jahreszeiten thomson de haydn joseph (29 résultats)

24 S. in altdeutscher Schrift, Der Einband ist ein wenig angestaubt und nachgedunkelt, die Seiten sind ebenfalls nachgedunkelt. Noch gut lesbar. Sprache: Deutsch Gewicht in Gramm: 100 16 cm x 10,5 cm, kart. Ausg. mit Klammerheftung,

Broschur. Etat : Befriedigend. 24 S. ; 8 Kanten etwas berieben / bestossen, vergilbt, Besitzeintrag, starke papierbedingte Seitenbräunung /// Standort Wimregal HOM-00812 Sprache: Deutsch Gewicht in Gramm: 15.

Broschürt. Obr.,27s., Fraktur, in gutem Zustand, [SAP263]., Deutsch 400g.

27 Seiten. (18 x 12 cm). Illustr. Orig.Broschur ** Gut erhalten. (Breitkopf & Härtels Musikbücher Nr. 33, Textbibliothek).

12°. 23 S. Leichte bis moderate Lager- und Gebrauchsspuren. Insgesamt guter Zustand. Ehemaliges Bibliotheksexemplar mit Stempel und Rückensignatur. Kbx atx 12° W 740 fu064375 Sprache: Deutsch Gewicht in Gramm: 550.

Kartoniert / Broschiert. Etat : New.

Taschenbuch. Etat : Neu. Neuware - This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.

Couverture souple. Etat : bon. RO60010739: sans date. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 31 pages. . . . Classification Dewey : 430-Langues germaniques. Allemand.

4°. 203 SS., 1 Bl. Goldgepr. OLn. (Papier gering gebräunt). Aus einem Raucherhaushalt.

12mo (19 x 15cm). 576 pages. Green cloth, VG.

8vo. 36 S. Brosch. m. Leinenstreifen am Rücken. Sauberes Textheft, Umschlag gering fleckig u. m. Namen, hinterlegt. gr.

Etat : Gut. Studien-Part. 576 S. ; 8 Exemplar mit Gebrauchsspuren (das kann heißen: das Buch KANN normale Leseverformung wie Knicke am Buchrücken, oder leichte Nachdunklung o. ä. haben oder auch, obwohl unbeschädigt, als Mängelexemplar gekennzeichnet sein, ferner können auch Notizen oder Unterstreichungen im Text vorhanden sein. Alles dies zählt zur Kategorie des GUT ERHALTENEN). In jedem Falle aber dem Preis und der Zustandsnote entsprechend GUT ERHALTEN. und ACHTUNG: Die Covers können vom abgebildeten Cover und die Auflagen können von den genannten abweichen AUSSER bei meinen eigenen Bildern (die mit den aufrechtstehenden Büchern vor schwarzem Hintergrund, wie auf einer Bühne) MEINE EIGENEN BILDER SIND MASSGEBEND FÜR AUFLAGE, AUSGABE UND COVER s-148d-0824 KEIN VERSANDKOSTENRABATT !!! Sprache: Deutsch Gewicht in Gramm: 450.

47 Seiten. Stark gealtertes Exemplar.- Der Einband unfrisch, fleckig und lappig, mit Rand. und Eckschäden, kleineren Fehlstellen. Block vom Einband gelöst und auch die Heftung nicht solide. Durchgehend starker wasserschaden (Verfärbung), die Blätter an den Ecken und Kanten aufgebogen (eselsohrig) bzw. fransig. - Trotz der Mängel brauchbares Exemplar. - In Fraktur-Schrift. ****An unsere Kunden in Deutschland: Versand nach Deutschland einmal in der Woche ab Freilassing mit der Deutschen Post.*** - Sprache: Deutsch Gewicht in Gramm: 550 Kl.-8°, bedruckte Original-Broschur.

8vo. 40 pp. Das Heft enthält die Texte des Oratoriums Die Jahreszeiten" nach dem Gedicht von James Thomson, vertont von Joseph Haydn. Es wurde von J. A. Wallishausser in Wien gedruckt.Johann Anton Wallishausser war ein bedeutender Verleger und Drucker in Wien, und seine Druckerei war eine der wichtigsten für die Veröffentlichung von Musikwerken im späten 18. und frühen 19. Jahrhundert. Eine der wichtigsten Veröffentlichungen von Wallishausser war Haydns Oratorium Die Jahreszeiten" (die musikalische Umsetzung von James Thomsons Gedicht The Seasons"). Diese Veröffentlichung im Jahr 1801 war ein bedeutendes Ereignis in der Musikgeschichte, da das Werk von Haydn als eines seiner größten Meisterwerke gilt. Die Veröffentlichung trug zur Verbreitung von Haydns Musik und seinem Ruhm als Komponist bei.Die Druckerei Wallishausser war bekannt für ihre hohe Qualität in der Produktion von Musiknoten. Die klaren und präzisen Partituren und Ausgaben trugen zur Zugänglichkeit und Popularität von Haydns Musik bei. Die sorgfältige Druckqualität stellte sicher, dass Haydns Werke nicht nur korrekt, sondern auch in ansprechender Form veröffentlicht wurden. - Aus der Autographensammlung des spanischen Pianisten Antonio Baciero (geb. 1936).

Folio. Contemporary full dark brown suede with tooling in black to outer edges of boards. 1f. (recto title with elaborate vignette engraved by W. Böhm after G.V. Kiminger incorporating allegories of the seasons floating on a bed of clouds with lyre and six-pointed stars, verso blank), 1f. (recto secondary title "Erste Abtheilung," verso "Personen"), 251, [i] (blank). Typeset throughout. With occasional indications of instrumentation in pencil. R. Cocks & Co. handstamp to foot of secondary title. Binding worn, rubbed, and bumped, with minor loss to lower outer corner of upper board and spine; upper partially detached. Some wear, soiling, staining, foxing, and browning; occasional minor loss to blank lower margins; worming to blank inner margin of first five leaves. First Edition, issue with parallel text in German and English. Hoboken Katalog Vol. 9, 1411. Hirsch IV 796. RISM H2542. One of Haydn's two masterful oratorios, this secular work was written shortly after The Creation (1798) to a libretto by Baron Gottfried von Swieten (1733-1803) after the eponymous poem by James Thomson (1700-1748) published in 1730. The work was first performed on 24 April 1801 in a private première at the Schwarzenberg Palace in Vienna; the first public production took place on 29 May 1801. "Although the initial reception of The Seasons was favourable Haydn wrote to Clementi that it had enjoyed 'unanimous approval' and that 'many prefer it to The Creation, because of its greater variety' critical opinion soon became mixed, owing in part to its perceived 'lower' subject, in part to a growing aesthetic resistance to its many pictorialisms. Haydn himself contributed to both strands of criticism: he supposedly said to Francis II, 'In The Creation angels speak and tell of God, but in The Seasons only Simon speaks' (Dies); and he indiscreetly criticized Swieten's croaking frogs ('Frenchified trash') and the absurdity of a choral hymn to toil (Fleiss). Nonetheless he maintained that it would join The Creation in assuring his lasting fame. For the publication he took the path of lesser resistance, selling the rights to Breitkopf & Härtel. . Notwithstanding its less exalted subject, The Seasons is compositionally more virtuoso than The Creation and offers greater variety of tone: Haydn's pastoral is one of the final glories of a tradition that is more than 'high' enough." Georg Feder and James Webster in Grove Music Online The music is "of wonderful freshness and unfailing originality." TNG Vol. 8, p. 347.

Folio (213 x 348 mm). Mid-blue boards with blank octagonal paper label to upper. Notated in brown ink on various 16-stave rastrum-ruled laid papers. 1f. (recto title, verso "Personen"), 329, [i] (blank) pp. With German text. Watermarks include "Wildenfils" (or "Wildenfels"), "GH," and "IV-WR." With occasional cancellations and corrections. Most blank measures numbered, indicating the manuscript may have been intended for publication, or for the production of parts. Binding worn, rubbed, and bumped. Slightly worn; light uniform browning; occasional minor stains, primarily to blank margins. In very good condition overall. This interesting manuscript appears to comply with the first edition of the full score published in Leipzig by Breitkopf und Härtel in 1802 (published in two issues, one with German and French text and the other with German and English text), the exception being that the present manuscript includes German text only. We have not located any contemporary published full scores with German text only. One of Haydn's two masterful oratorios, this secular work was written shortly after The Creation (1798) to a libretto by Baron Gottfried von Swieten (1733-1803) after the eponymous poem by James Thomson (1700-1748) published in 1730. The work was first performed on 24 April 1801 in a private première at the Schwarzenberg Palace in Vienna; the first public production took place on 29 May 1801. "Although the initial reception of The Seasons was favourable Haydn wrote to Clementi that it had enjoyed 'unanimous approval' and that 'many prefer it to The Creation, because of its greater variety' critical opinion soon became mixed, owing in part to its perceived 'lower' subject, in part to a growing aesthetic resistance to its many pictorialisms. Haydn himself contributed to both strands of criticism: he supposedly said to Francis II, 'In The Creation angels speak and tell of God, but in The Seasons only Simon speaks' (Dies); and he indiscreetly criticized Swieten's croaking frogs ('Frenchified trash') and the absurdity of a choral hymn to toil (Fleiss). Nonetheless he maintained that it would join The Creation in assuring his lasting fame. For the publication he took the path of lesser resistance, selling the rights to Breitkopf & Härtel. . Notwithstanding its less exalted subject, The Seasons is compositionally more virtuoso than The Creation and offers greater variety of tone: Haydn's pastoral is one of the final glories of a tradition that is more than 'high' enough." Georg Feder and James Webster in Grove Music Online The music is "of wonderful freshness and unfailing originality." TNG Vol. 8, p. 347.

2 vols. Folio vi, 496 pages. Half leather, backstrips missing, with blue marbled boards. All edges in decorative yellow. With List of Subscribers on pp.iii-vi. Armorial bookplate of Philip Joseph Salomons.

Folio vi, 496 pages. Quarter leather, worn and backstrip torn at head and partially missing, with worn marbled boards. Lacking title and with some slight water-staining. With Subscribers list on pp.iii-vi.

Kl-8°, 55 S., alt-br. mit Buntpapier. Erste Ausgabe des Textbuches, erschienen zur Uraufführung am 24. April 1801. - Hoboken II, S. 65.

insges. 496 S. in Typendruck. Hldr.d.Zt. Einband lädiert, im Bund etwas gelockert. Äußere Seiten etwas stockfleckig. Hob. II, S. 58; RISM HH 2542. - Erstausgabe. - Das Titelblatt mit der bekannten Illustration fehlt.

Size: Two volumes. Folio. [iv (titles, Personen)], 496pp. Half leather (very rubbed and partly torn to vol.I. Various stamps of lending libraries: "J.A. Cross Music Lending Library, Manchester", "The Ideal Music Lending Library, Manchester" and "Thomas Batley Musical Library, Manchester". Typeset music. Title vignette. First edition. Hoboken vol.II, pp.58-59. Sammlung Hoboken, vol.9, no.1411. Two volumes. Folio. [iv (titles, Personen)], 496pp.

LeatherBound. Etat : New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. LeatherBound edition. Condition: New. Reprinted from 1809 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. Pages: 63 NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 63.

LeatherBound. Etat : New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. Reprinted from 1890 edition. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set and contains approximately 34 pages. IF YOU WISH TO ORDER PARTICULAR VOLUME OR ALL THE VOLUMES YOU CAN CONTACT US. Resized as per current standards. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Language: German.

Leatherbound. Etat : NEW. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. Leatherbound edition. Condition: New. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. Pages: 62. A perfect gift for your loved ones. Reprinted from 1801 edition. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. IF YOU WISH TO ORDER PARTICULAR VOLUME OR ALL THE VOLUMES YOU CAN CONTACT US. Resized as per current standards. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Language: German Pages: 62.

Leather Bound. Etat : New. Presenting an Exquisite Leather-Bound Edition, expertly crafted with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2025, utilizing the invaluable guidance of the original edition published many years ago in 1802. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Pages:- 52, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. 52.

Bond together by a blue paper band, as published. 31, (1) p. A very early edition of the libretto of Haydn's oratorio Die Jahreszeiten (The Seasons) which was premiered in Vienna in 1801. The libretto was prepared by Baron Gottfried van Swieten who was also responsible for the text of The Creation, and it is based on passages taken from the long English poem under the same title by James Thomson. The composition had a dual premier, both held in Vienna, first in April 1801, exclusively for the aristocracy whose members had financed the work, and in about a month for the broader public. The libretto was published with no credit for the translator first in Vienna in 1801, while the music score in Leipzig by Breitkopf & Härtel in 1802. This, Munich edition of the libretto possibly accompanied the oratorio's premiere in the city. Scarce, we could trace only one copy of this edition in institutional holdings, in Austria. . Wormhole to the first leaves at the inner margin with no effect on the text. Foxing that effects the first and the last leaves more intensely. Very slightly chipped. Overall in fine condition. Bond together by a blue paper band, as published.

Leather Bound. Etat : New. Language: ger,eng. Presenting an Exquisite Leather-Bound Edition, expertly crafted by the prestigious organization "Rare Biblio" with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2024, utilizing the invaluable guidance of the original edition published many years ago in 1800. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - ger,eng, Vol:- Volume 2, Pages:- 252, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. Volume 2 252.

LeatherBound. Etat : New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. LeatherBound edition. Condition: New. Reprinted from 1802 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. Pages: 525 As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 525 Language: German,French.

Leather Bound. Etat : New. Language: german, french. Presenting an Exquisite Leather-Bound Edition, expertly crafted with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2024, utilizing the invaluable guidance of the original edition published many years ago in 1802. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - german, french , Pages:- 512, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. [Please Note - Dust in Text and Text Light] 512.