joan miro, Signé (43 résultats)

Tapa blanda. Etat : Muy bien. Parsifal, 1994. Dedicatoria y firma del autor a anterior propietario Encuadernación en tapa blanda de editorial ilustrada. 159 páginas. 21 x 16 cm. Sin subrayados ni anotaciones. Perfecto estado de conservación. Ilustraciones y fotografias b/n. Firmado por el autor. Libro.

The standard catalogue raisonné of the sculpture. 391 pp. 396 items reproduced and exhaustively described. 440 plates, mainly in color. Folio. Publisher's cloth and dustjacket. FINE AND BRIGHT. Like new.

Joan Miró (illustrateur). The catalogue raisonné of the ceramics. 397 pp. 441 items reproduced, usually in color, and exhaustively described. Folio. Publisher's cloth. Dustjacket. FINE AND BRIGHT, Like new.

Joan Miró (illustrateur). First edition of this collection of short pieces relating to music. 59 pp. Cover art (front and back) by Joan Miró. Printed on very good wove paper. 8vo. Original wraps. A bit of wear to wraps, else uncut, fine and bright.

First Edition. Good cloth copy in a good if somewhat edge-torn (with some loss) and dust-toned dust-wrapper, now mylar-sleeved. Remains quite well-preserved overall; tight, bright, clean and strong. Physical description; vol. III (only): 215 pages : illustrations (some color) ; 32 cm. Notes; Includes original lithorgraph I. Limited printing: 'Five thousand copies of this English language edition, numbered 1-5000, have been printed. A deluxe edition of 150 copies, number 1-150, with two additional original lithorgraphs singed by Joan Miró, and 80 suites, numbered I-LXXX, containg the 8 original lithorgraphs on vellum with wide margins and with each lithorgraph signed by the artist have also been printed. Copy number: 589.' Physical description; Subjects; Miró, Joan (1893-1983). Lithorgraphs. Engraving Spain 20th century. Lithography Spain 20th century. Genres; Catalogues raisonnés. Illustrated. 1 Kg.

Etat : Good. 16mo. Folded Card, hand written signed note inside, thanking Peter Selz for attending an exhibit opening, giving a "top notch talk," "wrote excellent comments," etc. Very Good. From the collection of UC Berkeley art historian Peter Selz (1919 - 2019).

Encuadernación de tapa blanda. Etat : Bien. (Art contemporani. Catalunya). Barcelona, Departament de Cultura de la Generalitat de Catalunya / La Polígrafa, 1985. Cobertes originals en rústica il.lustrada. 264 p. Molt il.lustrat b/n i color. Foli. Vores una mica gastades. Bon exemplar. Dedicatòria i firma autògrafa de Ràfols-Casamada. Dedicado por el ilustrador.

Encuadernación de tapa dura. Etat : Muy bien. Editorial Carlos Hirsch, Buenos Aires, 1961. Encuadernación en tela editorial, 159 págs. + láminas, 19 x 24.5 cm. Dedicatoria autógrafa del autor dirigida al director de la Academia de España en Roma. En muy buen estado. Dedicatoria autógrafa del autor.

Hardcover. Etat : Very Good. Signed. Signed. Cover has light wear. Pages are clean/intact.

Leinen. Etat : Gut. Es handelt sich um das Exemplar mit der Nummer 115 von insgesamt 500 nummerierten Exemplaren. In Bleistift handsigniert von Joan Miró und Joan Brossa. Die den Nummern 76 bis 150 beiliegende signierte Lithographie fehlt. Einband etwas angeschmutzt/leicht fleckig, sonst aber ohne Beschädigungen. Schnitt und Vorsatzblätter teilweise etwas gebräunt. Unterer Schnitt etwas stockfleckig. Der Zustand innen durchgängig sehr gut und sauber. Die Farben hervorragend erhalten. Mit zahlreichen Lithographien, ca. 70 Seiten, Spanisch 1790g.

Encuadernación de tapa dura. Etat : Nuevo. Etat de la jaquette : Nuevo. 1ª Edición. Texto en catalán La poesía visual ha transgredido las fronteras idiomáticas para adoptar un lenguaje de búsqueda, eminentemente universal, que enlaza lo visual con lo semántico en una nueva aventura. Si Joan Brossa dedicó esta suite visual a los setenta y cinco años de Joan Miró, éste se honró a su vez, cinco años después, al ponerle al libro un preludio y un final puramente artísticos. El resultado de esta colaboración excepcional es una obra insólita. Visual poetry has crossed the borders between languages and has adopted an eminently universal language of exploration that links the visual with the semantic in a new adventure. Joan Brossa dedicated this visual suite to Joan Miró on his 75th birthday; five years later, Miró honored himself by adding a purely artistic prelude and epilogue. Edición numerada 1500 ejemplares Todos los ejemplares en formato 24,5 ? 33,5 cm, con 92 páginas en catalán. Encuadernados en tela con dibujo original de Joan Miró. Firmado por el autor.

Hardcover in Slipcase. Etat : Near Fine. Joan Miro (illustrateur). 1st Edition. Loose leaves in illustrated wrappers as issued, housed in publisher's light blue chemise and slipcase. Printed on velin de Lana, folio, pp. 30. With 2 original colour double-page lithographs by the artist and 6 after. One of 150 copies, signed by Joan Miró at the colophon. CONDITION REPORT: Slipcase: Minor sunning at margins, front and back. Small chip to fabric at one upper corner. Microscopic chip to fabric at front panel near upper corner left. VG. Chemise: upper cover bowing. One very small chip to each spine tip i.e. loss of blue fabric. Finger mark to upper cover. VG. Contents: One single spot to the upper margin of the first four pages (artwork not affected). Otherwise excellent, Fine. Signed by Author(s).

Couverture rigide. Etat : Comme neuf. Etat de la jaquette : Comme neuf. Joan MIRO (illustrateur). Edition originale. - PRESENTATION : in-4 in leaves in a blue folder and slipcase. - ILLUSTRATED : With 4 drypoint etchings & one etching by Joan MIRO. - PRINTER : Atelier Morsang. - SIGNATURE : Bears the stamp signature of Miro at the justification page & handsigned by the author. - LIMITED : 125 copies. - PAPER : Auvergne handmade vellum. - SIZE : 10 x 13". - REFERENCES : Cramer 256. - INFORMATIONS : An extremely imaginative piece of book-making. Printed on beautiful Auvergne paper, this represents one of the rare cases where a great deal of care and imagination have clearly been lavished on the creation of the book, and it is not just a vehicle for Miró's illustrations, which certainly enhance it, but are not the only element by any means. - AUTHENTICITY : As Miro died before the end of printing, the estate of Miro confirmed that the etchings are original. The justification page bears the stamp of Miro Estate and the hand signature of Emilio Miro, son of the artist. - CONDITION : Excellent. - RARE last book created by Miro with beautiful etchings ! ASK FOR EXTRA PICTURES. Signé par l'illustrateur.

Soft cover. Etat : Very Good. Etat de la jaquette : Very Good. 1st Edition. This copy with 2 original drawings by Andre Vernet, one full page.Signed by Andre Vernet. Dust jacket has some chips to edges. Inscribed by Andre Vernet. Photographs by Roger Hauert. Inscribed by Author(s).

8°, 159 Seiten. mit 36 teils farbige Phototafeln, 8 montierte farbige Abbildungen und 32 s/w. Tafeln sowie 11, meist farbige Textabbildungen. Orig.Leinen mit OSU. Mit eigenhändiger Widmung des Verfassers. - Schutzumschlag wasserrandig, die hinteren Seiten am Vorderschnitt schwach wasserrandig. Gewicht (Gramm): 1050.

First Revised Edition, First Printing. Introduction by Ernest Hemingway. This book is signed by Greenberg to Francis Golffing and Barbara Gibbs. Francis was a prolific writer of and on poetry, essays, philosophy and art, with a number of books to his name. Barbara was an American poet and tran We provide PROTECTIVE packaging. Photos of our books are always available upon request. SELLING USED AND RARE BOOKS ON ABE SINCE 1997 AND IN OUR STORE IN THE BERKSHIRES FROM 1987 TO 2015.

A collection of poems by Leiris with a cover illustration by Joan Miró. AN HORS-COMMERCE COPY ON FINE MARAIS WOVE PAPER, SIGNED IN RED INK BY JOAN MIRÓ. 4to. Original wraps. FINE AND BRIGHT. Signed copies are of the greatest rarity.

The Arts Council. 1964. Large slim paperback. SIGNED PRESENTATION COPY FROM ARTIST WITH LARGE DOODLE OF VASE AND BOWL TO INSIDE OF COVER AND HALF-TITLE. Illustrated in colour and b/w. Covers slightly soiled and worn. Contents clean.

Couverture rigide. Ediciones Poligrafa | Barcelona s. d. [circa 1965] | 26.50 x 27.50 cm | reliure de l'éditeur | Edition originale quadrilingue (espagnol, anglais, français et allemand) pour laquelle il n'a pas été tiré de grands papiers. Reliure de l'éditeur en pleine toile sable, dos lisse, exemplaire complet de sa jaquette illustrée et de son rodhoïd. Petites déchirures sans gravité en tête et en pied du dos de la jaquette. Ouvrage orné de 154 illustrations en noir et en couleurs, bel exemplaire. Précieux envoi autographe signé de Joan Miro à son ami et biographe Georges Raillard. | [ENGLISH DESCRIPTION ON DEMAND].

Etat : Good. Folio. Sheets loose as issued in original cover, cloth chemise and cloth slipcase. Very good. One of 180 copies on Arches, signed in pencil by Miró.133 pages; lacking the color illustrations (lithographs); 43 cm45 x 36 outside dimensions.Cramer, 107.

Full Leather. Etat : Fine - As New. Limited Numbered First Deluxe Edition. A very scarce magnificent book in fine, like new condition in a fine custom clamshell case with the scarce shipping carton, SIGNED by five of the world's greatest artists: Marc Chagall (1887-1985), Georgia O'Keeffe (1887-1986), Joan Miro (1893-1983), Ivan Albright (1897-1983) and W. de Kooning (1904-1997) on the occasion of the 100th birthday of the Art Institute of Chicago in 1979. The signatures are original and are each on a separate page. In addition, the great Marc Chagall signed and dated his signature, "Pour Art Inst. Chicago, Marc Chagall, 1979." First printing deluxe edition (so stated), copy # 60 of 100 total copies issued as one of four major events celebrating the Art Institute's 100th birthday, according to David C. Hilliard, Life Trustee of the Art Institute of Chicago who headed the project. According to Mr. Hilliard, the deluxe books were sold, in good part, to buy an Indian sculpture in honor of Board Chairman James Alsdorf and his wife Marilyn. Per Hilliard: "There is a good story connected with the book. We sent a young man down to visit Georgia O'Keefe and ask for her agreement to participate. Georgia could be prickly, so we chose as our envoy a young man whose father had given her the land on which she had her house and studio. And indeed he was given a warm reception and tour. When they parted, Georgia said she would sign. but then added "If you will tell me the location of my painting that I gave to the Art Institute, 'East River from the Shelton.'" We were overjoyed and asked the American Arts Department to let us see it. As Georgia knew, it had presumably been stolen years before, and a full search could not locate it. But she relented (I think she enjoyed her joke) and signed the books anyway!" Printed and bound by RR Donnelley & Sons' Lakeside Press. Bound in very fine dark red Morocco leather with beautiful gold gilt on the page edges. In beautiful very fine condition. THE BOOK: The book measures 10.5" x 14." In addition to the valuable signature pages, this large book contains beautiful color reproductions of 100 of the most magnificent art treasures that the Art Institute of Chicago holds in trust, including paintings by the artists who signed the book. Enclosed in a heavy wood clamshell box covered by matching red leather with a large gold gilt lion on the front lid. The art world has now lost all of these great artists but in this book their signatures and their paintings live on. A very special and collectable book. Weighs over 10 lb.

THE LAST TRULY GREAT ILLUSTRATED BOOK OF THE TWENTIETH CENTURY: A BRILLIANT EXPOSITION OF JOAN MIRO'S WORK THAT REQUIRED SEVEN YEARS TO PRODUCE, WITH TWENTY PENCIL-SIGNED ORIGINAL PRINTS BY NILS BURWITZ. Twenty texts about Miro by leading Spanish and Catalan intellectuals and artists, including Camilo Jose Cela, Rafael Alberti, and Robert Graves (who spent much of his life living in Mallorca). The texts are in Spanish or Catalan (except for Graves' poem, which is in English), and all appear here in first edition. Each text is accompanied by a AN ORIGINAL COLOR FULL-PAGE HORS-TEXTE MIXED-MEDIA PRINT BY NILS BURWITZ, JUSTIFIED AND SIGNED IN PENCIL BY THE ARTIST. These twenty highly complex prints are mostly etchings, often with aquatint and embossing. They brilliantly illuminate various aspects of Miro's work--and unmistakably demonstrate Burwitz' artistic and technical virtuosity. EDITION LIMITED TO 125 COPIES, ALL PRINTED ON EXTREMELY FINE HANDMADE PAPER AND SIGNED BY THE ARTIST IN THE COLOPHON. Large folio. Loose as issued in the original solander case, covered with beautiful dyed fabric made in Mallorca. Ceramic plaque with the title mounted to the front cover. Housed in a cloth slipcase. FINE AND BRIGHT, WITH NO DEFECTS. Laid in is a prospectus and a copy of the explanatory booklet--one of 1,000 copies, also signed by Burwitz--that contains reproductions of all of the prints, portraits (by Burwitz, of course) of all of the authors, and translations of all of the texts into English and German (and into Spanish for the Catalan texts, and Catalan for the Spanish). A monumental and stunning work.

Encuadernación de tapa blanda. Etat : Muy bien. 1ª Edición. Fundació Joan Miró, Barcelona, 1981. 1ª Edición. Catálogo de la exposición con ilustraciones en color. Texto de Fernando Arrabal y conversación de los artistas con Andreu Martín. En catalán, castellano, francés e inglés. Bonita dedicatoria con dibujo original de Elvira Navares y Jean-Pierre Guillemot en primera hoja blanca. 29,5x21. Sin paginar. Rústica editorial. Dedicatoria autógrafa del autor.

Pas de couverture. S. n. | Paris 11 Janvier 1984 | 13.50 x 10 cm | une feuille + une enveloppe | Carte autographe signée de Pierre-André Benoit (8 lignes à l'encre noire et rédigée depuis son château de Rivières-de-Theyrargues dans le Gard qu'il occupe depuis 1970) adressée au libraire Pierre Clerc à qui il présente ses voeux pour 1984. La carte est illustrée au recto d'une reproduction d'un dessin de Joan Miro accompagné d'une phrase de Sainte Thérèse d'Avila, enveloppe jointe. L'hiver ensoleillé favorise la bonne humeur de PAB : ". une bonne année commencée avec le soleil ce qui donne envie de circuler." qui propose à son ami libraire de venir déjeuner chez lui bientôt. Poète, peintre, graveur, Pierre-André Benoit ou P.A.B. fut surtout un typographe et un imprimeur ayant réalisé plus de 400 ouvrages illustrés réunissant les plus grands poètes d'après-guerre aux plus talentueux peintres de la seconde moitié du XXème siècle. Les productions de P.A.B. seront d'abord réalisées sur une petite presse installée dans son appartement à Alès. Elles réuniront ses amis les poètes René Char, André Breton, Paul Eluard, Paul Claudel, Erik Satie, Tristan Tzara et ses amis peintres Joan Miro, Georges Braque, Jean Dubuffet, Francis Picabia, Marcel Duchamp et Pablo Picasso.En 1949, il commencera à utiliser la gravure sur celluloïd ce qui lui permettra de faire lui-même les tirages et de réaliser les livres en entier. Depuis son château moderne à Rivières-de-Theyrargues, dans le Gard, il finira par illustrer lui-même ses ouvrages tout en continuant à travailler avec ses fidèles amis Camille Bryen et Pierre Alechinsky. | [ENGLISH DESCRIPTION ON DEMAND].

DAS PLASTISCHE WERK (Kunstkatalog) Ausstellungskatalog des Kunsthaus Zürich zur Ausstellung 4. Juni bis 30. Juli 1972, 107 SS. farbig illustriertes Pb. quadratisch gr. 8° (21 x 19 cm, Einband mit Gebrauchsspuren, Innengelenk mit Tesa geklebt), innen handschriftliche Ergänzungen der Galeristin: Mit 1 gefalt. farb. Tafeln, 4 kleinen s/w. Abb. und 24 ganzseit. s/w. Abb. OKt. Verzeichnet 194 Objekte, davon sind 24 ganzseitig abgebildet. Text in Deutsch und Französisch. (Einband an den Kanten beschabt. Vorderdeckel mit Vermerk Ausstellungs . und einem Papieretikett mit Jahreszahl 1972. Titelblatt auf beiden Seiten im Falz mit transparentem Klebeband verstärkt. Durchgehende Notizen im Katalogteil) - mit schöner eigenhändiger Widmung, Empfehlung, Unterschrift signiert pour Mademoiselle Karin Seltmann - MIRO.

Paris. Editions Fourbis. 1990. Grand in-8°, reliure de fort cartonnage, fenêtre sur le premier plat laissant voir une gravure intaille de Joan Miró, signée. Couvertures conservées. Frontispice et une planche hors texte de Joan Miró. Non paginé [40 pages]. Le livre et la gravure gaufrée de Miró sont en très bon état. Poèmes de Michel Leiris écrits pour illustrer treize eaux-fortes de Joan Miró dans un livre édité par Aimé Maeght en 1969 et tiré à 95 exemplaires.

Couverture souple. Etat : Bon. Joan MIRÓ (1893 - 1983), peintre espagnol Joan Miró, (1956) Dessin original, encre sur papier signé et dédicacé de Joan Miró à Paulo Picasso, fils de Pablo Picasso, et à son épouse Christine Pauplin. Dédicaces additionnelles au feutre de Jacques Prévert et au stylo bleu de Georges Ribemont-Dessaignes, cofondateur du mouvement dadaïste autour de Marcel Duchamp et Francis Picabia. Dédicaces réalisées sur la page de garde du livre « Joan Miró » édité par la galerie Meight en 1956. Joan Miró et Jacques Prévert : JOAN MIRÓ. Texte de Jacques Prévert et Georges Ribemont-Dessaignes, uvres de Joan Miró. Paris, Maeght éditeur, 1956. Volume in-4 (23 x 20 cm) broché, 220 pages, reliure de l'éditeur en plein cartonnage souple, dos lisse, sous couverture illustrée rempliée, rhodoïd original. Édition originale consacrée à l'uvre de Joan Miró. Poèmes de Jacques Prévert et de Georges Ribemont-Dessaignes ayant également rédigé l'essai sur l'artiste espagnol. Livre comprenant 6 lithographies en couleurs dont 2 originales. Paulo Picasso, né le 4 février 1921, premier et unique enfant de Pablo Picasso et Olga Khokhlova, danseuse de ballet russe, première épouse du peintre dont le mariage fut célébré en 1918 à Paris. Dédicacé par l'auteur.

Slipcase. Etat : Very Good. No Jacket. Condition: Very Good +; Deluxe Edition of this issue of Derriere Le Miroir dedicated to Joan Miro and including 3 original lithographs was limited to 150 copies on Lana Vellum numbered and signed by the artist. Signed by Miro in pencil on limitation page. This is copy #119 of 150 printed. Loose leaves in illustrated wraps housed in a black cloth chemise and slipcase. 3 original lithographs(2 are double page) and 6 color lithographs after Miro(4 are double page). Text by Pierre Alechinsky. The loose leaves and lithographs in excellent condition with no tears or soiling. Chemise shows just a touch of rubbing and the slipcase has a bump and tear on the lower corner. Photos upon request.

First edition, first printing, presentation copy, inscribed by Miró and the authors to the French philosopher and intellectual Georges Bataille, with a printed card ("Hommage de l'Éditeur") loosely inserted. The three Surrealists have inscribed the first blank: "à georges [sic] Bataille, son ami, l'alli Prevert", together with a small drawing of a man, perhaps a self-portrait; "Cher Bataille, en toute amité de G. Ribemont-Dessaignes", embellished with a sketch of a leaf; and "avec la vieille amité de, Miro [sic]!". The founder of numerous journals and literary groups, Bataille was a key figure in surrealist circles, despite his dislike of surrealism's self-proclaimed founder André Breton. He wrote extensively on eroticism, mysticism, and the irrational, and his friendship was a source of inspiration for Miró, who "diplomatically and artistically navigated between two branches of surrealism - Breton and Bataille - while venturing into commercial galleries and creating theatrical scenery" (Oistenau). Bataille appears in Miró's artwork, including Musique, Seine, Michel, Bataille et Moi (1927), and Bataille's 1929 article "Le Gros Orteil" ("The Big Toe") prompted Miró to fill a large notebook with images of the digit. Cramer 39. Valery Oistenau, "Joan Miro: Painting and Anti-Painting 19271937", Brooklyn Rail, 2 Nov. 2008. Quarto. With 160 colour and black-and-white illustrations after artworks by Miró and 8 original colour lithographs, of which 3 fold out, and 2 original lithographs on the dust jacket. Original stiff drab card wrappers. With lithographic dust jacket. Housed in a custom grey card chemise and slipcase. Edges toned, slight lean to spine; spine of unclipped jacket toned, edges a little rubbed, short closed tear at foot of front panel: a near-fine copy in like jacket.

couverture souple. Paris 5 juin 1974 | 16.50 x 24.50 cm | une page sur un double feuillet | Poème autographe d'André Pieyre de Mandiargues signé A.P.M. et daté du 5 juin 1974 intitulé "Le plus libre graveur" et qu'il dédia à Joan Miro . Rédigé au stylo bille noir sur un feuillet, le poème, de 44 lignes, comporte quelques ratures et ajouts manuscrits ainsi qu'un ajout de feuillet découpé et encollé en angle inférieur droit du poème. Ce texte tout à la gloire du peintre Joan Miro et de son stylefut publié dans la revueXXesiècleen décembre 1974 : "Feu d'air ou feu de terre Feu de feu ou feu d'eau Le haut feu de Miro Se fait esprit de sel Acide ardent fumant Machoîre du dieu ivre Qui va mordre le cuivre. . Parfois il grave sur le givre il invente le regard il noie le soleil Il l'ébouillante Parfois il balance l'homme Il bascule la demoiselle, . La grande lingerie des noirs Des bleus des rouges des roses Des jaunes et des verts Claquant au vent de Majorque Un grand pavois d'allégresse Imposé au blanc d'une page." Beau poème d'André Pieyre de Mandiargues magnifiant le style foisonnant de couleurs vives du peintre et graveur Joan Miro. | [ENGLISH DESCRIPTION ON DEMAND].