Langue: anglais
Edité par Magna Large Print Books, 1998
ISBN 10 : 0750512180 ISBN 13 : 9780750512183
Vendeur : Better World Books Ltd, Dunfermline, Royaume-Uni
EUR 11,37
Quantité disponible : 1 disponible(s)
Ajouter au panierEtat : Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.
Langue: anglais
Edité par Skipton, North Yorkshire, United Kingdom: Magna Large Print Books, 1998
ISBN 10 : 0750512180 ISBN 13 : 9780750512183
Vendeur : D2D Books, Berkshire, Royaume-Uni
EUR 8,37
Quantité disponible : 1 disponible(s)
Ajouter au panierHardcover. Etat : Very Good. No Jacket. Magna Large Print Books 1998 hardback, ex library book with usual label removed, markings and stamps but in VERY GOOD CLEAN TIGHT READING ORDER. Full refund if not satisfied. 24 hour despatch. Will go via Surface Mail outside Europe.
Langue: anglais
Edité par Constable & Company Limited, London, 1996
ISBN 10 : 0094749604 ISBN 13 : 9780094749603
Vendeur : Raymond Tait, Beccles, SUFFO, Royaume-Uni
Edition originale
EUR 6,06
Quantité disponible : 1 disponible(s)
Ajouter au panierOriginal Cloth. Etat : Very Good. Etat de la jaquette : Very Good. Pastor, Terry (illustrateur). First Edition. A little light marking to the boards. Browning to edges of pages. Other than browning around the edges the pages are unmarked. Jacket has a little rubbing at the edges Jacket illustration by Terry Pastor. First printing.
Edité par London: Constable, 1996., 1996
Vendeur : Cornell Books Limited, Tewkesbury, Royaume-Uni
Membre d'association : PBFA
Edition originale
EUR 12,13
Quantité disponible : 1 disponible(s)
Ajouter au panierEtat : Near Fine. First edition (hardback). 8vo (22cm by 14cm), 188pp. Original black cloth, dustwrapper. The text pages are a little tanned, else the book and the dustwrapper are in very good condition. ISBN 0094749604.
Edité par CONSTABLE, 1993
Vendeur : ROWENA CHILDS, BURY ST EDMUNDS, Royaume-Uni
Edition originale
EUR 7,28
Quantité disponible : 1 disponible(s)
Ajouter au panierHardcover. Etat : Very Good. Dust Jacket Included. 1st Edition. Hardback published by Constable 1st edition 1993 VG browning to page edges in VG+ dustwrapper.
Vendeur : Broadhursts of Southport Ltd, Southport, Royaume-Uni
EUR 30,31
Quantité disponible : 1 disponible(s)
Ajouter au panierCloth. Etat : Near Fine. N/A (illustrateur). 1. Publication: London, Constable, 1996 Formatting: 8vo, pp. [viii], 224. Condition Report: Near Fine. This copy is remarkably well-preserved, retaining a tight, square, and seemingly unread feel. The original black cloth boards are sharp and clean, with gleaming lettering and the publisher's device to the spine. The binding remains entirely firm, with perfectly sound hinges. Internally, the pages are exceptionally clean and free of foxing, displaying only the faintest, uniform age-toning to the text block edges. The striking dust jacket is crisp and unclipped, showing the original publisher's retail price, with only the most trivial hints of shelf-wear to the extreme edges. A superb, collector-quality example. Catalogue Note: First edition, first impression. Released under the esteemed 'Constable Crime' imprint, the book is a testament to Ormerod's reputation for crafting traditional, intellectually satisfying detective fiction. The dust jacket, typical of the imprint's literal visual style, features a bold still-life photographic composition of artists' tools, a scalpel, a spray paint can, and a blood-dipped paintbrush, thematically anchoring the mystery within the art world. Unclipped, first-edition copies of Ormerod's works in such crisp condition remain an excellent acquisition for enthusiasts of modern British crime and suspense. In this intricately plotted novel of suspense, the recurring detective duo of Philipa Lowe and Oliver Simpson are drawn into a web of artistic jealousy and misplaced revenge. Following the murder of the artless Elise, a young woman abruptly presents herself to Philipa, confessing to the crime with a strong, albeit misdirected, motive. Convinced that the victim was entirely the wrong target for the confessed killer's revenge, Philipa must look past the obvious to protect her and unmask the true culprit. The key to unravelling the logic lies in a seemingly simple artist's tool: a sketching pastel appropriately known as 'sanguine', the very colour of blood.