Lessons posing subjects (10 résultats)

Soft cover. Etat : New. No Jacket. 1st Edition. New in plastic.

Spiral-bound softcover. Etat : Very Good. First. Binding tight and straight, inner pages clean and unmarked.

Soft cover. Etat : Very Good. Conceptual art/photography, of mostly pretty women, and a few girls and men. No marks in text, not a library book. Ships today from Tim's Used Books, Provincetown USA, in a cardboard enclosure.Shelf B.

Etat : Good. Promotional brochure. Folded card. 5.5" x 4.25" [4 pp.]. Color Plate. Very Good.Provenance: Richard A. Lorenz (1952-2001), author, art conservator,curator and director of the San FranciscoRegional Art Conservation Center. As a trustee of The Imogen Cunningham Trust, Mr. Lorenz organized and curatedexhibitions of Cunningham's photographs and authored four major books onthe photographer.…

Soft cover. Etat : Very Good.

Couverture souple. Etat : Neuf. ROBERT HEINECKEN LESSONS IN POSING SUBJECTS.

Paperback. Etat : Near Fine. Includes original thin poly outer sleeve. This sleeve has kept it Like New. Conservatively graded. Pages clean and binding tight, no visible shelfwear to covers. Inuqire for more detail or photos. 1.24.

No Binding. Etat : Near Fine. Postcard in near-fine condition, a little age-toned. Unmailed. Cards are sent in stiff mailers. Photo.

Couverture souple. Etat : Neuf.

Softcover. Etat : Fine. First Edition. Oblong 4to, Unpaginated (ca 80pp). Spiral bound boards. Numerous colour and Black & White plates. Text in English. One of 1000 copies. "Published on the occasion of the exhibition of the same title, this book presents the series Lessons in Posing Subjects which Robert Heinecken created in 1981-1982 and reproduced here in its entirety for the first time. Playing with the reality effect inherent to instant photographs, Heinecken re-contextualizes in this series images found in mail order catalogues, which he juxtaposes with ironic texts. At once seductive and full of humour, his 'lessons' are no less provocative, bearing witness to the commitment of this controversial artist, who considered his approach a form of 'guerrilla' artistic practice.".…