last year marienbad de robbe grillet alain (64 résultats)

Paperback. Etat : New. A man tells a woman that they have met before - that they became lovers but then agreed to separate for a year. The year is now up, and he has come back for her. At first, she remembers nothing, but as he relates their past together, real or imaginary, snapshots of memory appear - and she begins to believe him. As more details begin to re-emerge from the woman's mind, the reader is shunted backwards and forwards between the past and the present, the actual and the illusory, that which is seen and that which is only glimpsed and guessed at. The director Alain Resnais was already famous for films such as Hiroshima, Mon Amour when he asked Alain Robbe-Grillet - the author of several seminal novels, including Jealousy and The Voyeur, and the leader of the Nouveau Roman school - to write a script for him. The result was Last Year at Marienbad, a film that, as well as winning the Golden Lion at the 1961 Venice Film Festival, has enthralled the critics, fascinated the public and become one of the greatest cult classics of modern cinema.

Etat : Good. Used book that is in clean, average condition without any missing pages.

Paperback. Etat : Fair. No Jacket. Former library book; Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less 0.65.

Soft cover. Etat : Fair. No Jacket. Presented as a "cine-novel", in essence an edited shooting script with stills from the resulting Alain Resnais film. Foxing early and late and toning to page edges. Card covers worn and marked. Best regarded as a (pleasingly authentic) reading copy. This is a charity sale for Friends Of Morston Church (reg.10999831). 8vo. 151pp.

Hardcover. Etat : Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less 1.74.

2nd printing. 8vo. Original silver lettered red cloth (VG), dustwrapper (VG in protective cover, not price clipped). Pp. 150, illus with b&w photos (ex public library with usual stamps and markings).

Soft Cover. Etat : Good. 2025 janScript center light surface wear.

Paperback. Etat : Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Etat : Good. First edition of the English translation of one of the greatest classics of the cinema. Cover is somehat stained and faded, and the spine is tanned. Edges are scuffed. Front hinge is beginning to split. Pages are clean. Numerous black and white photographs. 8vo.

Soft cover. Etat : Very Good. scuffing and tearing along edges and corners. shelf wear on spine.

8vo. First edition. Near fine, some rubbing to corners of spine.

Hardcover. Etat : Very Good. Etat de la jaquette : Very Good. 1st Edition. First UK Edition, First Printing. This is a first edition, first printing (first impression).Original Dust Jacket present, not price clipped, loss to bottom corner at rear. Off setting to end pages, spotting to edge of text block, Tightly bound.

Paperback. Etat : Good. First Edition. First Printing stated. Trade paperback with edgewear and scuffing. Previous owner's name to first page, a few lines underlined in introduction and one page number alongside text. Illustrated. 1st Printing.

Soft Cover. Etat : Very Good. No Jacket. First Edition. 151pp. 7.9 inches/ 20cm. No dw. Card covers, with illustration from the film. Slight overall wear, (rubbed spine fold, lightly creased front corners), lib label to base of spine. Internally ex-university lib stamps and notations to endpaper, else vg. Illustrated profusely with 3 groups of 8 plates, 2 photos per plate of scenes from the film, 48 total, all b/w. Text in English, translated from French by Richard Howard. Engrossing Introduction to the making of the film in collaboration with Alain Resnais, followed by the script. 250g. (Film, French, Sixties, Arts).

Etat : Poor. This book has soft covers. Ex-library, With usual stamps and markings, In poor condition, suitable as a reading copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,300grams, ISBN:

Hardcover. Etat : Very Good. Apparent First. -------Dark cloth covers, thin hardcover book, 8" tall, with bright spine lettering. 151 pages, with 3 sections of photos.VERY GOOD CONDITION- - no dust jacket.

Etats-Unis, Grove Press, New York, 1962, an Evergreen Original. In-8 broché de 168 pages au format 20 x 13,5 cm. Couverture illustrée. Dos carré légèrement bruni. Plats et intérieur frais malgré d'infimes frottis aux coins et de petites traces de pliure au 4ème plat. Ciné-Roman, illustré de 140 photographies en noir, extraites du film réalisé par Alain Resnais. Ce livre est le scénario du film, incluant le découpage et les dialogues, précédé d'une introduction de l'auteur. Ce fut la version qu'Alain Robbe-Grillet remit à Alain Resnais avant le tournage du film et qui présente de très légères variantes avec ce dernier. Traduction de Richard Howard. Maquette de Robert Hughes. Photographies des auteurs en frontispice. Filmographie de Alain Resnais en fin d'ouvrage. Rare édition originale américaine en très bel état général. L'Année dernière à Marienbad est un film en noir et blanc réalisé par Alain Resnais en 1961. Il reçoit le Lion d'or à la Mostra de Venise la même année. Le scénario et le découpage sont d'Alain Robbe-Grillet, lui-même inspiré du roman de Alain Robbe-Grillet. Scénario et dialogues de Alain Robbe-Grillet. On trouve dans les rôles principaux ; Delphine Seyrig, Giorgio Albertazzi, Sacha Pitoëff.Primé à la Mostra de Venise de 1961 par le Lion d'or, cette oeuvre a suscité bien des remous parmi les critiques et les spectateurs.

Soft cover. Etat : Very Good. Softcover. First Printing. New York: Grove Press, 1962. "Last Year at Marienbad" text by Alain Robbe-Grillet, for the film by Alain Resnais. Translated by Richard Howard. SIGNED by Alain Robbe-Grillet on the title page. SIGNED & INSCRIBED to the previous owner, bookseller Glenn Horowitz, by translator Richard Howard on the title page. Softcover wrappers show light wear and signs of use. Front hinge is somewhat weak but holding well and binding is otherwise sound. Interior pages are clean with no writing or similar marks. RARE!

Softcover. Etat : Near Fine. Etat de la jaquette : No Dust Jacket. First Edition; First Printing. First trade edition. (After a limited edition of 90 copies) From the library of the noted poet and translator Nathaniel Tarn with some of his penciled notes at margins in text. Near fine in paperback wrappers with the elusive Le "Lion d'or" a' Venise" wrap-around- paper band present. (About half the text remains uncut, with the nap of a few pages overlapping. Small pen tick on front cover. ) (172pp. ) Text in French.48 photos from the acclaimed Alain Resnais' film are interspersed between text. Robbe-Grillet's novel is accompanied by commentary on the film. Uncommon. ; 5 3/4" x 7 1/2"; 172 pages.

Unbound. Etat : Very Good. Movie program. One small quarto sheet folded to make four pages. Measuring approximately 5" x 8½" closed. Outer pages heavily toned, hold horizontal crease, about very good with a couple of brief notes penciled in French on the final page. The first page introduces you to this film of "rare visual beauty" with statements like "The film you are about to see will, in all probability, upset every normal viewing habit you have formed" and "Allow it to guide you without fear of losing yourself"; the interior prints the movie's plot (so to speak); and the final page prints the film's credits. An interesting document regarding a polarizing New Wave film.

Vintage snapshot size photograph of Alain Resnais on the set of the 1961 film. With manuscript annotations in pencil and a press agency stamp on the verso of each. An enigmatic, dreamlike film, about a man and a woman who meet at a party, where he insists they have met before, and she that they haven't. Nominated for an Academy Award for Best Original Screenplay. Shot on location in Germany and France. 3.5 x 5 inches. Fine. Criterion Collection 478. Ebert I. Godard, Histoire(s) du cinema. Rosenbaum 1000. Schrader 25. Vogel, Film as Subversive Art.

Vintage borderless reference photograph of director Alain Resnais setting up a shot with a camera crew on the set of the 1961 French film. Stamp specific to the film's French release on the verso, along with manuscript ink and pencil annotations. An enigmatic, dreamlike film, about an unnamed man and woman who meet at a party, where he insists they have met before, and she that they haven't. Shot on location in Germany and France. 7 x 9.25 inches, with a wide bottom margin. Near Fine. Criterion Collection 478. Ebert I. Godard, Histoire(s) du cinema. Rosenbaum 1000. Schrader 25. Vogel, Film as Subversive Art.

Vintage reference photograph of director Alain Resnais with a camera on the set of the 1961 French film. Manuscript ink and pencil annotations to the verso. An enigmatic, dreamlike film, about an unnamed man and woman who meet at a party, where he insists they have met before, and she that they haven't. A divisive film, viewed by critics as either an ambiguous, surreal masterpiece or an incomprehensible mess. Shot on location in Germany and France. 7.25 x 5.25 inches. Near Fine. Criterion Collection 478. Ebert I. Godard, Histoire(s) du cinema. Rosenbaum 1000. Schrader 25. Vogel, Film as Subversive Art.

Collection of six vintage reference photographs from the 1961 film, two borderless, two with bottom margin and one vertical photograph with left margin. "L'Annee Derniere a Marienbad" stamp on versos. Three photos shown. Please inquire for others. An enigmatic, dreamlike film, about a man and a woman who meet at a party, where he insists they have met before, and she that they haven't. Viewed as either ambiguous, surreal masterpiece or an incomprehensible indulgence, with almost no middle ground. Nominated for an Academy Award for Best Original Screenplay. 7 x 5 inches. Very Good plus, with light edgewear, one with creasing at left corners. Criterion Collection 478. Ebert I. Godard, Histoire(s) du cinema. Rosenbaum 1000. Schrader 25. Vogel, Film as Subversive Art.

Vintage borderless reference photograph of director Alain Resnais and actress Delphine Seyrig on the set of the 1961 French film. Stamp specific to the film's French release on the verso, along with two "Photofest" stamps. alexander An enigmatic, dreamlike film, about an unnamed man and woman who meet at a party, where he insists they have met before, and she that they haven't. Shot on location in Germany and France. 7 x 9.25 inches, with a wide bottom margin. Near Fine. Criterion Collection 478. Ebert I. Godard, Histoire(s) du cinema. Rosenbaum 1000. Schrader 25. Vogel, Film as Subversive Art.

Etat : Fine. Number of books: 1.

Etat : Fine. Number of pages: 312p Size of print: 19cm Number of volumes: 1.