landscape etching (202 résultats)

PAP. Etat : New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Etat : Good. No Jacket. Shelf and handling wear to cover and binding, with general signs of previous use. **Hardcover 1905 J.B. Lippincott printing.** Previous owner's signature on front free end page. Moderate loosening to binding. Secure packaging for safe delivery.

PAP. Etat : New. New Book. Shipped from UK. Established seller since 2000.

PAP. Etat : New. New Book. Shipped from UK. Established seller since 2000.

PAP. Etat : New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Etat : Used - Good. Chicago: Frederick J. Drake & Co., copyright 1906. 153 pages. Illustrated. 8.5 x 6", pictorial cloth. Cover rubbed, owner name, VG.

HRD. Etat : New. New Book. Shipped from UK. Established seller since 2000.

HRD. Etat : New. New Book. Shipped from UK. Established seller since 2000.

HRD. Etat : New. New Book. Shipped from UK. Established seller since 2000.

HRD. Etat : New. New Book. Shipped from UK. Established seller since 2000.

Etat : Good. Etat de la jaquette : No Dust Jacket. First Edition; First Edition. Viii + 100 pages with frontis plate illustrating four engravings. Notes and Memoranda on Turners engraved series Liber Studiorum, by John Pye, Edited , with additional observations, by John Lewis Roget. Bound in quarter leather & cloth. The top and lower edges of the spine are missing, otherwise a clean, very good copy with slight wear & slight soiling to spine, covers & corners. ; "Notes and Memoranda Respecting the Liber Studiorum of J. M. W. Turner, R. A. ," written and collected by the late John Pye, is an essential scholarly work that delves into the artistic nuances and historical significance of Turnerâs Liber Studiorum. This compilation, based on the notes of John Pye, an esteemed engraver, offers a detailed analysis of Turner's collection of prints, intended to educate both artists and connoisseurs in the principles of landscape painting. Pyeâs observations provide insights into Turnerâs techniques, thematic choices, and the innovative use of light and shade that characterizes the Liber Studiorum. The book also discusses the broader context of Turnerâs work, including his influence on the Romantic movement and his enduring legacy in British art. Pyeâs meticulous collection of memoranda not only serves as a valuable resource for art historians and enthusiasts but also enriches the understanding of Turnerâs creative vision and his profound impact on the art of landscape painting. Through this work, readers gain a deeper appreciation of Turnerâs artistic mastery and his philosophical approach to the natural world. ; Hardback; 21.7 x 13.7 cms; 100 pages Quarter Pig Leather with cloth boards.

Hard Back. Etat : Book Very Good/Very Good +. Etat de la jaquette : No Dustjacket. Presumed First Edition. 101 pages.Very clean brown binding - a library binding - with bright gilt titles to spine with library number at foot. Former Lambeth Public library reference copy book plate pasted to inside of front board, library stamp to title page with ink date stamp on verso o/w contents very clean. Four small sepia etchings by Roget as frontispiece.

Etching & Aquatint in Folder. Etat : Very Good Plus. Michael Foreman (illustrateur). Limited Edition. An Etching & an Aquatint in a printed folder. A limited edition of 500. Dispatched Royal Mail First Class with tracking next working day or sooner securely boxed in cardboard. ref jns.

Paperback. Etat : New. Print on Demand. This book delves into the captivating realm of painting, guiding aspiring artists through a comprehensive exploration of techniques, principles, and historical context. It emphasizes the foundational importance of drawing, highlighting its role in understanding form, light, and shadow. The author's insights extend beyond technical instruction, offering a rich understanding of color theory and its application in capturing the essence of a subject. Readers are invited on a journey through the evolution of artistic expression, tracing the lineage of influential schools and masters from the Renaissance to the present day. The book delves into the distinctive characteristics of various artistic movements, shedding light on the classical traditions of Italy and France, as well as the unique approaches of English and Dutch painters. The author's analysis of renowned artists such as Leonardo da Vinci, Rembrandt, and Velasquez provides valuable insights into their methods and the enduring impact of their work. This book is not merely a technical manual but a philosophical exploration of the artistic process. It challenges readers to develop their own unique style while drawing inspiration from the masters of the past. By understanding the interplay of drawing, color, and light, aspiring artists can unlock the secrets of creating paintings that evoke emotion, capture the beauty of the world, and leave a lasting impression on viewers. This book is a reproduction of an important historical work, digitally reconstructed using state-of-the-art technology to preserve the original format. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in the book. print-on-demand item.

Etat : New.

Gebunden. Etat : New. KlappentextThis work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original w.

No Binding. Etat : Very Good. William Etty (illustrateur). A fine original antique etching . . . Mounted and ready to frame . . Very good condition, . A splendid opportunity to acquire an antique original etching - decorative, attractive and scarce . A splendid plate - Landscape study after William Etty circa 1890.

OriginalKupferstich-Portrait von ca. 1700 - Blatt-Maße ca. 10 x 11,5 cm - gut erhalten | original copper engraving portrait from circa 1700 - good condition. | // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Deutsch Gewicht in Gramm: 10.

Buch. Etat : Neu. Neuware - This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

No Binding. Etat : Very Good. An Antique Etching Printed Circa 1890. Mounted (matted) and ready to frame. A fine decorative Etching.

No Binding. Etat : Very Good. An Antique Etching Printed Circa 1890. Mounted (matted) and ready to frame. A fine decorative Etching.

No Binding. Etat : Very Good. An Antique Etching Printed Circa 1890. Mounted (matted) and ready to frame. A fine decorative Etching.

No Binding. Etat : Very Good. An Antique Etching Printed Circa 1890. Mounted (matted) and ready to frame. A fine decorative Etching.

original Radierung von Mössmer nach Molitor aus der Zeitschrift "Faust" von 1856 - Blatt-Format: ca.35 x 24,5 cm- im Außenrand teils leicht fleckig, sonst gut erhalten. | Dies ist ein Original! - Kein Nachdruck! - Keine Kopie! -- This is an original! - No copy! - No reprint! // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Deutsch Gewicht in Gramm: 1500.

no binding. Etat : very good. This finely executed photogravure titled SHERE is an original etching by Percy Robertson, R.P.E. (Royal Society of Painter-Etchers), published in the 1892 edition of The Magazine of Art by Cassell & Company, Ltd, with offices in London, Paris, and Melbourne. The image depicts the picturesque village of Shere, nestled in the Guildford district of Surrey, England, celebrated for its quintessential rural charm and historic architecture. The scene presents a tranquil view of the village in late autumn or early winter, with bare trees arching above a winding stream in the foreground and a woman standing solitary in a frost-kissed meadow. In the mid-ground, a narrow footbridge leads to a cluster of figures gathered near a church, its steeply pitched spire rising prominently among the trees. A horse-drawn cart and villagers along the path imbue the composition with pastoral life and gentle movement. The church, likely St. James' Church, anchors the spiritual and architectural heart of the village. The surrounding cottages, thick foliage, and soft tonal gradations enhance the idyllic atmosphere, showcasing Robertson's sensitivity to both place and season. At lower left, the print is signed "Percy Robertson R.P.E.", and the label affixed at bottom center reads: SHERE (Original Etching by Percy Robertson, R.P.E.), confirming its status as a signed original etching rendered in photogravure, a medium prized for its ability to capture fine detail and subtle shading in printmaking during the Victorian era. IMAGE SIZE: approx 9 1/2 x 6 1/2 Inches CONDITION: Cropped from original,As scanned. Heavy card stock. Signature in print .The image has beautiful depth and detail. Blank on Reverse side. This beautiful rare item would look great matted and framed. An art supply store can provide you with a selection of frames for old art treasures. This is a GENUINE Antique PRINT It is NOT a modern reproduction, ie. a laser scan, photocopy etc. It is the original from the Antique publication. This print was published on the date mentioned, or circa of the date mentioned at the top of the page. The term "print" is referred to an image on a piece of paper. The print I have for sale, like many antique maps prints that you see online, originate from an antique book or atlas publication. The publication may not always be known. If you have any questions, emails are welcome.

Etat : Sehr gut. Zustand: Sehr gut | Sprache: Englisch | Produktart: Bücher | Keine Beschreibung verfügbar.

Etat : Hervorragend. Zustand: Hervorragend | Sprache: Englisch | Produktart: Bücher | Keine Beschreibung verfügbar.

Original Kupferstich von Gabriel Perelle (1604-1677) aus dem 17. Jahrhundert. -- Blattmasse: ca. 21 x 11 cm. Plattenmasse: ca. 21 x 11 cm. -- etwas fleckig, knapprandig, sonst gut erhalten. || Original copper engraving by Gabriel Perelle (1604-1677) from the 17th century. -- somewhat stained, closely trimmed, otherwise in good condition. || Gabriel Perelle (1604-1677) und seine Söhne waren Pariser Kupferstecher im 17. Jahrhundert. Sein Hauptwerk konzentriert sich auf Schloss- und Gartenansichten sowie Landschaften. In seinem Atelier arbeiteten zeitweise die Söhne von Jacques Callot. 1665 wurde er von Ludwig XIV zum Directuer des Plans et des Cartes du Cabinet du Roi ernannt. // Gabriel Perelle (1604-1677) and his sons were Parisian engravers in the 17th century. His main work focuses on castle and garden views as well as landscapes. At times Jacques Callot's sons worked in his studio. In 1665 he was appointed Directeur des Plans et des Cartes du Cabinet du Roi by Louis XIV. || Dies ist ein Original! - Kein Nachdruck! - Keine Kopie! -- This is an original! No copy! - No reprint! // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Französisch Gewicht in Gramm: 10.

Engraving. Etat : Very Good. Etat de la jaquette : No Dust Jacket. This original engraving is in very good condition, full borders as published, images available. ; 9" x 6".

On F. J. Head & Co. laid paper. Dimensions of paper: 23 x 29cm. Dimensions of plate: 17.5 x 25cm. In fair condition, lightly aged and creased. A wonderful watery view of a winding country river and trees. Inscribed in pencil on the reverse: 'To Father Richard. This is working Proof for drypoint "The River" | Robin Wallace July 1927'. Wallace, a well-known painter of landscapes and still life subjects in oil and water-colour, was born at Kendal in the Lake District and studied in Kensington at the Byam Shaw and Vicat Cole School of Art. He exhibited at the Royal Academy from 1922, and at the Royal Institute of Oil Painters, the Royal Institute of Watercolour Painters, and with the Lake Artists' Society. He had one-man shows at Barbizon House and Colnaghi's, and was a full member of the Royal Society of British Artists. From Wallace's own papers. See Image.