No Jacket. xii, 216p. Light brown cloth. Clear mylar wrapper.

Soft cover. Etat : Very Good. 1st Edition. Large-format volume, measuring approximately 10" x 11.25", displays light shelfwear, with lightly bumped outside corners to front cover. Binding is firm. Minor annotation in ink appears in lower inside corner of table of contents. Interior is otherwise clean and bright, with numerous color reproductions of the work of Italian Baroque painter Michelangelo Merisi da Caravaggio (1571-1610). The book was published to accompany the eponymous exhibition held at Boston College from February 1 to May 24, 1999. 235 pages.…

Soft Cover. Etat : Very Good Plus. First Edition. soft cover, as issued., only slight signs of handling to exterior. no other flaws. clean, no writing or markings. no bumps, tears or creases. tight binding.; distributed by university of chicago press.; 235pp., 30 full-page color plates, 40 b/w figures supporting essays/text., nine scholarly essays by eight contributors.; softcover original.; not to be confused with book of similar title that focuses on the northern contemporaries and followers of caravaggio., exhibition brochure laid-in. Size: 4to - over 9¾" - 12" tall. Exhibition Catalogue.…

Soft cover. Etat : Near Fine. Princeton University Press, 1989. Softccover, 607 pp. 2nd printing. Illustrated in black & white and in color. The artist, who lived from 1593 to 1656, was the first woman to become a member of the Accademia di Arte del Disegno in Florence. In near fine condition. **Heavy or oversize Item. An extra shipping charge may apply.**. …

Couverture souple. Etat : Très bon. 216 p. Un mot inscrit sur la page de garde arrière.

VG+, unmarked Hardback; no DJ. Ed., Stuart B. Schwartz; Trsl., Ruth E. Jones.