invisible de gill stephen (11 résultats)

Hardcover. Etat : As New. Etat de la jaquette : As New. 1st Edition. First (1st) Edition, 1000 Copies, Hardback, Published in 2005 on occasion of an exhibition at the Victoria Miro Gallery. Book in as new, shrink-wrapped condition.

Hardcover. Etat : Very Good. First Edition. Hardback. Dust Jacket. Oblong 4to. pp 64 pages 30 colour photos. Original publishers black cloth, lettered gilt at the spine. "These photographs show us a paradox: how fluorescent safety-clothing, which is intended to make workers in potentially dangerous occupations conspicuous, can make its wearers invisible. They are the latest series by a photographer with a sustained interest in the way cities work. Here he shows us the invisible people who ensure that London and its suburbs function. It is as if the metropolis is a complicated clock which no one ever sees or rather notices being wound up." Mark Haworth-Booth from intro. ISBN: 0954940504 Fine in near fine dust jacket. Excellent condition.

First edition and first printing. Oblong hardcover. Features a brief text by Mark Haworth-Booth. A collection of color photographs by British photographer Stephen Gill. A near fine copy with some very minor wear and in a near fine dust jacket. Signed by Gill on the title page.

Hardcover. Etat : As New. 1st Edition. Large hardback w/ jacket; inscribed by Gill under inscription and date; otherwise clean; boards and jacket fine. Inscribed by Author(s).

Hardcover. Etat : Fine. Etat de la jaquette : Near Fine. 1st Edition. Conceptual photographs by distinguished photographer. A signed copy. Signed by Author(s).

Hardcover. Etat : Very Good Plus. Etat de la jaquette : Near Fine. First Edition. hardcover in dust jacket., some page margins have faint toning not from tobacco. no other flaws or wear. clean. no markings. no bumps, tears, creases. strong binding, hinges.; english text., one of the 1000 unnumbered, signed copies in the first edition., 64pp., 30 large color plates. preface. Size: Oblong 4to. Signed by the Photographer. Exhibition Catalogue.

Hardcover. Etat : As New. 1st Edition. SIGNED 1st edition, in protective mylar jacket. Signed by Author(s).

Hardcover. Etat : New. Invisible Published by nobody 2005 Signed by the Photographer\n\nThis was Stephen Gills second book, this first edition and was limited to just 1000 copies. \n\nThese photographs show us a paradox: how fluorescent safety-clothing, which is intended to make workers in potentially dangerous occupations conspicuous, can make its wearers invisible. They are the latest series by a photographer with a sustained interest in the way cities work. Here he shows us the invisible people who ensure that London and its suburbs function. It is as if the metropolis is a complicated clock which no one ever sees or rather notices being wound up.\nMark Haworth-Booth\n\nPhotographs by Stephen Gill\nWords by Mark Haworth-Booth\nEdited and sequenced by Stephen Gill\nDesign by Melanie Mues\nPublished by Nobody\n30 colour photographs\n64 pages\n300 x 255 mm\nPrinted on Job Parilux Silk, 170 gsm\nPaperbound hardback\nPrinted at EBS, Verona, Italy\nEdition of 1000\nPublished in 2005\nISBN 978-0-9549405-0-8.

62 (1) Seiten, Quer-4°, großformatiger Orig.-Pappband mit Schutzumschlag (sehr gutes Exemplar). - Erste Ausgabe / First Edition. Erschienen in einer Auflage von nur 1000 Exemplaren. - - "These photographs show us an paradox: how fluorescent safety-clothing, which is intended to make workers in potentially dangerous occupations conspicuous, can make its wearers invisible. They are the latest series by a photographer with a sustained interest in the way cities work. Here he shows us the invisible people who ensure that London and its suburbs function. It is as if the metropolis is a complicated clock which no one ever sees - or rather notices - being wound up." (Vorwort) - (SW: Fotografie / Photographie; Photography).

Etat : Fine in an almost fine jacket. Limited Edition. Oblong quarto. SIGNED by Gill. An edition of 1000 copies. Published on the occasion of the exhibition at Victoria Miro Gallery, London.

First edition, one of 1,000 copies, oblong 4to, 62, (2) pp. Full page coloured photographic illustrations. Cloth, d.w. with a few small marks, near fine.