methode de baillot, Ancien ou d'occasion (18 résultats)

Etat : Fair. **FREE DOMESTIC SHIPPING until Monday, Sept. 22* small folio, 3 (sheet music), [i] (salutation from Baillot in German and French), 187 pp.; contemporary quarter leather & paper covered boards, now lacking the spine covering and disbound with both worn covers detached but present; text foxed, fair only. - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.

Softcover. Etat : Bon. Ancien livre de bibliothèque avec équipements. Couverture différente. Edition 1974. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Good. Former library book. Different cover. Edition 1974. Ammareal gives back up to 15% of this item's net price to charity organizations.

Etat : Used: Like New. Cartonné, comme neuf.

[2] Bll. 283 S. Sprache: Französisch Gewicht in Gramm: 2200 Gr.-4°. Gestochen. Besitzerstempel auf Titel u. Vorwort. Gelegentlich etwas fingerfleckig und einige kleine Bleistift-Eintragungen. HLdr. d. Zt. Ecken etwas bestossen, Rücken beschabt. Dazu: alphabetisches Inhaltsverzeichnis (S. 283-290, nicht in deiser Auflage gehörend; verso Seite 283 ist leer).

Both copies in BnF comprise 277pp. Size: Folio. [i (title)], 279pp. + 3 plates. Half leather (rubbed, corners bumped) with marbled boards. Some light foxing. Engraved. "It is significant of the changing times that Viotti, an Italian who came to Paris about the same time, nurtured the French school of Baillot, Rode, and Kreutzer, a school that exerted a most important influence on violin technique in the nineteenth century. Paganini, the last of the great Italian violinists, was the star and symbol of nineteenth-century violin virtuosity, but the true teacher of the nineteenth-century violinist was Baillot, a Frenchman" (David Boyden, The History of Violin Playing from its Origins to 1761, Oxford 1965, p.315).

Folio. 19th century vellum-backed marbled boards. 1f. (recto title, verso blank), [1] (printed dedication: "L'Auteur A Ses Eleves"), 2-10, 3ff. (illustrating the correct and incorrect ways of holding the violin and bow, printed on rectos only), 11-272, 273 ("Catalogue des Auteurs dont les compositions servent à l'enseignement dans les Classes du Violon du Conservatoire Compositeurs Morts, ordre chronologique" and "Auteurs Vivans, ordre alphabétique"), 274-275 ("Table Analytique des Matières), 276-279 ("Table Alphabétique des Matières" and "Articles Oubliés"), [i] (blank) pp. Engraved throughout. Contents include (in translation): Remarks on this new method; Introduction; Progress of the art; Notice regarding the order followed in this method -- The principles of technique -- Preparatory exercises; Scales of one octave -- The seven positions -- The scale -- Chromatic scales -- Melodic ornament -- Double and triple stops -- The bow -- Tone -- Timbre and character of the four strings of the violin -- Nuances -- Fingering; The minor mode -- Ornamentation -- Musical punctuation -- Holds and cadenzas -- Melodic and harmonic preludes -- Standard pitch -- On the natural in art -- Musical character: the accent that determines it -- Effect and means of effect -- How to practice -- Expression and means of expression -- Explanation of the signs used in this work -- Catalogue of the composers whose compositions are used in the violin classes at the Conservatoire national in Paris -- Analytical table of contents -- Alphabetical table. Binding slightly worn, rubbed, and bumped, head and tail of spine with minor chipping; endpapers creased. Minor foxing throughout, heavier to some leaves; several signatures loose, a few leaves partially detached; facsimile signature handstamp, embossed stamp, and French music seller's handstamp to title. An early reissue of the first edition published by Troupenas in 1834. "Baillot was the last representative of the Classical Paris school of violinists. A remarkable virtuoso . The founder in France of the first chamber music group of professional musicians, he made a major contribution to the diffusion of a hitherto unknown repertory (principally the quartets and quintets of Boccherini and Mozart and the quartets of Haydn and Beethoven) as a result of his 154 concerts . He also scheduled concerts of his own works . and those of his contemporaries (Cherubini, Onslow, and Mendelssohn, but also Kreutzer, Rode, Romberg, and Viotti among others). Respectful of the tradition he had inherited, he was responsible for a rediscovery of old music: J.S. Bach, Barbella, Corelli, Germiniani, Handel, and Tartini. A renowned and influential pedagogue, Baillot had numerous pupils, including Mazas, Sauzay, and Charles and Léopold Dancla. A prolific and talented composer, besides nine concertos and a symphonie concertante for two violins, he wrote 'airs' and 'thèmes variés', caprices and études, duos, trios, string quartets, and a sonata for piano and violin. Although his compositions are almost entirely forgotten, L'art du violon (1834) still holds its place as a standard work." Paul David, revised by Manoug Parikian and Michelle Garnier-Panafie in Grove Music Online.

Ca. 35 x 27 cm. 279 Seiten, mit Noten und drei lithographierten Tafeln. Halblederband der Zeit mit goldgeprägtem Rückentitel. Erste Ausgabe. MGG I, 1087ff (mit Abbildungen der Ausgabe bei Schlesinger). Platten-Nummern: 228 Bis bzw. B. et Cie. 7732. Eine Fußnote der Seite 5 erwähnt den soeben verstorbenen Violinisten Rodolphe Kreutzer (1766-1831). Text, Noten und Abbildungen lithographiert, die lithographierten Tafeln mit Abbildungen zur Körperhaltung und Bogenführung. Durchgängig gering stockfleckig, 2 Stempel von Musikalienhandlungen auf Titelblatt. Einband etwas berieben, Ecken bestoßen, vorderes Innengelenk verstärkt. Insgesamt schönes Exemplar der seltenen Violinschule.

Couverture rigide. Etat : Très bon. BAILLOT, RODE et KREUTZER. Méthode du Conservatoire pour le Violon. In-folio, sans date (c.1825), 80 pp. Belle copie manuscrite de l'édition adoptée par le Conservatoire. Reliure demi-parchemin de l'époque. Dos accidenté avec manque.

[2] Bll., 167 S. Sprache: Französisch Gewicht in Gramm: 350 Gr.-4°. Gestochen. HPgt. d. Zt. Ecken bestossen. Titel fleckig, flauer Abzug. Verlagsanzeige fast unleserlig.

Hardcover. Etat : Gut. Folio. Titel, 4 S. Verlagsverzeichnis, 1 Bl., 165 S., 2 unn. S. Wenig fleckig, 21 Bll. mit Wurmgang an der Blattkante, kleines durchgängiges Loch an der oberen Blattkante. Titel mit Verlegerstempel, 1 S. mit Stempel "Timbre Royal, Seine". Halblederband der Zeit. Ecken und Kanten bestoßen, Rücken und Deckel beschabt. Titelauflage der berühmten Violinschule, zugleich Hauptwerk des bedeutendsten Geigenvirtuosen seiner Zeit. Aus diesem von Baillot herausgegebenen Lehrwerk erwuchs die 1834 veröffentlichte "L'art du Violon" von Baillot selbst. Die beiden Werke fordern zum methodischen Vergleich geradezu heraus. Gemeinsam mit Rode und Kreutzer war Baillot Schüler des legendären Viotti. - CPM 3, 159 (datiert 1825?).

Etat : Very Good. Leipzig, Bureau de Musique de C. F. Peters, (1802?). Folio. Engr. title,+ 59 mostly engr. pp. Platenumber 235 & 426. Spotting. Bound together with:Exercices pour le violon dans toutes les positions et 50 variationes sur la Gamme par Rode, Kreutzer et Baillot. Supplément à la Méthode de Violon des mêmes auteurs. Leipzig, Breitjops und Härtel (). Folio. 35 lith. pp. Platenumber 2929. Spotting, the title- and the last leaf with paper repair. Contemporary half calf with gilt spine and marbled paper boards, the front board with hand written label. The Leipzig edition of the ?Methode de violon? by Rodolphe Kreutzer, Pierre Rode and Pierre Baillot. It was first published in Paris. The first part ends with a list of works for the violin published by Bureau de Musique.Rodolphe Kreutzer (1766-1831), Pierre Rode (1774-1830) and Pierre Baillot (1771-1842) are considered the founding trinity of the ?French school of violin playing?. Hardcover / Hardback.

Etat : 1800-1830. Violinschule von Rode, Kreutzer und Baillot Geordnet von Pierre Baillot Texte en allemand Leipzig, in Bureau de Musique von Hoffemister & Kuhnel XIXe siècle ca1805 59 pages 321.0v x26.0 cm Très bon état 052711 Violon.