le paysan de paris de aragon, Edition originale (18 résultats)

Paperback. Etat : Very Good. Etat de la jaquette : No Jacket as issued. 1st Edition. 4e trimestre 1966. A firm, clean copy with no creases. Contemporary map of the Buttes-Chaumont copied from Les Guides Bleu Paris et ses environs 1924 loosely laid in.

N.R.F. 1948. In-8° broché. 252 pages. Mention de 17e édition (E.O. en 1927). Très propre.

Softcover. Etat : Wie neu. 1. Auflage. Reihe Passagen. Das "Pariser Landleben" aus dem Jahr 1926 ist ein Hauptwerk des französischen Surrealismus und bedeutet einen kühnen Bruch mit den erzählerischen Konventionen seiner Zeit. Aus dem Französischen von Rudolf Wittkopf, Nachwort von Elisabeth Lenk. Sehr sauberes schönes Exemplar, 275 Seiten, 11.5 x 19 cm, 302 g.

Hardcover. Etat : Near Fine. Etat de la jaquette : Very Good. 1st Edition. Darkening to back panel of jacket.

Hardcover. Sehr guter Zustand. Aus dem Französischen. Broschur, 275 Seiten, mit mehreren Abbildungen auf (unpaginierten) Tafelseiten. Erste deutsche Ausgabe in erster Auflage. (Auflage 2500 Exemplare.) Gewicht: 400.

Hardcover. Etat : Good. Etat de la jaquette : Good. 1st Edition. Hardcover with DJ. Tan marbled paper over boards with black cloth and gilt lettering over spine. White and pink illustrated DJ with black lettering. Copyright page dated 1970. 176 pages. Covers clean and square. DJ toned but clean and whole. Text free of marks. Binding strong. This edition translated by Frederick Brown.

Original Cloth-Backed Boards. Etat : Fine. Etat de la jaquette : Very Good. First Edition of This Translation. Unclipped dust jacet with two short edge tears.

Hardcover. Etat : Fine. Etat de la jaquette : Fine. 1st Edition. 1970 Prentice Hall Hardback New library of French Classics. 1st edition thus. First English-language translation of this key Surrealist text, originally published in France in 1924. Fine clean tight copy, in fine unclipped dustjacket. No stamps or inscriptions, a clean bright copy.

Hardcover. Etat : Fine. Etat de la jaquette : Near Fine. 1st Edition. First English-language translation of this key Surrealist text, originally published in France in 1924. Translated by Frederick Brown. Englewood Cliffs, NJ: Prentice-Hall, 1970. First edition. Octavo, 9-1/8 x 6 in. 176pp. Decorative papered boards backed with blue cloth; gilt spine titles; dust jacket. Spine gilt a trifle rubbed. Else fine in a near fine, unclipped ("$7.95") jacket with some rubbing/soiling to rear panel.

Ownership Signature of Roger Cardinal on endpaper with some of his marginal markings in the text, VG bright tight copy in cloth backed decorated boards in like slightly dusty dustjacket. 1st edition. Illustrated throughout. In the New Library of French Classics Series.Roger Cardinal was one of BritainÕs most distinguished art historians, best known for defining what is generally known as Outsider Art - that is, art by people with no formal training. He began his career as a lecturer at the French department of the University of Manitoba, Canada, subsequently moving to Warwick University and finally to the University of Kent at Canterbury, where he taught for fifty years and held a professorship.Roger Cardinal was not only a leading authority on Outsider Art, but also on Surrealism. He was a prolific writer and a master of literary style. His eloquent, percipient writings include several books on a wide range of subjects such as Outsider Art (1972), German Romantics in Context (1975) Figures of Reality (1981), Expressionism (1984), The Landscape Vision of Paul Nash (1989), The Cultures of Collecting (1994), and Kurt Schwitters (2011). He also acted as a curator and was a regular contributor to art-historical publications.CardinalÕs interest in art lay in its margins - the neurodiverse, psychotic, uneducated, autistic, self-taught and ÔotherÕ. His fascination with artists such as the violently psychotic Adolf Wlfli lay in their creativity rather than in the sensationalism of their lives. Certainly, it did not lie in the resale value of their work. That outsider art should have its own multimillion-dollar annual fair in New York and specialist departments at ChristieÕs auctioneers ran quite contrary to CardinalÕs thinking.

Premiére éditions. 19 x 12 cm. 252 pages. Broché. Bon état général. Trés Bon exemplaire. Intérieur propre malgré de légéres rousseurs éparses. Exemplaire numéroté: 286, un des 900 ouvrage déstinés aux Amis de l'édition originale in-octavo couronne sur papier vélin pur fil Lafuma-Navarre. / One of the great works by this co-founder of surrealism, a prose poem which created a "modern mythology, revealing the wonders of city life and celebrating the fusion of imagination and reality in a virtuoso style." One of 900 copies for amis de l'edition in a total first printing of 1053 copies. A very good+ copy with some dark shelf residues to bottom edge. Ce livre est né d'un sentiment inédit du paysage parisien. Comme un paysan ouvrant à tout de grands yeux, le poète nous apprend à voir d'un regard neuf les passages, les boutiques des coiffeurs à bustes de cire, les bains, les immeubles les plus ordinaires, les affiches, les extraits de journaux, semblables aux collages des peintres. Deux morceaux célèbres du livre, Le Passage de l'Opéra et Le Sentiment de la nature aux Buttes-Chaumont donnent l'éveil à " la lumière moderne de l'insolite ". Deux autres textes essentiels du Paysan de Paris : Préface à une mythologie moderne et Le Songe du paysan, en. sont à la fois l'introduction et la conclusion, le point de départ et le point d'arrivée d'une pensée prise dans sa variation. --Ce texte fait référence à l'édition de Poche.[www.amazon.fr]. Sprache: français.

couverture souple. In Le Point | Souillac 1939 | 18 x 24.50 cm | broché | Edition originale. Iconographie. Dos et plats légèrement et marginalement insolés sans gravité, gardes légèrement et partiellement ombrées, agréable état intérieur. | [ENGLISH DESCRIPTION ON DEMAND].

Broché. In-8°, 252p. Edition originale. Un des 900 exemplaires numérotés sur vélin pur fil réservés aux Amis de L'Edition Originale. Exemplaire à l'état de neuf, non coupé.

Couverture rigide. Etat : Très bon. Edition originale. (19 x 12,5 cm), 252pp, cartonnage bleu, dos lisse, pièce de titre en papier jaune, tête rouge, couverture originale conservée. Édition originale, un des 944 exemplaires sur vergé pur fil, celui-ci portant le n°301. Très bel exemplaire, couverture originale et intérieur en parfait état de conservation, dos et plats de la reliure insolés mais non frottés. ENVOI SOUS COLISSIMO ET EMBALLAGE GARANTI. L'OUVRAGE EST DISPONIBLE À LA LIBRAIRIE LA CARTOUCHE, SITUÉE AU 7 RUE DU JOURDAIN, 75020 PARIS (06 80 98 28 88).

Couverture rigide. Etat : Très bon. Edition originale. ab1323, ARAGON (Louis). Le Paysan de Paris. N.R.F, Gallimard, 1926. In-12, 252 pp. Edition originale. L'un des 900 ex. numérotés sur papier vélin de Lafuma-Navarre, celui ci numéroté 212. Demi-chagrin vert .Dos un peu insolé, couverture conservée, voir photos.

Paperback. Etat : Good. First Edition. Exemplaire Lettre e, des 14 hors commerce marqués de a à n. L'édition originale de cet ouvrage a été tirée à 1053 exemplaires et comprend: 109 réimposés dans le format in-quarto tellière, dont 9 hors commerce marqués de A à I, et 100 destinés aux Bibliophiles de la Nouvelle Revue Française, numérotés de I à C, 944 exemplaires in-octavo couronne sur papier vélin pur fil Lafuma-Navarre dont 14 hors commerce marqués de a à n, 900 destinés aux Amis de l'Edition originale numérotés de 1 à 900, et 30 exemplaires d'auteur hors commerce, numérotés de 901 à 930. 12mo.

Hardcover. Etat : Very Good. 1st Edition. Full gray woven Japanese fabric. Folio. 163pp. Lacking slipcase. Illustrated with a photogravure frontispiece and seven lithographs by Henri Cartier-Bresson. Newsletter laid in. Limited to 300 copies signed by the illustrator. A very good bright copy with minor wear to the cloth. Foreign postage will be extra and expensive on this large and heavy book. Signed by Illustrator(s).

Hardcover in Slipcase. Etat : Fine. Etat de la jaquette : No Dust Jacket. First Edition; First Printing. Limited edition. Copy number 3 out of 300 SIGNED by Cartier-Bresson on colophon. Illustrated with 7 original Lithographs and a Photogravure by Henri Cartier-Bresson. The Lithographs were pulled by Bruce Porter at his Trestle Editions studio in New York. The photogravure was printed by Jon Goodman on French-made Arjo Wiggins stock. Folio (12 x 16 inches). Laid-into grey-green silk slip case with interior felt linin. Book and slipcase are fine. The Photogravure frontispiece by Henri Cartier-Bresson is a portrait of writer Louis Aragon. A lovely production. ; 12" x 16".